Power in Numbers Exposed as Bullying

INTRODUCTION: Millions of aspiring artist, seek to become the next star but they have no idea of how to survive the business. Unlike other books written from a ‘safe’ perspective or from fear of losing future business, we provide the uncut truth with proof! SWP, LLC has compiled a set of books which shed light on the darkest side of big business and the ‘system’ that profits. It is through these titles that Lovelace has an opportunity to shed light on the tactics that are used to deprive rights, manipulate events which are used to facilitate public support. We have developed multiple intertwined, products and programs that expose unethical practices and that are both, beneficial and profitable. We also offer others the opportunity to utilize our invaluable products through our licensing rights options. This Blog is not just for the aspiring artists but it is also for those who are interested in learning how the world actually operates. See for yourself: https://exercisingmyright.wordpress.com/
These books call attention to the events that lead to major entities being exposed, corruption, greed, lies, hypocrisy and even murder – past to present!

 

Written By Tiwanda ‘Ne Ne’ Lovelace, Managing Member of SWP, LLC/7 West Publishing 
October 21, 2016 –  Written By Tiwanda ‘Ne Ne’ Lovelace 

Power in Numbers Exposed as Bullying

power-in-numbers-still-nobody-sees-comic-strip-half-a-page-for-lamination

Power in numbers is supposed to represent strength by individuals coming together as a united front usually in opposition or to attempt to right an injustice. In many cases, individuals are not recognized so the theory of ‘power in numbers’ can be useful in overcoming some obstacles.

However, in a world where so many people are different, disconnected and facing so many issues regarding their personal choices, we have seen ‘power in numbers’ take a turn for the worse. It would appear that ‘power in numbers’ has now escalated to simply bullying those who are different. 

 
What I find most disturbing is that even when supporting documentation is provided,
the evidence itself is never addressed and the guilty are never forced to
respond. Instead, the accuser is vilified and their credibility is questioned
and attacked.
In thirty years, rarely has there ever been anyone held accountable for blatant misconduct and abuse of power. I am going to defend myself so you can call it what you want to but I did not deserve (30) years of persecution for not succumbing to the whims of men.
 
Clearly, it has been brought to my attention that there have been individuals who have suffered atrocities stemming from decisions that were made in reference to music industry personnel. 
 
I made the decision not to work with specific individuals based on my experience with them and how I was treated. While at the same time, I had to get my name out there and let people see that I had talent. I soon found out that it wasn’t about talent. What I found was a lot of unhappy musicians who were trying for much longer to get there.
 
I had plans but what I didn’t realize is that my plans interfered with someone else’s plans.  If I felt the slightest bit of deceit, I was in the wind. I was moving too fast and I didn’t want to settle for someone that would shelf me or just steal my lyrics. I tend to do that when I sense that my best interests are not being looked after. Along the way I pissed off all the wrong people for not doing what others wanted.
 
After I made my decision, apparently it was decided that I was not going to succeed in the music business. Instead, I would be the next victim to experience being ‘black-balled.’ 
 
To be honest, I do not believe that there was ever any good intention with regards to me being allowed to have a career in music. There was an underlying grudge that always made me feel trapped so I just worked harder at pursuing my goals. This grudge was a combination of racism and something else because it was always some unnecessary evil. There was always a point to hurt me as if they were trying to hurt someone else through me.
 
Keep in mind that I had worked with a good number of local producers. I discovered much later that they were in cahoots from the start. During my time working with them, they each had access to my lyrics and melodies. I worked with a lot of production companies in Detroit but none of them offered a contract that involved any money. Even the talent shows that offered contracts never involved any money. 
 
They had some of my work but not more than one or two works, usually. After it was clear that I would not sign without some monetary incentive that is when the Co-Publishing agreement was presented. 
 
Take a moment and ask yourself, “which group does not recognize women and does not feel that women should handle money?” That would be the male chauvinist. Just to clarify, we have racism, sexism and black on black crime combined with major grudges but somehow…I am responsible for the outcome?
 
 It seemed odd that it would be from a major publisher out of New York since Detroit was so vested. Detroit producers refused to offer any monetary compensation, even after I produced good, usable lyrics and melodies to music tracks across different genres. They used those lyrics and still did not offer any compensation. 
 
Being ‘black-balled’ was not enough, it was decided that I would have to be taught a lesson. 
 

This lesson involved using my works against me. There were even songs released that contributed to disruption and instigated by having my name attached. The entire process facilitates betrayal, initiates competition among its writers/producers and battles for royalties. I never received a dime for all of my ‘works’ but I was forced to listen to my ‘gutted’ works reach the top of the charts. 

 
When all of those songs were being used, I was hurt and angry. Of course, anyone would be distraught. I did not belong to any group and because of who I was, there was no assistance.
 
The violence and angry public did not really start to apply real pressure until after David McPherson showed up, introducing himself as ‘Ce Ce.’ He was the A & R rep. for Jive (Zomba was their Publisher). Prior to this appearance, I had received an industry magazine which presented images and bios of a ‘who’s, who’ in the music business. Of course, I knew who he was but I did not know why he was in Detroit or at the same nightclub with me. I never told a soul! Besides, I didn’t have anyone to tell and because of who I am, I did not have to.
 
Shortly after his visit, an angry public began to vent and imply that something horrible had happened and it was my fault. Oh, I am never allowed to know the specifics but I always feel the blows. With each incident, I am blamed, persecuted and every attempt is made to induce suicidal actions. No one would have signed or stayed with anyone that refused them any monetary compensation. I had no idea of what was going on behind the scenes. It could have been any of these same people who rush to judgment. 
 
Detroit and New York. These cities have connections with multiple labels but they are independently, still in competition with each other.  This brings more violence and the industry seemingly, launched a full campaign to put it all on me; instead of addressing the entire situation.
 

As I fought for my works, I realized that this was more than just copyright infringements. 

My standing up for my works in my attempt to gain my freedom, exposed the inner workings of the industry. 

Their attempt to demonstrate a show of power and in their efforts to teach me a lesson, escalated into chaos. Now all of these groups and entities is telling everyone that it’s my fault. These same racist, sexist, male chauvinist and those who listen to the lies are literally calling me a murderer and wishing for my death. All the while, I have been kept in the dark but somehow…I am being held responsible for the outcome?

Almost every song that I had written was passed along for some type of payback or vendetta. It reminded me of the story that I had heard about a famous writing team where one of their girlfriends was actually writing the lyrics but was never given credit or monies. I was told that it wasn’t unheard of to emotionally abuse, reject and cause severe duress to influence suicidal actions. I was told that she killed herself and that’s what I was being forced to do. Wouldn’t you be pissed? 

It became more than being ‘black-balled’ and copyright infringements. 

Every time that I would seek assistance, it was thwarted and hindered with more violence.

One by one, the public would inflict torment and punishment while naming names, implying and inferring victims of this fiasco as – Paul Allen, Larry Hatcher, Larry ‘Roc’ Campbell.
The turmoil which began between Detroit and New York became the entire U.S. and abroad.

Each incident being solely placed at my feet. Every where that I go, there is some kind of horrible experience. I incur the wrath of every racist or Caucasian that feels that the violence is my fault. I incur the wrath of every African-American because the violence that has incurred against these African-American males is attributed to me. I even experience wrath from the Hispanic community based on violent events also stemming from others decisions.

 
Every possible group that is in a position to assist has been negatively impacted. 

What really amazes me is the number of African-American females who help by judging me harshly. Every time that I turn around, they seem to be pushing the hardest for my death. It as if they don’t see that it could have easily been either one of them. Male chauvinist and racist could care less about women and that is what is counted on. You would not have worked with either of them while they treated you like you were nothing. I am not responsible for the violence and it is convenient that everything falls on the outsider in order to appease everyone.

In all of these events, I have never been address directly or given any opportunity to defend myself without further being vilified!

I AM SO OVER PEOPLE LYING ON ME TO JUSTIFY THEIR HATE!

I may be far from perfect but I did nothing to deserve 30 years of being sacrificed, given to my enemies and subjected to public humiliation and dehumanization. I am not responsible for what happened to those men. I did not set these events in motion. The more that I was pressured, the more I fought to be free. In any event that anyone would consider showing decency, violence was used to deter. 
 
A person who was never even considered or included in any of the decisions or decision making that lead to horrific events, How does this one person get blamed? 

Convicted Serial killers get a trial before they get 30 years….Hell, I didn’t know that I was on trial! That’s what ‘power in numbers’ did for me…

Now I am being threatened with another year, for trying to defend myself.

I cannot go to a job interview without being mean-mugged and it being suggested that my experience does not matter. Why must I be forced to live a distressed life, deprived of basic needs as if I started a war? I did not have any power. All I did was refuse to associate myself with those who clearly did not have my best interest in mind. Now I am supposedly the worst thing on the planet. 

 

power-in-numbers-bullies-comic-strip

Street Justice is supposed to punish me for everything that has happened as if I started these events. I being publicly punished for events that have been happening for centuries. All the while, I have been trying to have the right to live with rights but somehow…I am being held responsible for the outcome?

BASICALLY, EVERYONE WANTS TO HOLD ME ACCOUNTABLE FOR MURDER, WHILE THEY SECRETLY MURDER ME! GO FIGURE…

The Results:

The truth and anything that absolves me gets blocked!

 
 

Author/Plaintiff has suffered continued opposition from many governmental agencies who has
‘under color of law’ taken housing and gainful employment. Plaintiff has been barred from obtaining legal representation due to parties involved. Without stable housing and living conditions, litigant had been physically unable to compile the necessary supporting documentation (See COM-COMPLAINT OF
MISCONDUCT pgs. 71).


To this day, Def. Dekalb County Police – GA, has refused to correct, update CGIC and forward
corrections to CJIS (Federal). Recently, records reflect inaccurate information, charges and recently displayed a photo of a black male as being Plaintiff (See COM-COMPLAINT OF MISCONDUCT Pg. 70). 
Although far from perfect, I have never been strung out on drugs. I have never been an
alcoholic. I am not mentally challenged. Even if I were, it does not merit a lifetime of targeted, deliberately induced deprivation of rights.
Regarding questions as to my character, when you research my background…the information
that will be shown is inaccurate, false charges and exaggerate offense so as to
attempt to justify deprivation of rights. Continued, convenient questionable
behavior and inaction should only further demonstrate corruption and misconduct
on the part officials. Visit other Post/Pages at: https://requestforlegalhelp.com/
In the blink of an eye and without hesitation, I was deliberately deprived my
opportunity for justice by the Courts Judges, Clerks AND the Def. (as
demonstrated in COM-COMPLAINT OF MISCONDUCT Pgs. 8-77). 
The Courts disregard for minority female plaintiff has led to recent incident where
Plaintiff was detained, handcuffed, paraded due to inaccuracies maintained on
CGIC and CJIS (Criminal Background Reports). The behavior of the Courts/Clerks
not only condoned the Def. actions prior to the Complaint but facilitated the
continuation of violation of and deprivation of rights…which continues today. Review for yourself:
 https://requestforlegalhelp.com/2015/10/officials-misconduct-under-color-of-law/
Plaintiff has been subject to years of unnatural opposition, persecution due to negative
public opinion on lawsuits against state/governmental entities; thus, giving
‘Cart Blanche’ or a license for obstructing justice and deprivation of rights.
It is through these titles that Lovelace has an opportunity to shed light on the
tactics that are used to deprive rights, manipulate events which are used to
facilitate public support. These publications provide detailed proof of
corruption and collusion.

By offering to sell the licensing rights, we are able ensure that future
generations across the globe will have a chance to recognize and utilize the
information contained in these lifesaving publications.

We seeking to establish relationships with international publishers that are
interested in purchasing either domestic and/or international licensing rights.

If you’re an agent, scout, or publisher and would like to get information on
specific rights availability and terms, see samples, or make appointments for
book-fair meetings, please contact: (702) 750-7190, (877) 885-2944.

Titles description (short version):MURDER AND MAYHEM – A TRUE STORY!

An un-cut non-fiction description of how the music entertainment business
murders its artist and writers quietly behind the scenes. Presents scenarios
and provides a general guide regarding methods and tactics used to steal and
destroy lives.
MUSIC BUSINESS: IT’S A DIRTY GAME! NONFICTION

Describes step by step how multiple entities manipulate society through mass
deception for the purposes of greed and revenge. Although many have protected
themselves in every way, many artist, writers and producers have been denied
the opportunity to even pursue their claims and are forced to fight for their
rights. Through the use of actual events, supporting documentation and public
records, review for yourself.
INVISIBLE: LIVING IN AMERICA WITHOUT RIGHTS! and

PART II – INVISIBLE: JUDICIAL MISCONDUCT EXPOSED!

This book demonstrates how some individuals are deliberately oppressed and
denied rights by those that are in positions to manipulate the courts to ensure
injustice continues. This title discusses judicial misconduct and ‘obstruction
of justice’ and deprivation of rights at the hands of the courts and its
clerks. Part II – Includes actual physical evidence and proof of deliberate
deprivation through courts and its clerks tampering, editing, withholding,
modifying filings and disregarding its own court’s rules and procedures.

For more information, visit: https://requestforlegalhelp.COM Complaint of
Misconduct/

Subject
Tags
·
Biography & Autobiography >
Entertainment & Performing Arts
·
Law > Antitrust
·
True Crime > Organized Crime
·
True Crime > White Collar Crime
SAMPLE CHAPTER 9 – Music Business: It’s a Dirty Game!

This was written before I knew what was in store for me. I was not that lazy person waiting for handouts that people wanted to believe that I was. I always wanted to work but at that time, one of the reasons used to deny me was that I thought that I was too good to work. The public ate it up.

I always wanted to work but at that time, one of the reasons used to deny me was that I thought that I was too good to work. The public ate it up.

The best way to describe my situation would be:

What would you do if a gang of ruthless thugs broke into your house, beat you up, stealing everything that you had, slapped your loved ones and kicked your dog?

Well, after regrouping and ensuring that your family is in one piece; the first thing you and any person would do is call the police to make a report so that the insurance company will pay your claim. Does this make you a snitch? No, I don’t so. A snitch is someone who does dirt with a group of people, and then to save their own ass drags everyone else in it.

 
[What is it called when the bullies run around spreading lies on their intended victims? 
They told their version of events for decades while I was clueless as to 
what was being spread about me trying to cut others out! 
They offered no contract in most cases or contracts with no compensation…
Through their mistreatment, they practically told me to ‘beat it’ 
but when you move on – you are the villain!]
 
I am not really up on street definitions but I am certain that normal, regular people file claims every day.


[These self-serving bullies used every connect possible to spread their lies of how terrible I was and about how they were trying to ‘help.’ The fact is they had decades to twist the truth and to vilify me in an effort to hold me responsible for violence that I never knew about. These men ran to spread that mess so that people would gang up and bully me into suicide but when I say what really happened…I’m the villain?]

These same thieves get caught up in their world and somehow become divided after getting caught. Bad things began swirling out of control. Violence spilled out on the streets until they reached your door.

Then to add insult to injury, you find out that this gang of thieves has enough clout behind them to sway a very large group of people to believe that what happened to them; is your fault. Just because you didn’t just sit there and take their abuse; suddenly, every bad thing that happens in the world is your fault.

Then comes the icing on the cake, (figuratively) you are kicked in the face repeatedly and then once you are seething mad that’s when someone has a camera placed in your face for the public to see you at your worst. In this age of technology, it is not unheard of to wire homes, cars, and even people. Hell, if they have g.p.s. and tracking systems in pets; why is it not possible to do this to people. Don’t some believe in keeping their friends closer and enemies closer?

Now you are on display, reeling like a crazed lunatic, angry and downright hostile. Every good thing that you have done in your past is erased. It feels like you are fighting everyone.

 
The public sees an angry unlikable person that must be guilty or seeking pity when this could never be so far from the truth. Besides they haven’t seen such an exciting well-orchestrated and entertaining performance. Since they are not affected they are not personally invested, they only wish to somehow obtain their fifteen minutes of fame by just being seen.Given half-truths, misinformation and flat out lies; the public takes turns assisting with this so-called payback.

Suddenly, everything that happened to them and more started to happen to you and yours. I was at home ‘blind to the prelude’ when slowly one by one people began to make their disapproval of my existence known. Only by the grace of god working through someone, are you saved physically.

Saved? I am not so sure that is the right word to use. Was this so called ‘saving’ true or was it an elaborate form of torture or part of some sadistic game.

That group of thieves and their backers consisted of multiple races, cultures, etc…

 
Let’s say that when something happens to anyone it is not uncommon for their loved ones to become blood thirsty. What do you think people do when they can’t get the real person responsible for their pain? They find justification to get the one that feel is weak. What do the thieves do when they get caught? They find a patsy or scapegoat. They want to pass blame. How many people do you know that accept responsibility for their actions?

 

I know that this example is not detailed but the message will definitely be clear as I continue to tell my story regarding my experience with the music industry, family and my world. I refer to this as the ‘The Game’ because that’s what it is to some of them. Playing with people’s lives (literally) has become a sport to some. Dog eat dog world, where only the strong survive. The part that goes unspoken is that the game is fixed and the rules are constantly changed to protect the guilty.

It is humanly impossible for someone who has been poked, prodded, harassed and abused to be nice, sweet and social. That is why I say it is fixed. After many years of people telling you that they were paid to be your friend, it is not easy to go out and be overly friendly. I am decent to people who don’t break their necks to hurt. I even ignore the picture that some try to paint of me being all kinds of awful and still I treat people kind. That is until (after warning each at the onset of trouble) that you don’t want to try to play that smash game with me. I tried to tell the last group of co-workers that tried to gang up on me, this won’t end well.

Each time, I try to hold back from hurting feelings but you have to remember that I am good at defense because I have decades of experience. I, literally, begged them not to come at me with the games but one of them actually told me to ‘just die’.

They were nice at first and they were very interested. I called that record company regarding my songs and they went to being rude and playing on the phone. It was games. Anyone who wrote songs that was provided to the production company only to hear your lyrics and melody on the radio or in the studio; you would be pissed. I may not know all that transpired but I do know that something happened to some people. It was clear by the behavior and mistreatment that was thrust upon me.

The fact that I was encouraged to act due to what I was hearing. Someone with more clout blamed me for speaking up regarding my materials. What I do know is that more than one record company responded. Suddenly, it was not just a few songs but all my songs were cut up and redone using similar and/or same hooks. It was like being sent a message that we can do what we want to you. You should have just let them do what they wanted to do with your songs and ideas.

It was a joint effort. Let’s just say the ‘powers that be’ gave their blessing on my torturous demise. Boy, did they show me a few tricks or two.

Almost every song that I had written was passed along for some type of payback or vendetta. For a songwriter to hear their melodies is like recognizing your child cries or your name being called repeated. It reminded me of the story that I had heard about a famous writing team. It was told that one of their girlfriends was actually writing the lyrics but was never given credit or monies. I was told that it wasn’t unheard of to emotionally abuse, reject and cause severe duress to influence suicidal actions. I was told that she killed herself. One can never imagine that pain of being used and discarded; then to top it off tortured and mocked.

If it weren’t for the viciousness of the people, it would be easy for me to believe that the stories told were all lies to distract or influence response that would cause a deadly reaction. I was thrown to the wolves and it was ‘okay’. It was nothing; I was nothing – a Ghost.

In addition, the music wasn’t the only thing used. I couldn’t watch a television program without the ridiculous similarities to my current household topics and concerns. I know I am super sensitive right now so maybe I am tripping (at least that’s what I told myself. There is no chance of this many similarities and topics over this period of time.

It shook me, I cannot lie. I was broken inside.

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The Ugly, Unwanted Truth

 // //translate.google.com/translate_a/element.js?cb=googleTranslateElementInitCreated & Written By Tiwanda ‘Ne Ne’ Lovelace   Bio | Email Website | Twitter | YouTube | Online Store  Weekly News Article: May 18, 2016 – 

Although I will not hold my tongue with reference to exposing the ugly truth, I am definitely not in support of the loss of any lives; especially, innocent black men. Although I am disappointed and I do feel that I was wronged, I do not blame the entire African American race for 20-30 years of abuse. If only people would run to address atrocities as quick as they are to criticize, judge and sentence. 

In our society, it is important to acknowledge that when any woman is placed in opposition against men, she is grossly and unjustly vilified. This is more prominent in cases where the female is a woman of color who is deemed to be in opposition of the black men.

It is perceived to be a form of betrayal because of societies history of abuse against black minorities. There is a barrage and gauntlet of those who would feel obligated to impose extreme persecution; thus, giving ‘carte blanche’ to these sexist men who deem women as less than (regardless of what horrific acts committed against her and that has actually transpired).

My thirty years of being subjected and directly affected by mass deception and the manipulations of a ‘system’ which devalues and dehumanizes its victims gives me the right and authority to address these atrocities as I see fit.

I was raised in Detroit, surrounded by individuals who looked just like me. Individuals who professed that the ‘system’ does not care about us so ‘we’ should look out for each other. I trusted and believed that even if they were not perfect…at least I felt like I belonged. I thought that nothing could be done that would allow for this kind of abuse to be publicly accepted, allowed and encouraged.

Although I was always an independent spirit and determined to succeed in my own rights, I had a blind sense of loyalty. It was this misplaced, blind loyalty that allowed me to trust enough to share my lyrical talents with certain individuals.

SAMPLE CHAPTER – Learn how they ‘help’

Chapter 7: In the Beginning – Music

The DEAL was at one point the biggest Dangling carrot of all. I wanted to write for others and have at least one project released where I was The Artist. I had plans but what I didn’t realize is that my plans interfered with someone else’s plans.

Along the way I manage to piss off all the wrong people. I tend to do that when I sense that my best interests are not being looked after.

If I felt the slightest bit of deceit, I was in the wind. I was moving too fast and I didn’t want to settle for someone that would shelf me or just steal my lyrics. While at the same time, I had to get my name out there and let people see that I had talent. I soon found out that it wasn’t about talent. What I found was a lot of unhappy musicians who were trying for much longer to get there. The industry is definitely worse than the dope game.

All of the production companies were starving. Everyone had a dream but only so many had the ability to get their work heard by those who could make it happen. The egos were ridiculous the higher up you went. I met a lot of producers and I intend to address each of them in the order I met them to share my experience.

My first recording artist deal was when I was twenty years old. I signed a contract for a female group with Sanchez (different from the other Sanchez mentioned later). It never went anywhere and with time I just moved on.

Although at first I wrote stories, children’s poems and melodies, I eventually met Lee Marcus. He was about six feet tall or a little less than. He was brown-skinned and almost always wore African styled attire. He seemed like he was a genuine person who didn’t make me feel uncomfortable but I could tell he had pimp-like ways. He encouraged me to use my feminine wilds to get close to older men but this wasn’t my style.

I wanted to get into the business but I was young and thought I would be different. I found out much later that the song was used on a popular sitcom. The lyrics for the hook was, ‘Keep standing tall, Keep standing tall…’

I had never watched that type of show at the time so I didn’t realize it was used. I had poor man’s copyright at the time. I found out late that his family/brother was connected to or a police officer.

I ran into Lee Marcus some time later, (after my Zomba ordeal) we were going out and my mother ran out to the car to take a picture of him as we were leaving. I was so embarrassed. I think that’s when she gave a damn about my safety.

Lee Marcus wasn’t a bad guy, but he thought very highly of himself. Lee Marcus and Jake Salazar were in the music business together. I never found out what happened with them.

Even though no one seems to tell me anything lately; it is amazing how much information that people would brazenly tell when they thought that they had the upper hand. He was having big fun telling me how much that I reminded him of his ex-wife and that he didn’t like her. He also told me of his family being associated with the police. I don’t think that that was the only group that he was affiliated with.

I just assumed that his cocky attitude was because he felt connected or untouchable. I laughed it off because it didn’t matter to me. During our conversations about the music business, I trusted him due to his experience as a drummer in a band and dealings in the music industry. He definitely had more experience than I had. The information he was providing me with and the music tracks for me to write to seemed invaluable.

Lee educated me about the importance of copyrights but advised poor man’s was same. I discovered much later that poor man’s copyright is not the same. He had described the structure of the music business as a unit which consisted of five major labels at that time. He went on to mention that the Jews ran the music business. I never thought anything about it because I saw all people pretty much the same.

Being raised separate and isolated, I only had an ideal of the world – Brainwashed from youth. It was my view that most people wanted positive results for others. I was going to change the world. All my messages, poems and song titles reflected positive or nurturing ideas but that soon changed. After the initial placements of works that I had given; I can only assume that word got out about lyrics being free game.

Keep in mind that I was a fugitive from the law living in Detroit when I was working with him and I was not on any radar because I never used my name or social security for anything. I don’t recall him ever offering me a contract but wanted lyrics for music tracks. Five works given to Lee/Jake: ‘Keep Standing Tall’, ‘It’s Love/I’m what you need’, ‘where are you now?’, ‘I need you here’, and ‘Just for you.’

Once I signed the publishing contract with Zomba, I spoke with Lee again and I was trying to build a team. I had four to five writers under contract with my company and asked him would he like to help. I remember that he became indignant and began to mock and he laughed at me saying that ‘him sign with me’ as if it was the funniest thing he had ever heard. He was by himself this time without Jake Salazar.

At this time I had no knowledge of other works being placed. So I believe that when Zomba referred to having songs that I had written ‘before and after’ covered in contract, it was very likely that they had knowledge of these works. I, personally, looked at it as if I were paying my dues and was willing to charge that to the game at that time.

Meanwhile, I was unaware that a Georgia warrant was issued on May 19, 1993 for probation violation after I started working with other local music producers. I think that my decisions definitely interfered with someone’s plans. I can wholeheartedly say that their intentions were bad from start. Then I received the blame for not signing or letting them lock me down when it was apparent that I had no value in their eyes. Well after initial Georgia warrant and case was resolved, I really started to work with others in the music industry.

After many years, I was able to obtain information on each of the music producer and I discovered that they were not competitors as I was lead to believe but that they worked together.

[5] At the same time, Jake kept in touch with his musical roots frequently helping his uncle and various other groups playing ethnic music around Michigan and Ohio. The recording studio opened up another world for Jake Salazar and he started to analyze the recordings with curiosity and ambition dissecting each note like a surgeon and precisely orchestrating the production not only as a session studio musician but also as a record producer.

[5] http://ftpmirror.your.org/pub/wikimedia/images/wikipedia/commons/d/de/JS_Biography.pdf

Jake took direction from Richard Becker who was the chief engineer for Motown Records and owner of Pac 3 Recording Studio in Detroit that produced all of the hits for Westbound Record (Parliament/Funkadelic, The Ohio Players, and Patti LaBell.) Jake later hooked up with DJ (Ben Mercado) who played Latin music at a Detroit local black station, WJLB late at night. He worked for the DJ who asked Jake to go through the records from the mail room addressed to the show and separate the playable records from the non-playable records. Jake got to take the non-playable records home. The playable records, of course, were the records that contained money in the album jackets.

The music industry was deeply embedded heart, mind and soul and it surrounded Jake day and night with its creative influences. His devotion was unparalleled to no other desire. Jake did a sting promoting records for several independent record promotions companies with clients such as CBS Records, Warner Bros. Records, RCA Records, MCA Records and Capitol Records and traveled around the country visiting stations and their PDs to get them to play the records.

During the late seventies and eighties he started working for labels, production companies and music publishers while occasionally performing live and recording in the studio. Jake Salazar has led a successful career as a music record executive a long side his many accomplishment as a record producer.

Jake has achieved three Grammy Nominations for his record productions. Being in the company of legends, heighten Jake’s capabilities with extreme confidence. Jake Salazar became affiliated with Manuel Montoya of MEG (Montoya Entertainment Group) a company that provided international services to clients such as Herb Alpert, Janet Jackson, Marie Osmond, Quite Riot, Julio Iglesias, Kenny Rogers, Placido Domingo and Sylvester Stallone to name a few and established a production company.

[6] Jake Salazar was a co-founder of the Tempo Music Group. A coalition of independent record companies owned by veteran industry professionals and celebrities such as Anita Baker/Michael Powell, Sylvia Moy, Martha Reeves, Isaiah Thomas, Thomas Hearns, John Salley, Lee Marcus, and Leonard Jones among other prominent business colleagues.

[6] http://ftpmirror.your.org/pub/wikimedia/images/wikipedia/commons/d/de/JS_Biography.pdf

Jake has been a consultant to over forty record labels and for many of the industries’ major artists and manages the careers of a chosen few. Jake has been a consultant to over forty record labels and for many of the industries’ major artists and manages the careers of a chosen few.

Hip-Hop/Rap artist Baby Blue, A.K.A. Big Nic on Big Money Records produced by Jake’s son, Jake “Chacho” Salazar, III. All distributed through an arrangement with Universal. Prior administrative obligations were for Grammy Winner Little Joe/Polygram Records, Grammy Winner Cesar Rosas/Los Lobos/Warner Bros. Records, Platinum artist Tierra/MCA Records and DeLeon Music Publishing/Peer Publishing.

There they were, Jake Salazar and Lee Marcus, in my living room, personally providing me with music tracks for me to write my lyrics and melodies, I guess I should have felt honored. Jake Salazar, Lee Marcus, Leonard Jones and Michael Powell were all prominent business colleagues and they say that I am the one who is guilty of betrayal.

Obviously, I didn’t just pull names out of a hat, this was no accident, and I can see why these people want me to just die. I guess this is where the harassment from Hispanics could be originating from; they must have had a falling out. What did these maniacs do? Not one of them tried to offer anything, no decency, just treachery and you expected what to happen exactly? I was unaware that they were close prominent business colleagues.

Shortly after meeting Lee, I met Leonard Jones of All Purpose Disc. He was an older man in his late 50’s or older. I accepted a job as his secretary part-time. I actually liked getting dressed and going to work being that I had never worked before. My ex-husband provided for us for the most part, this enabled me to have more time focused on the children and my music. I believe he felt that keeping me close to home would prevent contact with other men.

While working for Jones, I met a lot of people that would come to the office to meet with him. He never came on to me or used his position to try to get some ass like I expected. Instead he seemed to be testing me and checking to see what my deal was. I was also watching, checking to see if he actually had good intentions. Of course, I felt that he might be in a position to help get me to where I wanted to be – Major. As I worked there, I would hear the different artist express their concerns and issues. Mostly, I would try to read all the people that came to his office; including his wife.

His wife hated the sight of me. Jones and I would laugh because we both knew that we weren’t doing anything. If he was cheating, it wasn’t with me. He’d joke and say that she called me ‘that Thang’ and I would reply with “that’s Ms. Thang to her.” Although I liked Jones, I didn’t have faith that once I signed he would follow through.

Eventually, some guys came in the office and they were not happy about something to do with money or a project and it was not pretty. That was my queue… I’m talking about Detroit men, pissed about money; I quit that day but before I left I called myself getting some numbers for distributors and possibly producers. Not unlike anyone else who felt they worked for it. I never saw him again but he wasn’t a bad man but just like others who couldn’t have their way – He probably wasn’t happy with me.

I worked with another talented local music producer named, Darrold Campbell. He was a light skinned African American. He was quiet for the most part but he spoke when he had something to say. I genuinely wished him well and I liked his music tracks. He was very professional and he should have gotten a deal on his talent alone. He would tell me that I didn’t need help with writing song lyrics. His tracks were highly praised by those in the industry with years of experience. I never hesitated to give his business info to others.

In addition, Darrell Strickland was lyricist/producer (slightly crazy in my opinion from bumping his head for years with that damn dangling carrot). He was between light and medium brown skinned African American. He was ‘cool people’ but because I felt that he wanted more than music relationship, I left. We had a great time hanging out though. We went to Nova Scotia, Canada and just kicked it with some other musicians. We all just sat around playing music and showing off our talents – Freestyle. I will always remember that trip. Canadians were very friendly to me and it was nice to get away for a while. I know that he had some crazy ass thuggish brothers.

I worked with Hershel Tinsley and Tim Lempke, they were music producers but I didn’t like the way they wanted me to sing. I tried and it didn’t work out. There was no soul or feeling in the song that I was given and I wasn’t allowed input.

I also met with some lady who had studio out of home said, ‘writing songs like a relationship’ Ah; no I don’t think so. I don’t remember her name but I didn’t like the vibe I felt. It was if people were saying that I tried to cut others and was completely self-serving.

I was working on exposure and decided to agree to a radio commercial for ‘Mind your business campaign’ on radio. This was a campaign designed to encourage support for local businesses. It was really good experience and it felt good to hear my voice on the radio.

I was so excited about music tracks and wanted to write, I began to seek out different production companies to offer my vocals to help sell their songs for studio time and/or tracks to write my songs.

Curtis, my husband, at the time supported my endeavors. He purchased a little 4 track player so that I could put my melodies down with the music. I would spend my nights smoking weed and writing. I became obsessed with music and the more lyrics I wrote, the more I learned about copyrights, legal process, etc…but what I didn’t know is that even if you have copyrights – you are not protected if you cannot get a lawyer to represent you.

My husband and family introduced me to Larry Hatcher (If that was his real name) was involved in music industry and was a writer/lyricist who lived in both cities, Detroit and Los Angeles. He was a friend of the family and I was told that he could possibly help me with my music. He was over 6 feet in height, medium build with medium brown skin African American and seemed upbeat, energetic and interested. He was fun and very likable but never open. At this time in my life, my husband and I had just come clean about our issues and concerns with our relationship. I thought that we had decided to work things out and stay together.

So I went into my dealings with Larry with strictly business mentality. Curtis would drop me off at his house to work on music tracks. I liked him but I was chilling and I made it clear that I wasn’t down for extracurricular activity. Once, Larry and Val were sitting on the couch and he just whipped it out and she started playing with him while they looked at me. I kept writing my lyrics and ignored them.

He was the type of man that knew his way around women and how to get what he wanted. One eventful night he decided to take me to a party at his friend’s house, I went and I was running from him the whole night. He finally brought me a drink, VSOP and I drank it. Right after the party, instead of him taking me home he went to his house. I was out of it and the next thing I knew he had me up on the table on my back and lifted my dress up and he was inside me. I couldn’t move and I was in shock.

Immediately, I started crying and demanded to go home. I was throwing up all the way home. I can’t remember if he took me or if Curtis came to get me. I continued throwing up and crying all night. I told Curtis, my husband what happened to me and he didn’t even respond. It was like he didn’t care or believe me. I told my mother and I received the same response. I was so hurt that neither of them gave a damn that I said forget them.

Do you know that I hardened myself at that moment and made excuses to justify me going back to who I felt was the only person really in a position to further my career? The sooner the better, than I can get away from them for not caring. I know that he was a friend of their family but I didn’t think that they would just give me away. So, yes; against my better judgment I went back to him knowing that I had hateful feelings towards him for what he did. I addressed it with him and expressed my anger towards what he did. He apologized and I said I accepted but I still held a grudge at that time.

I was furious but I just told myself that he didn’t hurt me. So keeping this in mind, I just couldn’t hold it anymore and when we had that meeting with Renzer – Zomba, rep at Art & Rhythm’s studio with Larry Roc Campbell, I just snapped because I couldn’t bear the thoughts of them cheating me out of my songs and that he did me like that. I went off on him verbally but no one else knew why, just Larry Hatcher and me.

I think back to when I told my girlfriends/sister-in-laws that one of my fantasies was to have my man just take it but we were just talking. Whatever, that was a tragic experience for me. Prior to this happening, I had met his friend Larry Roc Campbell and I was checking him out and I know he didn’t like it but he never said anything.

What possessed him to do that to me? – To this day I think this was a tactic used to cause imbalance, confusion and dismay. In addition, there were implications that she may have known Larry by her response to our incident. Looking back I truly believe he feels like I hurt his feelings because he said sorry. I am still negatively affected and way messed up by that move. If he hadn’t he may have had a chance but this drove me to what’s his face…and definitely far away from my ex-husband emotionally. – Hurt, angry, mad at myself for responding the way I did – My husband and mother failed me, so my dumb ass made matters worse with that one.

Larry had introduced me to Larry Roc Campbell, who at that time was a music producer (self-proclaimed master manipulator). Roc was already contracted with Zomba under Ara – Art & Rhythm and worked out of a small studio in Southfield, Michigan. Roc was slightly less than six feet tall, with medium build and medium brown-skinned African American. He would have probably been taller if he not been bow-legged. He also had a cleft or dimple in his chin. He was very sexy in his strong but silent kind of way. Art & Rhythm; which consisted of Ara and Roc, offered a contract but didn’t want to offer any monies. Of course, just like anyone else would have done – I declined due to no money. I tried to talk to him but he just sent me to Ara.

Since I had a husband and mother willing to give me away, I had someone that I thought that I could trust hurt my soul. Roc didn’t think enough to come up with any money for contract, I wasn’t asking for millions; this why I signed that BS contract in my weakened state.

I guess I needed to believe that there was something good for me somewhere. I guess I was delusional about wanting to be cared for or looked out for…maybe I saw something that wasn’t there (you think, duh). That won’t happen again. I know that he was encouraging me with his complaining about home, treating me extra nice. Maybe, I wanted to believe I saw something that wasn’t there. Again, my dumb-ass came on to him and he rejected (which was the right thing to do).

I really thought that he was a nice person but as I look back, he gave me a ‘shh!’ gesture right before the meeting with Renzer – Zomba, rep. Looking back that is probably why Zomba rep. told me after the issue with works to stay away from Larry Roc Campbell. Almost twenty years later, I discovered that he later became Jive Records A & R.

I worked on a few projects with Paul D. Allen. He was a music producer/engineer for Michael Powell’s Vanguards Studio. He is approximately 5’ 10, brown-skinned African American, well dressed quiet but definitely skilled music engineer. I didn’t trust him completely because his ties to Michael Powell and the fact that he scheduled a meeting with me then stood me up but called weeks later ready to work.

Paul was a music producer/engineer for Michael Powell’s Vanguards Studio. I had met Michael Powell but he had his artist that he was promoting and he came across very haughty. Mr. Egomaniacal…..I didn’t trust him and was afraid of his intentions and I had been shelved before. Paul was quiet and reserved when I worked with him. Honestly, he supplied one of my favorite music tracks, “Why can’t I” – that was a really good song. I wrote and sung my heart out for that one. He looked up to Roc with respect when I made reference to him. It was almost like he wanted to stand up for him when I began to mock.

Shortly after my battle with Zomba began, I met CC or at least that’s how he introduced himself, I was not expecting that and my instincts said ‘run bitch.’ This was some new stuff and I probably shouldn’t have…but my instincts are rarely wrong. I don’t think he knew that I knew who he was.

I had just seen his picture in a magazine associating him to Jive label. He was gorgeous and so I started to pretend as if I didn’t recognize him. Suddenly, I got really nervous and I decided to make my famous get-away. I ran away because I couldn’t understand why he was in Detroit, at the same club that I was in. I don’t believe in coincidence. His demeanor and timing instilled concern and I was not ready but tried to play big girl but my fear took over.

David McPhearson – Zomba, rep – CC/Jive… I never worked with him but I was infatuated with briefly. He was light-skinned African American, possibly six feet tall and very attractive. I still have no idea of what his role was in this sudden appearance.

Shortly afterward I started to hear stories about something happened bad to someone and people started treating me awful. Implying that he or someone was beat up or hurt. Now how was supposed to feel. I didn’t know what was going on. I didn’t know who was just caught in crossfire and who was responsible. I didn’t know it was a joint effort at the time. Each of them had their own motives and intentions.

First encounter which lead to Zomba It felt like someone had my house wired because that would have been the only way. I didn’t go around telling everyone that he was there.

It wasn’t long after the incident with Larry that I met with David Renzer, Zomba, rep but he made me feel uncomfortable. I couldn’t read into his intentions probably because I was tore up from what I was going thru on the home front and with my music. I felt that it didn’t matter/I didn’t matter – Just get your paper boo boo or so I thought but my heart and mind betrayed me.

I was a mess and it was my first meeting with David Renzer and the other Jive label representative along with Larry, Roc and Ara, this is when I snapped. I had not seen or talked to Larry in a while so seeing him and being in that situation was upsetting at the time. It felt like I was in a pressure cooker and all I could think about was what I was told about him taking credit for my lyrics, combined with my emotional state regarding our incident and life on the home front was not good.

It was too much so I took it all out on him but he definitely deserved a lot of that verbal lashing (I had not forgiven him). I am sure that each of them had their reasons and motives for their actions but there is one thing that I am sure of is that their intentions were definitely self-serving.

Unfortunately, human nature doesn’t always allow for most to wish others well. Instead, it does give many reasons to intervene, attempt to prevent any positive results, and spread a complacent attitude towards doing the right thing.

Per Renzer’s request, I was supposed to submit in writing my claim to my work.

 

Blind loyalty Definition:

“Blind loyalty involves being loyal to a person or cause despite the damage the person or cause does to himself or herself or others. Excusing bad behavior in the name of protecting allegiance to another seems honorable at first, but is ultimately dangerous as silence is a form of collusion. “

http://www.urbandictionary.com/define.php?term=blind%20loyalty

I implore you to not simply trust blindly because of similarities because no matter if you consider yourself streetwise or not, you can and most likely will be betrayed for profits!

Ultimately, I counted on my rights as a U.S. citizen…never considering that anyone could manipulate events to promote mass deception, placing blame on me.

Besides, I never thought that they would take advantage of the fact that the ‘system’ does not care but that is what is counted on so that the victims can be held under foot as an example of what happens when you don’t go along with plans that are clearly not in your best interest. However; if you are willing to prostitute, give them all of your money and turn over your power…then you may be temporarily able to benefit financially until you are discarded.

Needless to say, my thirty years of hardship confirms that I was not willing to cooperate with the plans of any of the well-connected, organized entities who has had no problem disregarding this female while conducting business as usual.

Unaware that the ‘system’ which is supposed to guarantee our rights, could care less about a black female from Detroit. I had no idea that these multiple well-connected, organized groups and entities could do anything to me without repercussion or consequences and with full support. That is just what was done to me; any and everything to belittle, discredit and induce harm. Not only was I betrayed by my own, I was persecuted and harassed by ALL nationalities combined because of manipulated events completely out of my control! I was never addressed, consulted or considered in any aspect but somehow when attempting to stand up for myself, suddenly, I was to blame.

Even African American females joined in out of that same blind loyalty, not giving any consideration of what was already done to me by these same men who they now represent through persecution. It could have easily been any one of them.

These same men had no problem being used by the ‘system’ to inflict harm. As a united front,  Whites, Jews, Blacks, Middle Eastern and Hispanic males, ALL lined up for the job and orchestrated each event. Attorney’s, Senior representatives to the local producer, all seeking to exercise their power in support of chaos and revenge.

I never imagined that these same men that I put on pedestals would turn and brutally defile, dehumanize and sacrifice me for greed and self-preservation.

Even the mild-mannered professionals are capable of betrayal because they will not want to challenge those same well-connected, organized entities. You will be on your own, sacrificed and vilified!

I make the following comments because that co-publishing music contract that I signed was because of manipulated events which was intended to inflict emotional damage. I was expected to sign without any compensation and to ‘trust’ men who had treated me egregiously. Apparently, those men who did not feel that I should have been able to have a career in music unless signed under one of the well-connected men. Besides, because I trusted them, they already had copies of all of the lyrical and melodic content necessary to completely cause harm.

I do not have a problem speaking the ugly truth because for decades, I was forced to carry the weight of the entire fiasco stemming from my father allegedly killing a police officer to major music copyright infringements deliberately initiated to induce suicide.

Suddenly I was the sacrifice, the enemy forced to fight multiple entities consisting of multiple races of people. Everything that is done to them in the dark, is forced upon my family and I.

This Co-Publishing Agreement was the tool which caused major backlash and allowed these well-connected entities to work together to initiate multiple copyright infringements and breach of contracts. From the head of Business Affairs to the other producers used, it was a joint effort to deliberately and maliciously induce hardship and encourage suicide (from the helplessness of knowing the no one would assist).

If they had succeeded in getting me to sign those ‘whack’ management agreements, then the whole process could have been blamed on the low man on the totem pole. I declined their shady attempts to put me under one of their buddies so that they could attempt to funnel the money and hide the infringements. Other than to conduct business legally and forthright, they opted for the use of brute force, trickery and deceit to deprive, steal and feed their egos.

Instead, it was major attorney’s and officials of multiple groups who helped cement this oppression and deprivation of rights through action and inaction!

It was bad enough that this society has a history of inhumane cruelty to minorities and that my family background would have me on their evil radar. After being subjected to their sexism, now I was allegedly to blame for racism, itself.

For many years, I have been seeking legal assistance with serious violations of constitutional laws. Throughout the years, I have been given many reasons as to why no one will help me…I have been told that I am in the wrong country. I was told that I blamed the wrong people for my copyright infringements. It has been implied that I am the reason people have been negatively impacted: yet, I received no communication or explanation – just blame.

What is funny is that for decades, I have had multiple strangers (across the many states that I have sought assistance) insinuate that the public has implicated an agreed ‘slave’ sum of $2 million for 20-30 years of rape, violence, intimidation and more!

It has been these monsters running joke for decades! This is solely meant to appease those who would rather die or commit murder rather than to allow me to be considered a human being deserving of rights.

My response is and always will be, “Would you give your mother that for decades of rape, violence, intimidation and more?” That is nowhere near proper resolution.

Many blame ‘my situation’ on racism and sexism, while ‘my public’ has mocked, harassed and laughed while making it a point to imply that both; blacks and whites have united in denying any resolution due to possible violence stemming from onset. For decades, I have been told that nothing will ever change and that I should kill myself.

It is certainly not lack of education because when dealing with millions of dollars combined with violence…this ensures that the deprivation of rights continues. I dare you to put your masters and doctorates up against the power of millions of dollars or even a piece of it. Money wins, hands down when in conflict with education. The courts are definitely corruptible as clearly demonstrated on our websites and inside of our publications.

It is definitely not a lack of employment or desire to work because I always maintained employment (even when I did not have to – I WORKED). It was not until the violence escalated to the point where those who would be deem innocent and valued began to become affected. Then it became necessary to bring the harassment and persecution onto my job(s).

Of course, I would never be considered as innocent because of my race and sex so as long as it was just me enslaved and violated, it was acceptable. If only I had fallen to my knees for every male that I came into contact with and bowed to the will of every stranger in position, maybe then everyone would have been satisfied. I was supposed to know automatically that these men were allegedly attempting to interfere with a plot for revenge even though it what was being hidden and withheld.

These were men who had low opinion of women, did not feel the need to communicate. I was supposed to know that I was being specifically subjected to abnormal hardship due to my family’s background and those who were seeking revenge.

I went from being ignored to everyone’s attention being placed on me. The attention was not on the actual inhumane treatment but it was the fact that I was oblivious to what was happening. Remember, I am female so no one shared anything with me. Unaware of its deliberate intent, I was just taking the abuse.

It shocks me when I have to endure other African American females who send their daughters to attempt to mock or humiliate me further.

I cannot help but think to myself that instead of telling them that I am in this situation because of my education or because I am responsible for the harm of others or even telling them that I allegedly betrayed other blacks or whatever reasons that you feel justifies my dehumanization….

Tell them the truth! Tell them that if they do not drop to their knees and do everything that these men want them to do that others and women included will assist in adding and abusing them because someone gave them ‘reasons.’

Tell them that we live in a racist and sexist society that has no problem devaluing, dehumanizing and degrading women; especially, black women (so that others can elevate themselves).

Tell them that my family has been on the radar of powerful, godless men who are motivated by revenge and greed.

Tell them that if she would have done like the men associated with the African American groups wanted her to do so they sacrificed her up and punish her by working with the racist groups to steal her life.

Tell them that I didn’t do what the African American groups wanted her to do so they sacrificed her up and punish her because of what transpired after she stood up for herself.

Tell them that if they go against the popular and powerful, that many men and other women will join in persecuting them based on lies and manipulations or even worst that we live in a society that could care less for others.

Tell them that I have been trying to get away from racist, sexist and abusers for 30 years while people find justification to continue to deprive me of rights simply because I am female and others commitment to violence for various reasons.

Tell them that I have been trying to get away from racist, sexist and abusers for 30 years but people resort to violence at the thoughts of resolution.

Tell them that whenever there is great opposition against an unlikely source, it is usually because it is most likely exposing the ugly, unwanted truth.

Everything on these website and publications are true and they provide supporting documentation for all allegations. There is no disputing the information found on any of the websites used to expose the atrocities that have continued for decades. I also provide videos that support an unnatural amount of coincidental incidents of abuse, see: https://www.youtube.com/channel/UCenMk19Z44Oz8LcnkRs-Kvw or https://www.youtube.com/c/nenelovelace

Only those who would be negatively impacted by the truth, would not want the truth known. It is easy to attempt to discredit and dissuade interest in pursuing the truth when the truth would expose major corruption and abuse of power or positions.

It is easier to ignore the truth than accept that there is no justification for any individual to be subjected to the many coincidental civil and criminal infractions.

You should tell them to read the whole story found in the following titles:

Music Business: It’s a Dirty Game!Although many have protected themselves in every way, many artist, writers and producers have been denied the opportunity to even pursue their claims and are forced to fight for their rights. This book uses personal experience from direct association with major music industry personnel, contracts with major music publisher. This book is not just for the aspiring artists but it is also for those who are interested in learning how the world actually operates. This book calls attention to the events that lead to major entities being exposed, corruption, greed, lies, hypocrisy and even murder – past to present! Read more

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Music, Murder and Mayhem – A True Story!This is an un-cut non-fiction description of how the music entertainment business murders its artist and writers quietly behind the scenes. It is important that people understand the ‘game’ and how it ultimately affects others. The documentation provided along with my personal experiences shared in this book should demonstrate the lengths that those who have abused their positions to strip individuals of their life publicly by using illegal tactics, mass deception and intimidation.

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Invisible: Living in America without Rights!This book demonstrates how some individuals are deliberately oppressed and denied rights by those that are in positions to manipulate the courts to ensure injustice continues. This title discusses how some high profile case where some have been made invisible when the legal system falls short of providing justice. Therefore, by limiting assistance and preventing Due Process they enslave individuals by using their money, power and positions to deny rights that should be guaranteed by the Constitution of the United States of America.

Invisible: Judicial Misconduct Exposed!

This book demonstrates how some individuals are deliberately oppressed and denied rights by those that are in positions to manipulate the courts to ensure injustice continues. This title discusses judicial misconduct and ‘obstruction of justice’ and deprivation of rights at the hands of the courts and its clerks. Tile includes actual physical evidence and proof of deliberate deprivation through courts and its clerks tampering, editing, withholding, modifying filings and disregarding its own court’s rules and procedures.

Review actual proof of these allegations and more!

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COMING SOON

Little Girl Beware: A Guide to Surviving – This title focuses on the upbringing and the differences between how we raise our daughters and our sons. This title exposes a centuries old ploy that is passed down through generations to exploit our daughters.  It addresses the value placed upon the females; especially, when in conflict with male counterparts. Compares both points of views when dissecting views on interracial relationships; both, past and present. Everything that a young woman should be aware of in order to survive in a desensitized world where her value is measured by her appearance and/or others ability to profit.

Everything on these website and publications are true and they provide supporting documentation for all allegations. There is no disputing the information found on any of the websites used to expose the atrocities that have continued for decades. I also provide videos that support an unnatural amount of coincidental incidents of abuse, see: https://www.youtube.com/sevenwestproductions/.

 

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DISCLAIMER: THE FOLLOWING FILES ARE AUTOMATICALLY AVAILABLE WHEN PURCHASED ONLY AT AN APPROVED OUTLET AT LINKS SHOWN BELOW!

INVISIBLE: Living in America without Rights! and Part II – INVISIBLE: Judicial Misconduct Exposed!

This purchase includes (6) files: ILIA Cover – Front, ILIA Part I Interior – PDF, ILIA Interior – EPUB, ILIA Cover Back. BONUS! ILIA Part II: Judicial Misconduct Exposed! Interior – PDF and ILIA Part II Cover – Front.

Music Business: It’s a Dirty Game!

This purchase includes (4) files: MBIADG Cover – Front, MBIADG Interior – PDF, MBIADG Interior – EPUB and NEW BACK cover – MBIADG.

Music, Murder and Mayhem A True Story!

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Note from Author:

I have had people completely disregard the most heinous acts and mistreatment under the guise that my writing allegedly reflects poor grammar. I am supposed to be this uneducated, ignorant and unworthy individual who cannot compile a sentence. I am super stressed, constantly bombarded and subjected to repeated unnatural events who is trying to exercise her rights to live so I’m sure a few typos can be overlooked.

I am one person. I am the only person in the whole world that cares about my freedom and my struggles. I am using the only method that is available to me to fight for the right to exist and to be recognized as a human being. I copy and paste between article.

I am constantly having to battle major opposition, racism, sexism and stupidity. Everything that I release, write and share has to go through many programs, people and technology. I use spell-check and attempt to review every article. When I release my recordings, they reflect my thoughts and the message is far more important than the grammar used.

Please consider that the information on these blogs, websites and titles are in direct conflict with multiple entities and groups. I have provided a multitude of supporting documentation which clearly shows opposition. I do not know what you receive on your end but if you are receiving copies with poor grammar and poor punctuation…there is a good chance that you are not receiving genuine publisher approved final copies.

 

FOR MORE, REVIEW DOCUMENTATION IN SUPPORT OF ALLEGATIONS:

Copyright © 2015 Created and Written by Tiwanda ‘Ne Ne’ Lovelace

All rights reserved. No part of this website, blog or books may be reproduced in any form or by electronic or mechanical means, including information storage or retrieval system, without permission in writing from the plaintiff or publisher, except by a reviewer who may quote brief passages. Legal professionals may utilize this website in order to determine if they are interested in providing assistance.

Copyright Infringements and Breach of Contract

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Copyrights was NOT the Issue!

 

I thought Copyright Laws were supposed to protect writers! I have been copyrighting my lyrics and melodies since 1991.

Although I had obtained and secured my ownership of Copyrights , I was denied representation.

Although my Lawsuit was filed in accordance with Federal Rules on Civil procedures, I was not given an opportunity to address my claims in court!

Note: I filed a lawsuit which provided these companies names (to the courts and other entertainment attorney’s) for using my works; which, included lyrics and melodies. All the while they were one in the same, working together.

 

 

PAGE TAKEN FROM CONTRACT

These songs were listed in the publishing contract, listed in notice of copyright infringements, court docs, and were played on the radio by major artist signed to BMG, EMI; throughout the years starting after Zomba music publishing contract.

 

Obviously, musical works were passed around and definitely used! 

Can you guess why a Major Music Publisher wouldn’t want their 50% -Fifty percent? 

That does not sound like teamwork to me…more like Tag Team!

 

Copyrighted Registration Information

I have always secured my copyrights even while I was under a publishing agreement with Zomba and it was their responsibility.
Copyrights Listed below: Lovelace, Tiwanda, 1967-
PAu001607112/ 1991-07-22 – Forever.
PAu001529149 / 1991-07-22 – It’s sinful.
PAu001529148 / 1991-07-22 – Once again.
PAu001720136 / 1993-01-07 Collection I–Tiwanda.
PAu001721382 / 1993-03-04 Collection II–Tiwanda. PAu002025249 / 1995-04-14 Seven West Productions Collection IV–better safe than sorry.
PA0000789883 / 1996-01-16 What can I say to you (to justify my love)? Hi-Five greatest hits. Jive 01241-41544-2, c1994. Compact disc
Now my dangling carrot is the promise of my rights to privacy, justice and financial freedom. These are the things that I value and long for to help soften my heart again. The hope of having a real life without public ridicule, judgment and the threat of being set up for some horrific murder or the fear of being set up for some crime that would take away my freedom. These are tactics that are normally used to hide the truth. I wonder who or what stopped them from performing the usual tactics and tricks. Oh, that’s right they tried.
While signed to Zomba, I always obtained copyrights on my materials, signed split sheets and even required contractual agreements with writers that worked with me. They never filed my copyrights as they were contracted to.

 

 

 

 

Split sheet - casual love paul allen Split sheet - cI need you here Darrell Campbell Split sheet - Soon Reality Fades Ethan Pitts and Maurie McToy Split sheet - Just a Little Bit More Ethan Pitts and Maurie McToy split sheet hy cant I

 

 

 

 

Warner Chapel Deal Letter sent to Zomba/Jive re: Infringements 
 
Less than a month later, on March 23, 1995
 Handwritten Letter sent to Zomba – Re-typed:
 

Zomba 137-139 W. 25th Street

New York, NY 10001

Attn: R. B – Zomba, rep,

It has been brought to my attention that an artist by the name of  Desire (real name Monique), with the help of Michael Powell, Art & Rhythm’s – Larry Roc Campbell, Paul D. Allen, and Larry Hatcher has received a 6 album deal with Warner Chapel label releasing single in May 1995.

{Now how would I have a clue if someone didn’t tell me and give me specific’s. This is the same public that runs around breaking their necks to hurt. I was definitely out of the loop but the source seemed reliable and I did supply a lot of material to all parties included.}

I bring this to your attention because I heard personally and have others confirm blatant similarities to my work and have been derived in full and/or in part from my copies submitted to Paul D. Allen of M. Powell’s – Vanguard Studio, Larry Hatcher of Hatcher Hits, Larry Roc Campbell of Art & Rhythm and David Renzer – Zomba, rep .I worked consistent with all parties listed for a period of time. I have split sheet for “Baby Stay With Me” and I heard this finished by her.

I would like for this situation to be taken seriously. In addition, I would like a copy of detailed Royalty

statement for Hi Five’s song, “What can I say to you to justify my love” and a copy of (signed) split sheet for my records.

As a whole, they have collected 30 or more songs from me and they are all on this same project.

Larry Roc Campbell laughed and told me that he received money when I signed with Zomba. How is this possible?

I certainly hope that you will handle my administration of copies of materials that were sent to David Renzer – Zomba, rep; Cherry,

Drew D – Zomba, rep, and Kymberlee Thornton – Zomba, rep. Paul D. Allen received a copy and signed split sheets with me.

I also have copyrights for the materials:

1. Why can’t I?

2. Baby stay with me

3. Is the sex still good

4. Casual Love

5. With your love

 (Copies of split sheets shown below…)

Larry Hatcher received more than 14 songs. Larry Roc Campbell received more than 20 songs. Zomba was sent a mailed copy of 5 contracts of writers under my company, all signed split sheets and copies of all works from Lovelace.

In addition to Zomba reps constantly reminding me that Larry Roc Campbell of Art & Rhythm was No. 2, Zomba reps. attempted to have me sign under one of their writer’s or producer’s but I declined. My name was supposed to be on this list but it wasn’t.

Zomba/Jive’s Denies having Songs involved in copyright infringements…
July 20, 1995 Letter from Zomba regarding investigation of my allegations:

 

 


Zomba’s Answer to Allegations:
This was their response to my allegations and complaints regarding stolen works. 
Of course, I didn’t sign this mess…$1000.00???


 

 

Note: I filed a lawsuit which provided these companies names (to the courts and other entertainment attorney’s) for using my works; which, included lyrics and melodies.

All the while they were one in the same, working together. 

 








 

 

 

 

 

The Fix Was In-
 Case dismissed prior to Zomba Response dated August 7, 1996 On July 22, 1996, Courts dismissed my case I never had an opportunity to go before the judge and be heard. I never had my day in court.
Retyped for easy translation – A Copy of 1st page is shown below:

MI’s Order of Dismissal Ignoring Violence Page 1 – Retyped

UNITED STATES DISTRICT COURT
EASTERN DISTRICT OF MICHIGAN SOUTHERN DIVISION

TIWANDA LOVELACE, Plaintiff,

vs.

BMI-ZOMBA-JIVE, Defendant.

Civil Action No. 96-CV-12270-DT
KON. BERNARD A. FRIEDMAN

OPINION AND ORDER OF DISMISSAL

This matter is presently before the court on Plaintiff’s response to the court’s show cause order of June 21, 1996.

Plaintiff’s original complaint consists of (1) a 2-page, handwritten document, (2) an 18- page typewritten document, and (1) a hefty stack of miscellaneous papers, ranging from assorted correspondence, to grievances with the postal service, to contracts.

The gist of the complaint appears to be that defendant allegedly has deprived Plaintiff of royalties due her for various musical compositions.

The court’s show cause order noted that the complaint does not comply with Federal Rules of Civil Procedure 3(a) (1), 8(a)(2). 3(a) (3), and 10(b), and required Plaintiff to show cause why the complaint should not be dismissed for its failure to comply with these pleading requirements.

– (end of page 1 of Courts Order).

 
NOTE: My revised complaint complied completely with Fed. Rules of Civil
Procedure but the courts ignored..
Zomba Response dated August 7, 1996
 
The revised complaint complied completely with Fed. Rules of Civil Procedure but the
 courts ignored…
 

MI’s Order of Dismissal – Ignoring Violence Page 2 – Retyped

Plaintiff has responded to the court’s order by filing the following documents: a cover sheet, an amended complaint. a “retaliation report” and a personal letter.

Although it is now in paragraph form, the amended complaint continues to be unorganized and incomprehensible.

It is not a short and plain statement of the basis for plaintiff’s claims and for the court’s jurisdiction as Fed. R. civ. P. sia) (1) and 8(.3) (2) require.

Because Plaintiff’s complaint still does not abide by the Federal Rules of Civil Procedure for pleading, it must be dismissed.

Plaintiff’s complaint must also be dismissed pursuant to 28 U.S.C. S. 1915(d). The Sixth Circuit has held that an in Forma Pauperis complaint may be dismissed as frivolous if the Plaintiff cannot make out any claim that is rational in law or in fact.

Lawler V. Marshall, 898 F.2d 1196 (6th Cir. 1950).

The Lawler court noted that “the facts must be delusional to be frivolous.” Id, at 1199.

Applying this standard to the present case, Plaintiff’s response to the court’s show cause order is bizarre, irrational and, indeed, delusional.

In paragraph 6 of her amended complaint, Plaintiff states that “Zomba was notified by phone and mail, repeatedly, of

infringements, threats, and other coincidental acts of violence . . .”

In her personal letter Plaintiff asserts: while on my way to file this with the Federal Courts, was sent on a wild goose chase . . . and I had people related to the music industry accept responsibility for my… (End of page 2 of Order of Dismissal)

This is what I refer to as the Jedi-mind-trick…just wave your hands and say the words and it never happened.

I didn’t imagine bullet holes, family friend shot up, family member assaulted, etc..

On July 22, 1996 the courts dismissed my case as frivolous. Judge Bernard A. Friedman cited that my show cause order was bizarre, irrational and indeed delusional. Judge Friedman continues to state  that the complaint is fanciful and delusional. I didn’t know that copyrights and certified mail receipts were miscellaneous papers.

So, let me get this right…I imagined my house getting shot up, double homicide and Family members assaulted.
The judge could have assigned counsel or made another decision. Talk about getting 
assaulted, felt violated all over again.

I agree my initial letter to the court was emotional but it didn’t negate my request in accordance Federal  Rules of Civil procedure, Rule 16 (a)(b)(c); Also under U.S.C., Title 15 28,19,49; Under 28 U.S.C, 1915(d) – Plaintiff request counsel be assigned…preventing protraction due to lack of management.

I know that this was a bold move but considering the  situation there was no other recourse.

Follow this link to URL which provides a copy of Search Warrant for a Double Homicide that the courts deemed delusional and frivolous!

Case Summary of Events

This is my 1st letter sent with Complaint which summarized events:

[pdf-embedder url=”https://exercisingmyright.files.wordpress.com/2015/12/letter-of-explanation-and-list-of-exhibits-submitted-to-courts-pdf.pdf”%5D

https://exercisingmyright.files.wordpress.com/2015/12/letter-of-explanation-and-list-of-exhibits-submitted-to-courts-pdf.pdf

Retyped for easy translation- A Copy is Shown Below:

 
Explanation of Exhibits 
Enclosed documents will substantiate claims that Zomba and Associates set out to defraud my company, Seven West Productions, LLC and I, Tiwanda “Ne Ne” Lovelace, out of millions of dollars in royalties. In the process, Zomba/Jive has allowed and are
responsible for my loss.

The materials in question have been discussed in detail with  Zomba’s representatives- (refer to exhibits 4-A, 4-B, 5-A and 5-B.

Zomba not only listed songs on page 23 of co-publishing contract dated 10/16/93, but they introduced me to other  writers in their publishing house to obtain my lyrics and melodies, in order to rework materials without giving proper  credit (refer to Exhibit 2).

In one instance, works submitted to Zomba and Zomba’s writers was one of the first songs mentioned that was reworked and in addition to this, another part of a completely  different song was used.

Song number 10, Lies/ It U Loved Me performed by MJJ’s Brownstone (Exhibit’s 1-A, 5-A, 5-B, 7-A and 7-B) was on MTV, during their live show, singer closed song with more recent materials submitted to Zomba and their (other) writer.

While under contract with Zomba, I submitted over forty (40) songs, of which I have retained receipts for and telephone bills to sustain the fact that I held up my end of contract.

These songs we discussed each time I submitted materials (refer to Exhibit 4-A and 4-B). This conflicts with Zomba’s letter in response to notices sent from me to them on March 14, 1995, wherein, Zomba denies having songs on file (refer to Exhibit 12.

If there are no songs on file, then how could they copyright the songs I submitted with proper splits and writers credits, this in addition to other facts prove Zomba never intended to follow agreement to administrate my publishing as agreed.

The only explanation for the initial song placement could have been was to have me enter into agreement or contract with Zomba, giving them administration over royalties derived from the placement thru their record company, Jive Records.

Once I signed agreement I was immediately introduced to  other Zomba representatives in order to place my works on  more artist, only to be given run around, I was assigned to three different people since October, 1993.

Meanwhile, I was submitting works and waiting patiently for  my royalties from first placement, all the time I was informed that they liked my materials.

They even supplied music tracks for me to write lyrics to, only to rework songs, stall and lie to me. Zomba official introduced me to an associate of Zomba, who offered and attempted to have me sign under his management contract,  therefore, giving them full legal power over me and my works.

Of course, I refused to sign with anyone in affiliation with a company that had already neglected to handle business properly (refer to Exhibit 2).

Zomba did not include me as a writer on the list of Zomba writers, showing real intent. Refer to Exhibit 5-A & 5-B, page  23, Eleven (11) songs are listed in (the actual) contract dated October 18, 1993, between Lovelace and Zomba.

One by one they have been used in pieces- some used compilation of more than one song.

Zomba has not attempted to handle this matter efficiently or professionally, you would think that a company that is supposed to collect all royalties for its writers in order to get paid or receive their share would be pleased to step in and administer publishing…

However, Zomba was notified in March of 1995 but responded approximately four (4) months after being notified of infringements.

Notice was also sent in regards to my standing with company  and other concerns on March 4, 1995, this notice went completely unanswered (refer to Exhibit 7-A and 7-B).

Zomba representatives have gone so far as to commit mail-tampering offenses- (refer to Exhibits 7-A d 7-B), Returned signature cards were signed by same agent at Zomba 137-139 west 25th St. New York NY 10001 and at Grubman, Indursky, Schindler, and Goldstein, P.C., 152 West  57th St., 30th fl. New York, NY 10019.

I mailed two sets, one to Grubman, Indursky, etc., and one each to Zomba representatives involved, in each instance, Zomba received their packages first.

One set of packages were sent on the 4th day of March, Zomba’s agent signed and received package within two (2) days, when Grubman, indursky’s agent signed within three days or one day after Zomba.

One set of packages was sent on the 14 day of March, the previous Zomba agent signed this time for Grubman, Indursky at 10019, when Zomba’s Zip code is 10001- (Note copies in Exhibit 7-A & 7-B).

Packages were sent on the 14th day of march, Zomba’s agent signed 03/17/95 – three days later, however, Grubman, Indursky’s agent signature-(signed by same signature as 03/4/95’s-Zomba)- was signed and dated six (6) days from original date sent.

The first time I called the New York Barr. Assoc., I was informed, after obtaining my information, that I could not be referred to any attorneys, without explanation.

Zomba/Jive shared my works with other major companies. Therefore, creating a situation; whereas, most attorneys in the music industry would be in conflict of interest, due to the fact that my works were scattered and used by more than one  major label.

Keeping in mind that the major’s contract with each other and has a ‘monopoly’ situation (refer to Exhibits 2, 8-A, & 8-B – shows accessibility and Zomba’s contacts, thus; proving that the major’s work together to control and dominate the music industry.

It turns out that one of the attorneys I dealt with was very familiar with this company and its tactics but neglected to inform me, due to the fact that he has/had or still has dealings with a major music person here in Detroit who has participated in copyright infringements and has benefited by Zomba’s actions (refer to exhibit’s 7-A, 7-8, 11-A,  11-B, 8-A, and 8-B).

I have filed complaints with Attorney Grievance Commission regarding the attorneys listed in Exhibit’s 1-B, C, & D.

In accordance with contract Zomba, my administrative publisher, neglected to file copyrights for works submitted (refer to Exhibit 11-A and 11-B). I was copyrighting all my works prior to signing with Zomba.

The song entitled “What Can I Say To You To (Justify My Love?) performed by Hi Five and Nuttin NYCE, placed on Jive’s Label, was released on four (4) projects; Hi Five’s Album, Hi Five’s Greatest Hits album, released as a single, and on Nuttin NYCE’s album. I never received ownership papers or proper documentation for a song that I was given writers credit for – (refer to Exhibit 3-A & 3-B.

It has also been brought to my attention that works in question has been released overseas with my vocals used without my consent. Zomba, as of March 15, 1996, made an offer of $1,000.00 and a release agreement, which, of course, releases them from any lawsuits that I may file in the future.

I refused this offer simply because I know it was an attempt to minimize my situation and make light of damages incurred. Since dealing with Zomba and associates, I have had to have surgery in order to remove a (4) four inch cyst that the doctor says more likely derived from stress.

I have been threatened and told that I have been blackballed from the music industry. I have had my family members assaulted and I have had an associate who assist me with this business) shot.

Most incidents occurred during the waiting period after notices were sent to Zomba, those four months were the longest months of the year, especially since I hadn’t figured out why they were denying my rights and why they didn’t respond to materials that their representatives had stated were acceptable and then turned around and contradicted what was discussed.

Zomba has neglected to honor any of their few responsibility to me after receiving my signature on contracts.

Zomba failed to correct dispute caused by Zomba between Hatcher and myself, then deliberately caused conflict between myself and Art & Rhythm, let’s not forget the conflict started between writers on their staff of writers.

Anyone can glance at songs listed in contract on page 23 and copyright copy in exhibit’s 5-A, 5-B, 11-A,11-B, 11-C, in addition to this, compare them to songs done by artist mentioned in casting list and songs on the charts.

The copyright copies of songs listed in collection I and the songs from Collection’ II and Collection IV have repeated similarities in titles and lyrics, one after the other.

As you compare song titles and lines, it will be easy to identify the Who? What? and When?, even the Why?, Sure people have the same ideas at some point and time; however, contract dated 10/18/93 list songs and from this list, anyone  can conclude that these songs, recognized in contract, has been used one by one, compare to works released over summer of 94,95, and 96.

The coincidence of this happening by mistake or simply by chance is impossible considering how many songs were used and who had access.

I signed with Zomba due to the fact that I had worked with other local production companies and the contract referred to all works before and after, this was to protect me from having my works stolen or misrepresented.

It turns out that they were responsible for infringements or aware of copyright infringements prior to presenting contracts to me (refer to casting list in exhibit’s 8-A & B, shows names of contacts I made earlier in my career).

As I back trace my steps with the music industry, I have found out that people that I had previously worked with were always in connection to one label or another.

I learned that demos and works that were done in order to advance my career were reworked and placed on major artist, proving this is easy with copyrights and other documentation in my possession.

For years I have been a victim of this music industry, while I struggled to fit in, it was never either parties’ intent to assist but to retrieve fresh ideas in order to rework and not have to share monies or credit.

They can have their industry; however, I must insist on a proper settlement to make amends for the damages I’ve encountered while pursuing my goals.

I am too multi-talented to waste my skills on unappreciative, greedy companies who do not recognize me as a vary-intelligent  human being.

When a persons Civil Rights are violated, should the culprits be allowed to walk away because they were able to use money, positions and power to avoid responsibility? 

Currently, these are the tactics that I must continue to endure in 2014…

This is obviously not me but this is what is displayed on a current search for my name with my identifiers under multiple false charges!

Defamation of character and current tactics used to discredit…Why does the police search shows misleading and false information? Find out why?

It wasn’t enough to rob me of all my music royalties but they  had to take housing for decades and every meaningful employment with illegally obtained warrants and misleading background records!

 

CHECK OUT WHAT YOU’VE MISSED!
Review some of the documentation and background documents here!

 Share this:

 For more detailed information regarding the many groups and what it means to be properly aligned, I encourage you to read Music Business: It’s a Dirty Game!

 This title is also in an eBook form available at:  http://shop7westpublishing.com/.

 

You can’t make this stuff up, Proof – It really happened….
Envelopes received from Zomba after initial allegations of copyright infringements!

 

 

Zomba’s Initial Response to allegations
Zomba’s contract included songs that were used, yet,
they denied having. They should have copyrighted them when they executed contract…I DID!
 

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Note: Brownstone is listed as looking for work on Zomba’s casting sheet. Their song, “If You Love Me” was the first song using my lyrics and melodies mentioned in Lawsuit.

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Zomba’s contract included songs that were used; yet,they denied having.

Envelopes received from Zomba before initial allegations of copyright infringements!  

 

Read more…

Certificates of Copyrights and Signed Split Sheets

September 19, 2016 – Written By Tiwanda ‘Ne Ne’ Lovelace of SWP,LLC

Copyrights was NOT the Issue!

I thought Copyright Laws were supposed to protect writers! I have been copyrighting my lyrics and melodies since 1991. Although I had obtained and secured my ownership of Copyrights , I was denied representation.

Although my Lawsuit was filed in accordance with Federal Rules on Civil procedures, I was not given an opportunity to address my claims in court!

Note: I filed a lawsuit which provided these companies names (to the courts and other entertainment attorney’s) for using my works; which, included lyrics and melodies. All the while they were one in the same, working together.

 

 

 split sheet why cant I Paul Allen split sheet You should be mine with Valencia Shipmon Split sheet - casual love paul allen Split sheet - Is the sex still good paul allen Split sheet - With Your Love paul allen Split sheet - cI need you here Darrell Campbell Split sheet - I need love - thirsty Darrell Campbell Split sheet - Soon Reality Fades Ethan Pitts and Maurie McToy Split sheet - Just a Little Bit More Ethan Pitts and Maurie McToy
These songs were listed in the publishing contract, listed in notice of copyright infringements, court docs, and were played on the radio by major artist signed to BMG, EMI; throughout the years starting after Zomba music publishing contract.

 

Obviously, musical works were passed around and definitely used! 


Can you guess why a Major Music Publisher wouldn’t want their 50% -Fifty percent? 


That does not sound like teamwork to me…more like Tag Team!

Warner Chapel Deal Letter sent to Zomba/Jive re: Infringements Less than a month later, on March 23, 1995, Handwritten Letter sent to Zomba – Re-typed:
 
Zomba
137-139 W. 25th
Street
New York, NY
10001
 
Attn: R. B –
Zomba, rep,
 
It has been brought to my attention that an artist by the name of Desire (real name Monique), with the help
of Michael Powell, Art 
& Rhythm’s – Larry Roc Campbell, Paul D. Allen, and Larry Hatcher has received a 6 album deal with Warner Chapel label releasing single in May 1995.
 
{Now how would I have a clue if someone didn’t tell me and give me specific’s. This is the same public that
runs around breaking their necks to hurt. I was definitely out of the loop but the 
source seemed reliable and I did supply a lot of material to all parties included.}
I bring this to your attention because I heard personally and have others confirm blatant similarities to my work and have been derived in full and/or in part from my copies submitted to Paul D. Allen of M. Powell’s – Vanguard Studio, Larry Hatcher of 
Hatcher Hits, Larry Roc Campbell of Art & Rhythm and David Renzer – Zomba, rep .I worked consistent with all parties
listed 
for a period of time. I have split sheet for “Baby Stay With Me” and I heard this finished by her.
 
I would like for this situation to be taken seriously. In addition, I would like a copy of a detailed Royalty statement for Hi Five’s song, “What can I say to you to justify my love” and a copy of (signed) split sheet for my records. 
 
As a whole, they have collected 30 or more songs from me and they are all on this same project. 
 
Larry Roc Campbell laughed and told me that he received money when I signed with Zomba. How is this possible?
 
I certainly hope that you will handle my administration of copies of materials that were sent to David Renzer – Zomba, rep; Cherry, 
Drew D – Zomba, rep, and Kymberlee Thornton – Zomba, rep. Paul D. Allen received a copy and signed split sheets with me. 
 
also have copyrights for the materials:
 
1. Why can’t I?
2. Baby stay with me
3. Is the sex still good
4. Casual Love
5. With your love
 
Larry Hatcher received more than 14 songs. Larry Roc Campbell received more than 20 songs.



 Zomba/Jive’s Denies having Songs involved in copyright infringements…

July 20, 1995 Letter from Zomba regarding investigation of my allegations:

 


Zomba’s Answer to Allegations:
 
This was their response to my allegations and complaints regarding stolen works. 
 
Of course, I didn’t sign this mess…$1000.00???


 

 


Note: I filed a lawsuit which provided these companies names (to the courts and other entertainment attorney’s) for using my works; which, included lyrics and melodies. 

All the while they were one in the same, working together. 
 








 

 

 

 

 


The Fix Was In-
 
Case dismissed prior to Zomba Response dated August 7, 1996
 
On July 22, 1996, Courts dismissed my case I never had an opportunity to go before the judge and be heard. I
never had
my day in court.
Retyped for easy translation – A Copy of 1st page is shown below:
 
MI’s Order of Dismissal Ignoring Violence Page 1 – Retyped
 
UNITED STATES DISTRICT COURT
EASTERN DISTRICT OF MICHIGAN 
SOUTHERN DIVISION
 
TIWANDA LOVELACE, Plaintiff,
vs.
 
BMI-ZOMBA-JIVE, Defendant.
Civil Action No. 96-CV-12270-DT
KON. BERNARD A. FRIEDMAN


OPINION AND ORDER OF DISMISSAL
 
This matter is presently before the court on Plaintiff’s response to the court’s show cause order of June 21, 1996.
 
Plaintiff’s original complaint consists of (1) a 2-page, handwritten document, (2) an 18- page typewritten document, and (1)
a hefty 
stack of miscellaneous papers, ranging from assorted correspondence, to grievances with the postal service, to contracts.
 
The gist of the complaint appears to be that defendant allegedly has deprived Plaintiff of royalties due her for various
musical compositions.
 
The court’s show cause order noted that the complaint does not comply with Federal Rules of Civil Procedure 3(a) (1),
8(a)(2). 3(a) 
(3), and 10(b), and required Plaintiff to show cause why the complaint should not be dismissed for its failure to comply with these pleading requirements.
 
– (end of page 1 of Courts Order).
 
NOTE: My revised complaint complied completely with Fed. Rules of Civil
Procedure but the courts ignored..
Zomba Response dated August 7, 1996
 
The revised complaint complied completely with Fed. Rules of Civil Procedure but the
 courts ignored…
 

MI’s Order of Dismissal – Ignoring Violence Page 2 – Retyped

Plaintiff has responded to the court’s order by filing the following documents: a cover sheet, an amended complaint. a “retaliation report” and a personal letter.

Although it is now in paragraph form, the amended complaint continues to be unorganized and incomprehensible.

It is not a short and plain statement of the basis for plaintiff’s claims and for the court’s jurisdiction as Fed. R. civ. P. sia) (1) and 8(.3) (2) require.

Because Plaintiff’s complaint still does not abide by the Federal Rules of Civil Procedure for pleading, it must be dismissed. 

Plaintiff’s complaint must also be dismissed pursuant to 28 U.S.C. S 1915(d). The Sixth Circuit has held that an in Forma Pauperis complaint may be dismissed as frivolous if the Plaintiff cannot make out any claim that is rational in law or in fact.

Lawler V.Marshall, 898 F.2d 1196 (6th Cir. 1950).

The Lawler court noted that “the facts must be delusional to be frivolous.” Id, at 1199. 

Applying this standard to the present case, Plaintiff’s response to the court’s show cause order is bizarre, irrational and indeed, delusional.  

In paragraph 6 of her amended complaint, Plaintiff states that “Zomba was notified by phone and mail, repeatedly, of 

infringements, threats, and other coincidental acts of violence . . .”

 

In her personal letter Plaintiff asserts: while on my way to file this with the Federal Courts, / was sent on a wild goose chase . . . and I had people related to the music industry accept responsibility for my… (End of page 2 of Order of Dismissal)

This is what I refer to as the Jedi-mind-trick…just wave your hands and say the words and it never happened. 
 
I didn’t imagine bullet holes, family friend shot up, family member assaulted, etc..
 

On July 22, 1996 the courts dismissed my case as frivolous. Judge Bernard A. Friedman cited that my show cause order was bizarre,

irrational and indeed delusional. Judge Friedman continues to state  that the complaint is fanciful and delusional. I didn’t know that copyrights and certified mail receipts were miscellaneous papers.

So, let me get this right…I imagined my house getting shot up, double homicide and Family members assaulted. 
The judge could have assigned counsel or made another decision. Talk about getting 
 assaulted, felt violated all over again. 

I agree my initial letter to the court was emotional but it didn’t negate my request in accordance Federal Rules of Civil procedure, Rule 16 (a)(b)(c); Also under U.S.C., Title 15 28,19,49; Under 28 U.S.C, 1915(d) – Plaintiff request counsel be assigned…preventing protraction due to lack of management.

I know that this was a bold move but considering the  situation there was no other recourse.

 Follow this link to URL which provides a copy of Search Warrant for a Double Homicide that the courts deemed delusional and frivolous!

 
Case Summary of Events
 
This is my 1st letter sent with Complaint which summarized events:
Retyped for easy translation- A Copy is Shown Below:
 
Explanation of Exhibits
 
Enclosed documents will substantiate claims that Zomba and Associates set out to defraud my company, Seven West Productions, LLC and I, Tiwanda “Ne Ne” Lovelace, out of  millions of dollars in royalties. In the process, Zomba/Jive has allowed and are responsible for my loss.
The materials in question have been discussed in detail with  Zomba’s representatives- (refer to exhibits 4-A, 4-B, 5-A and 5-B.
 
Zomba not only listed songs on page 23 of co-publishing contract dated 10/16/93, but they introduced me to other  writers in their publishing house to obtain my lyrics and melodies, in order to rework materials without giving proper  credit (refer to Exhibit 2).
In one instance, works submitted to Zomba and Zomba’s writers was one of the first songs mentioned that was 
reworked and in addition to this, another part of a completely  different song was used.
Song number 10, Lies/ It U Loved Me performed by MJJ’s Brownstone (Exhibit’s 1-A, 5-A, 5-B, 7-A and 7-B) was on MTV, during their live show, singer closed song with more recent materials submitted to Zomba and their (other) writer.
 
While under contract with Zomba, I submitted over forty (40) songs, of which I have retained receipts for and 
telephone bills to sustain the fact that I held up my end of contract.
These songs we discussed each time I submitted materials (refer to Exhibit 4-A and 4-B). This conflicts with Zomba’s  letter in response to notices sent from me to them on March 14, 1995; whereas, Zomba denies having songs on file (refer to Exhibit 12).
 
If there are no songs on file, then how could they copyright the songs I submitted with proper splits and writers
credits, 
this in addition to other facts prove Zomba never intended to follow agreement to administrate my publishing as agreed.
 
The only explanation for the initial song placement could have been was to have me enter into agreement or contract with Zomba, giving them administration over royalties derived from the placement thru their record company, Jive Records.
Once I signed agreement I was immediately introduced to other Zomba representatives in order to place my
works on 
 more artist, only to be given run around, I was assigned to three different people since October, 1993.
Meanwhile, I was submitting works and waiting patiently for  my royalties from first placement, all the time I was informed that they liked my materials.
They even supplied music tracks for me to write lyrics to, only to rework songs, stall and lie to me. Zomba
official 
introduced me to an associate of Zomba, who offered and attempted to have me sign under his management contract,  therefore, giving them full legal power over me and my works.
Of course, I refused to sign with anyone in affiliation with a company that had already neglected to handle business  properly (refer to Exhibit 2).
Zomba did not include me as a writer on the list of Zomba writers, showing real intent. Refer to Exhibit 5-A &
5-B, page 
23, Eleven (11) songs are listed in (the actual) contract dated October 18, 1993, between Lovelace and Zomba.
 
One by one they have been used in pieces- some used compilation of more than one song.
 
Zomba has not attempted to hand this matter efficiently or professionally, you would think that a company that
is 
supposed to collect all royalties for its writers in order to get paid or receive their share would be pleased to step in and administer publishing…
 
However, Zomba was notified in March of 1995 but responded approximately four (4) months after being 
notified of infringements.
 
Notice was also sent in regards to my standing with company  and other concerns on March 4, 1995, this notice went completely unanswered (refer to Exhibit 7-A and 7-B).
Zomba representatives have gone so far as to commit mail-tampering offenses- (refer to Exhibits 7-A d 7-B),
Returned signature cards were signed by same agent at Zomba 137-139 west 25th St. New York NY 10001 and at 
Grubman, Indursky, Schindler, and Goldstein, P.C., 152 West  57th St., 30th fl. New York, NY 10019.
I mailed two sets, one to Grubman, Indursky, etc., and one each to Zomba representatives involved, in each
instance, 
Zomba received their packages first.
One set of packages were sent on the 4th day of March, Zomba’s agent signed and received package within two (2) days, when Grubman, indursky’s agent signed within three days or one day after Zomba.
 
One set of packages was sent on the 14 day of March, the previous Zomba agent signed this time for Grubman, 
Indursky at 10019, when Zomba’s Zip code is 10001- (Note copies in Exhibit 7-A & 7-B).
Packages were sent on the 14th day of march, Zomba’s agent signed 03/17/95 – three days later, however, Grubman, Indursky’s agent signature-(signed by same signature as 03/4/95’s-Zomba)- was signed and dated six (6) days from original date sent.
The first time I called the New York Barr. Assoc., I was informed, after obtaining my information, that I could not be referred to any attorneys, without explanation.
Zomba/Jive shared my works with other major companies. Therefore, creating a situation; whereas, most attorneys in the music industry would be in conflict of interest, due to the fact that my works were scattered and used by more than one  major label.
Keeping in mind that the major’s contract with each other and has a ‘monopoly’ situation (refer to Exhibits 2,
8-A, & 8-
B – shows accessibility and Zomba’s contacts, thus; proving that the major’s work together to control and dominate the music industry.
 
It turns out that one of the attorneys I dealt with was very familiar with this company and its tactics but
neglected to 
inform me, due to the fact that he has/had or still has dealings with a major music person here in Detroit who has participated in copyright infringements and has benefited by Zomba’s actions (refer
to exhibit’s 7-A, 7-8, 11-A, 
11-B, 8-A, and 8-B).
I have filed complaints with Attorney Grievance Commission regarding the attorneys listed in Exhibit’s 1-B, C, &
D. 
In accordance with contract Zomba, my administrative publisher, neglected to file copyrights for works submitted  (refer to Exhibit 11-A and 11-B). I was copyrighting all my works prior to signing with Zomba.
The song entitled “What Can I Say To You To (Justify My Love?) performed by Hi Five and Nuttin NYCE, placed
on
Jive’s Label, was released on four (4) projects; Hi Five’s Album, Hi Five’s Greatest Hits album, released as a single, and on Nuttin NYCE’s album. I never received ownership papers or proper documentation for a song that I was given writers credit for – (refer to Exhibit 3-A & 3-B.
 
It has also been brought to my attention that works in question has been released overseas with my vocals used 
without my consent. Zomba, as of March 15, 1996, made an offer of $1,000.00 and a release agreement, which, of course, releases them from any lawsuits that I may file in the future.
I refused this offer simply because I know it was an attempt to minimize my situation and make light of damages incurred. Since dealing with Zomba and associates, I have had to have surgery in order to remove a (4) four inch cyst that the doctor says more likely derived from stress.
I have been threatened and told that I have been blackballed from the music industry. I have had my family members assaulted and I have had an associate who assist me with this business) shot.
Most incidents occurred during the waiting period after notices were sent to Zomba, those four months were the longest months of the year, especially since I hadn’t figured out why they were denying my rights and why they didn’t respond to materials that their representatives had stated  were acceptable and then turned around and contradicted what was discussed.
 
Zomba has neglected to honor any of their few responsibility to me after receiving my signature on contracts.
Zomba failed to correct dispute caused by Zomba between Hatcher and myself, then deliberately caused conflict 
between myself and Art & Rhythm, let’s not forget the conflict started between writers on their staff of writers.
Anyone can glance at songs listed in contract on page 23 and copyright copy in exhibit’s 5-A, 5-B, 11-A,11-B, 11-C,
in 
addition to this, compare them to songs done by artist mentioned in casting list and songs on the charts.
The copyright copies of songs listed in collection I and the songs from Collection’ II and Collection IV have
repeated 
similarities in titles and lyrics, one after the other.
 
As you compare song titles and lines, it will be easy to identify  the Who? What? and When?, even the Why?, Sure people have the same ideas at some point and time; however, contract dated 10/18/93 list songs and from this list, anyone can conclude that these songs, recognized in contract, has been used one by one, compare to works released over summer of 94, 95, and 96.
The coincidence of this happening by mistake or simply by chance is impossible considering how many songs were used and who had access.
 
I signed with Zomba due to the fact that I had worked with other local production companies and the contract referred to all works before and after, this was to protect me from having my works stolen or misrepresented.
It turns out that they were responsible for infringements or aware of copyright infringements prior to presenting contracts to me (refer to casting list in exhibit’s 8-A & B, shows names of contacts I made earlier in my career).
As I back trace my steps with the music industry, I have found out that people that I had previously worked with were always in connection to one label or another.
I learned that demos and works that were done in order to advance my career were reworked and placed on major artist,  proving this is easy with copyrights and other documentation in my possession.
For years I have been a victim of this music industry, while I struggled to fit in, it was never either parties’ intent to assist but to retrieve fresh ideas in order to rework and not have to share monies or credit.
They can have their industry; however, I must insist on a proper settlement to make amends for the damages
I’ve encountered while pursuing my goals. 
 
I am too multi-talented to waste my skills on unappreciative, greedy companies who do not recognize me as a
vary-intelligent 
 human being.
 
For more,
see: 
VISIT OUR WEBSITE!


SHOP ONLINE – DOWNLOAD NOW!

When a persons Civil Rights are violated, should the culprits be allowed to walk away because they were able to use money, positions and power to avoid responsibility? 


Currently, these are the tactics that I must continue to endure in 2014…



This is obviously not me but this is what is displayed on a current search for my name with my identifiers under multiple false charges!

 

Defamation of character and current tactics used to discredit…Why does the police search shows misleading and false

information? Find out why?

It wasn’t enough to rob me of all my music royalties but they had to take housing for decades and every

meaningful employment with illegally obtained warrants and misleading background records!

http://musicbizadirtygame.blogspot.com/p/antitrust-brief-business-of-music-made.html

 

 

CHECK OUT WHAT YOU’VE MISSED!
 
Share this:
 
 
For more detailed information regarding the many groups and what it means to be properly aligned, I encourage you to read Music Business: It’s a Dirty Game!
 
This title is also in an eBook form available at:  http://shop7westpublishing.com/.
 
For More info:
Interested in Investing?
Here’s your chance to get involved! For your promotional   copies for review and a copy of SWP, LLC’s Business Plan.
Contact us!

 

 

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LET’S CONNECT!!!

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You can’t make this stuff up…Proof – It really happened….
Envelopes received from Zomba after initial allegations of copyright infringements!

 

 

Zomba’s Initial Response to allegations
Zomba’s contract included songs that were used; yet, they denied having.
As Co-Publisher, they should have copyrighted them when they executed contract…I DID!
 

These songs were listed in the publishing contract, listed in notice of copyright infringements, court docs, and were played on the radio by major artist signed to BMG, EMI; throughout the years starting after Zomba music publishing contract.

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Zomba’s contract included songs that were used, yet, they denied having…

Envelopes received from Zomba before initial allegations of copyright infringements!  

 

Below are sample documents used to establish patterns of abuse of power and civil right violations.

Clearly, the Warrant has an expiration date of July 31, 1997 but this was used to take multiple jobs and even housing for almost (2) two decades.  Although Lovelace was reporting to Michigan Probation, no efforts were made to contact and/or provide notice.

That warrant says that ‘thorough, diligent search was made to find probationer and whereabouts unknown’ but this is a complete farce because Lovelace was reporting as directed.

 
Illegally obtained warrant was used to repeatedly take 
employment & housing in Las Vegas, Nevada

 

Although songs listed in the Co-Publishing Agreement…

 

 

 

 

Below are sample documents used to establish patterns of abuse of power and civil right violations.

Clearly, the Warrant has an expiration date of July 31, 1997 but this was used to take multiple jobs and even housing for almost (2) two decades.  Although Lovelace was reporting to Michigan Probation, no efforts were made to contact and/or provide notice.

That warrant says that ‘thorough, diligent search was made to find probationer and whereabouts unknown’ but this is a complete farce because Lovelace was reporting as directed.

 
Illegally obtained warrant was used to repeatedly take employment & housing in 
Las Vegas, Nevada

Officials Misconduct ‘Under Color of Law’

“For over two decades…Officials – while acting ‘under color of law,’ circumvented justice, hindered and enslaved daughter of man accused of murdering a Police Officer!’

Officials under collaboration with a billion dollar industry has used courts, judges, power, positions and connections with Music Business to exact revenge and for the purposes of making a profit from enslaved individuals.

Police acting ‘under color of law’ used illegally obtained warrant to negatively modify background record. Police used expired warrant to take public housing, cause loss of employment and to hinder any and all assistance with the use of threats and intimidation.

While being victimized, ostracized, isolated and placed under continued pressure to end her own life, she was advised that profits, proceeds and royalties were confiscated and given to the slain officer’s family. If it was not this message, it was other repeated negative comments used to instill some kind of sense ‘hopelessness.’

This local author has released titles which sheds light on corruption and plot for revenge and abuse of power which has been allowed to continue for over two decades!

These titles demonstrate how a corrupt system has deliberately used money, power and positions to create a form of enslavement in order to use positions to circumvent justice and to exact revenge for the death of a slain police officer and/or others negatively impacted.

Each title written provides documentation to substantiate all claims and provides detailed information.

Caught in crossfire between major entities; the system and those who have been negatively impacted – she has been forced to live as an outcast.

Courts ignored serious allegations, and ruled Complaint as Frivolous when clearly violence and intimidation was happening – See Search Warrant for Double Homicide: 


Search Warrant for Double Homicide –
February 01, 1995 – 
Retyped for easy translation –a copy shown below:

 

STATE OF MICMIGAN

SEARCH WARRANT AND AFFIDAVIT

Donald Mchall

TO THE SHERIFF OR ANY PEACE OFFICER OF SAID COUNTY:

Affiant, having subscribed and swears to an affidavit for Search Warrant. And I having under oath examined am satisfied that probable cause exists:

THEREFORE, IN THE NAME OF THE PEOPLE OF THE STATE OF MICHIGAN,

I command that you search the following described place: 9260 Burt Md. Detroit Michigan A single family dwelling located on the east side of Burt Rd. Detroit Michigan between Dover and Cathedral. Described as a 1 1/2 story Bungalow with a covered front porch and a detached garage located to the rear of the location. The number 9080 are affixed near the front door and to seize, secure, tabulate and make return accordion to law the following property and things:

Any and all evidence related to the homicides which occurred on 1-21-95 at 15721 Telegraph including a 9mm Semi Auto pistol. Papers establishing occupancy, ownership, or control of the premise 9080 Burt
Rd.

The following facts are sworn to by the Affiant in support of the issuance of this Warrant: 1: Affiant is a Lieutenant with the Redford Police Department and has been employed there for 20 years. Affiant is currently assigned to the Criminal Investigations Bureau and involved In the Investigation of a double homicide shooting.

2: Affiant responded to a scene of a double homicide at 15721 Telegraph on 1/21/95. Left at the Scene was a white canvas bag containing one full metal jacketed 9mm round. This round watched 4 shell casings found by the bodies of the deceased.

Attached to the canvas bag was a TWA baggage tag for flight 355 Nov.11, 1994 and a Computer read out for passenger T. Lovelace. Affiant contacted Trans World Airlines and learned that a Tiwanda Lovelace and a Curtis Lovelace had departed Kennedy Airport in New York on flight 355 and arrived At Metro Airport Detroit on 11-11-94.

For the airline’s there were no report filed by passenger Tiwanda Lovelace that she had net received her canvas bag. The phone number provided to the airlines with the reservation was 313-493-1526. Per Ameritech this number belongs to Pierre Lovelace 9080 Burt Rd. Detroit MI. Tiwanda Gail Lovelace has a Michigan Personal Identification Card with the Address 9080 Burt Rd. Detroit Ml.

3: Surveillance of a female leaving the listed location found that Tiwanda Lovelace Ieft the described location and was stopped by a uniformed police officer and gave the address of 9080 Burt Rd as her place of residence. This was on 01-31-1995.

4: Wherefore Affiant has probable cause to believe the described items will be found at the above described location.

Judge attributed actual ‘Violence’ as  fanciful, delusional, etc...

 

 

 

 

 

 

 

 

Background 

My father, Robert Heard is currently serving a life sentence for allegedly killed a  Detroit Police Office, Stanley Rapaski and Cass Czerwinski. I can’t help but wonder if Czerwinski is related to Democratic Representative Joseph C. Czerwinski.

Although my in-laws were directly related to the chief of police of Detroit, I never put it together that maybe this was questionable being that my estranged father was serving a life sentence.

I was raised as one of Jehovah’s Witnesses (Kingdom Hall out of Brooklyn, NY) so I was already raised isolated and separate from others. I wrote to music track initially provide by Jake Salazar and Lee Marcus. Lee Marcus brother was a MI police officer. My in-laws relocated for a period in GA.

The police departments spanning from GA were acting under color of law when they willfully executed a false report to secure a warrant. This illegally obtained warrant has been used to take housing and was used as means to hinder employment and take jobs.

MI – Judge Bernard Friedman, ignored severity of obstruction of justice, murders, rapes, corruption. This judge literally blamed actual violent events as if it was just a side effect from a cystectomy and as if it was not even happening. The search warrant says different.

GA – Judge William Duffey, (judges switched after Request for summary judgement entered by plaintiff. Judge ignored clerks misconduct.

F.B.I. Local Offices contacted but ignored severity of obstruction of justice, murders, rapes, intimidation, civil rights violated, corruption that has been allowed to continue for decades.

D.O.J. contacted multiple times throughout the entire 2-3 decades of major violations but ignored.

Officials across state lines are supporting this modern day enslavement by willfully and deliberately ignoring multiple severe criminal acts and have committed acts themselves.

Richard Blackstone, director of Business affairs at Zomba was well aware of my interactions with their reps and of the multiple works provided. He also sent correspondence regarding my contract to a Paul Katz.

Howard Hertz, Michigan attorney encouraged signing a contract that was unethical

Jerome Barney, Michigan attorney encouraged signing a contract that was unethical. He also sent Cease and Desist letters to both parties without my knowledge so I worked with individuals unaware of the backlash that was going on within Zomba.

Lee Marcus never offered contract but on more than one occasion spoke of a female who committed suicide after writing music lyrics for a major writing team but received no credit. After initial songs were given to Lee and Jake, I never saw Jake again. I found out later that one of these songs made it to a television sitcom. Of course, I was never given credit or royalties even with copyrights.

Alexander Kuhne, Michigan attorney was referred by Hertz after infringements.

Dave Renzer, at Zomba was front person for Zomba

Kymberlee Thornton, at Zomba was liaison who accepted most works submitted under Zomba Co-Publishing Contract.

Michael Powell, was major in Michigan (possibly in Nevada) It was members associated with him who lined up to obtain works under false pretenses.

Paul D. Allen of Michael’s Vanguard Studies provided musical tracks, studio time and who signed split sheets regarding working together

David McPhearson, was ANR at Zomba (Replaced by Larry ‘Roc’ Campbell). I had no contact or knowledge of his association until after I began to contact zomba regarding copyright infringements.

Larry Hatcher of Hatcher Hits was provided lyrics and melodies of which Zomba Reps were aware.
Zomba’s Rep. Art & Rhythm’s Larry Campbell was provided lyrics and melodies of which Zomba Reps were aware and these songs were listed in the contract.

Ken Williams, Zomba writer or producer who Zomba wanted me to sign as my manager, I declined

Kenny Hairston, Zomba writer or producer who Zomba wanted me to write lyrics for.

After submitting multiple songs, someone associated with the business brought it to my attention that an artist by the name of Desire (real name Monique), with the help of Michael Powell, Art & Rhythm’s – Larry ‘Roc’ Campbell, Paul D. Allen, and Larry Hatcher has received a 6 album deal with Warner Chapel label releasing single.

Michael Powell, Lee Marcus (ties to police) and Jake Salazar; both major in music.

Multiple groups are still continuing to ignore the severity of obstruction of justice, murders, rapes, corruption, civil rights violations. This is because behind the scenes violence is allowed to spread while the blame is placed on selected individuals to ensure that you are isolated and alienated so that their modern day enslavement can continue without question.

Everything that was done to others was in turn exacted on me and mine by and with the masses full support.

These rights guaranteed under the constitution are simply non-existence for those whom the system deems as being disposable.

Your copyrights can be ignored. You can be violated in every way imaginable as long as people can be persuaded into believing that you are responsible.

Your rights to Life, Liberty and the Pursuit can be and are denied when officials hide under ‘color of law’ to deprive you of what should be guaranteed. I refuse to allow this to continue without bringing these injustices to light!

 

Created & Written By Tiwanda ‘Ne Ne’ Lovelace 

E.O.A.A. Weekly News Article: Friday, April 11, 2015

 

DON’T BELIEVE THOSE WHO WANT TO HIDE THE TRUTH?

 
MY ALLEGATIONS ARE TRUE AND CAN BE SUBSTANTIATED BY THE FULLY COMPLETED, WHOLE DOCUMENTS, PUBLICATIONS, PHOTOS, RECORDINGS, VIDEOS, ETC…EACH, THAT I SUBMIT 
 
BUT IF THESE ITEMS CAN BE DELAYED OR HINDERED THIS CLEARLY WOULD DEMONSTRATE HOW INDIVIDUALS WITH POWER CAN CONTINUE TO ENSLAVE OTHER HUMAN BEINGS FOR DECADES. 
 
I EXPERIENCED SIMILAR TACTICS WHEN ATTEMPTING TO UTILIZE OTHER OUTLETS FOR MY PUBLICATIONS…MY PRODUCT WAS REPEATEDLY MISREPRESENTED. 
 

Further supporting documentation is available in the tabs above this blog!




I am well aware of the usual procedures implemented to address these kinds of wrongdoing involving these major entities. However, it has also been my personal experience that those who attempt to pretend to address these concerns usually don’t put the victims best interest first due to monetary gains and social impact on society.  It has been my experience that relying on secret remedies are truly for the benefit of the violators so that they may remain unaffected. My twenty plus years has clearly demonstrated that those in positions of power are he’ll bent on preserving this evil and my public has no interest in allowing proper recourse  (again, due to social impact on society).

All while some misrepresent this situation or those who imply interest in resolution…there are many who are undermining these efforts with indirect actions which encourage further victimization and dehumanization.

To those that would attempt to mislead, judge, rejoice and misdirect….

Why don’t you redirect yourselves to some decency, a conscience and to your humanity!

So while some are using every justification known to mankind…

I am the one that has to listen to the laughter and mocking of my public saying, 10 minutes, $10. So because of this and after decades of being unable to combat lies and manipulations…I can assure you that I am no prostitute and your methods and hesitation only ensures continued unwarranted violations of the worse kind.

So I will not be letting go, nor will I remain silent while empowered and misinformed animals continue to run rampant.

SWP, LLC has compiled a set of books which shed light on the darkest side of the business of music. Copyright © 2013 Created and Written by Tiwanda ‘Ne Ne’ Lovelace All rights reserved. No part of this blog or books may be reproduced in any form or by electronic or mechanical means, including information storage or retrieval system, without permission in writing from the publisher, except by a reviewer who may quote brief passages.
Those in positions would prefer to have to believe lies but this is not what it appears to be.
Throughout the decades, it has been said that I have been subjected to public humiliation and dehumanization as a result of not graduating college.
As mentioned above, the message provided is that my public display is due to a lack of a college degree. Meanwhile, the crooked lawyer’s, politicians, etc…continue to profit off of your hard work and struggles.
I don’t care about how people try to put all of the blame on me. I will never follow rules that do not recognize me as a person. If these haters snatched you up in a world wind of treachery, you would not remain silent either; especially, after decades of carrying the blame.
All while everyone is perpetrating a fraud, no one from either entity has ever communicated with me in any way directly regarding any of the events of which I have been accused.
Only an idiot would victimize and vilify someone for decades while keeping them down and expect it to never end; least of all, expect loyalty.
Obviously, I have never been a part of that world…your rules don’t apply. Besides, what idiot would abide by laws and rules that require the acceptance of enslavement and poverty? You can call me whatever you want but it won’t be, ‘Slave.’
For those who require proof instead of just blindly following others, I have provided actual documentation that confirms the serious atrocities that have been committed, ignored and mentioned in my Complaint against Zomba for Antitrust, Copyright Infringements, etc…
I have provided a copy of the search warrant for a double homicide which was mentioned in my Complaint along with other violence but…On July 22, 1996 the courts dismissed my case as frivolous. Judge Bernard A. Friedman cited that my show cause order was ‘bizarre, irrational and indeed delusional.’ Judge Friedman continues to state that the complaint is ‘fanciful and delusional.’
This double homicide occurred two months after traveling to NY to address Co-Publishing Agreement, advance and submitted songs…During my visit, Richard Blackstone, Senior Director of Business Affairs and who 6 mos. later became Sr. Vice President of Business Affairs did not make himself available after being made aware of my visit. 

 Search Warrant for Double Homicide – February 01, 1995

Retyped for easy translation –a copy shown below:
STATE OF MICMIGAN                                                                                    SEARCH WARRANT AND AFFIDAVIT
Donald Mchall
TO THE SHERIFF OR ANY PEACE OFFICER OF SAID COUNTY:
Affiant, having subscribed and swears to an affidavit for Search Warrant. And I having under oath examined am satisfied that probable cause exists:
THEREFORE, IN THE NAME OF THE PEOPLE OF THE STATE OF MICHIGAN, I command that you search the following described place: 9260 Burt Md. Detroit Michigan A single family dwelling located on the east side of Burt Rd. Detroit Michigan between Dover and Cathedral. Described as a 1 1/2 story Bungalow with a covered front porch and a detached garage located to the rear of the location. The number 9080 are affixed near the front door and to seize, secure, tabulate and make return accordion to law the following property and things:
Any and all evidence related to the homicides which occurred on 1-21-95 at 15721 Telegraph including a 9mm Semi Auto pistol. Papers establishing occupancy, ownership, or control of the premise 9080 Burt Rd.
The following facts are sworn to by the Affiant in support of the issuance of this Warrant: 1: Affiant is a Lieutenant with the Redford Police Department and has been employed there for 20 years. Affiant is currently assigned to the Criminal Investigations Bureau and involved In the Investigation of a double homicide shooting.
2: Affiant responded to a scene of a double homicide at 15721 Telegraph on 1/21/95. Left at the Scene was a white canvas bag containing one full metal jacketed 9mm round. This round watched 4 shell casings found by the bodies of the deceased. Attached to the canvas bag was a TWA baggage tag for flight 355 Nov.11, 1994 and a Computer read out for passenger T. Lovelace. Affiant contacted Trans World Airlines and learned that a Tiwanda Lovelace and a Curtis Lovelace had departed Kennedy Airport in New York on flight 355 and arrived At Metro Airport Detroit on 11-11-94. For the airline’s there were no report filed by passenger Tiwanda Lovelace that she had net received her canvas bag. The phone number provided to the airlines with the reservation was 313-493-1526. Per Ameritech this number belongs to Pierre Lovelace 9080 Burt Rd. Detroit MI. Tiwanda Gail Lovelace has a Michigan Personal Identification Card with the Address 9080 Burt Rd. Detroit Ml.
3: Surveillance of a female leaving the listed location found that Tiwanda Lovelace Ieft the described location and was stopped by a uniformed police officer and gave the address of 9080 Burt Rd as her place of residence. This was on 01-31-1995.
4: Wherefore Affiant has probable cause to believe the described items will be found at the above described location.

COPY OF SEARCH WARRANT

This double homicide occurred two months after traveling to NY to address Co-Publishing Agreement, advance and submitted songs…During my visit, Richard Blackstone, Senior Director of Business Affairs and who 6 mos. later became Sr. Vice President of Business Affairs did not make himself available after being made aware of my visit. 
                                                                                      
I had no idea of what was going on but this definitely was very serious – Murder was the Case that they tried to give me, literally!

Nobody wants to talk about where the millions from the song that was originally placed and used on a major television sitcom.Nobody wants to acknowledge the 40+ lyrics and melodies of mine that was used to shop this alleged Warner deal and also used to hurt me by flooding the radio and charts in that poor attempt to drive me to suicide.

Murder, I had no freaking idea what they were talking about and didn’t want to know. I didn’t even watch the news because it was too much. I was in my own world so to speak, completely in the dark and sleepwalking. I have never been the same since. Imagine my mind racing with fear and anxiety. My body was shaking profusely.
Some fool took my luggage tag from my trip to NY and left it at the crime scene. I have never been able to find out whom and I don’t want to know. I never judged people or at least I tried not to. I dealt with people from all walks of life. I had faith in people then and I made excuses for those who disappointed me or behaved in hurtful manners. Being raised separate and isolated, this never gave me an opportunity to know the true evil that exist in some.
So, you see part of my dilemma? There is no such thing as common sense. What is common for one may not be common for others.
Especially, when everyone around knows exactly what is going on but won’t say as they continue to stir up drama as if it is a game. It is easy to sit up and call someone stupid but unless it is you being deliberately left in the dark surrounded by people who blame or who are constantly taking it out on you.
Amidst all the drama, on August 15, 1996 my oldest child was outside playing outside in front of the house when one of my hate-filled neighbor’s children chased him into the street.
Conveniently, he was struck by a vehicle and thrown into the air to land on the concrete. What made this different from any accidental automobile collision was the drivers’ response. Sharon Deasfernandez, the driver got out of her car with this cold, angry expression on her face.
Clearly, she was not sorry, there was no sign of remorse. The police ruled in favor of the driver and said that my son ran into the vehicle in front of his own house. I can only imagine that something happened to someone’s family and they were coming for mine.
Of course, I immediately ran to my child’s aid but all the while watching her facial expressions. It was strange that within a few minutes her family came to support her and try to justify why she was remorseless. I wanted to fight her but my child required my assistance and at this time I was still in disbelief.
I thought it was odd that she was of Hispanic decent being that I never really knew that I had crossed paths with anyone except Jake Salazar. It is possible that one of the persons that I knew was and looked African American. I don’t know but regardless I started to watch everyone closely. I slept with a twenty gauge after that incident.
From my viewpoint, we were truly under siege.
My sister was raped around the same time my nightmare began and for a while I thought it had something to do with me; especially with the family’s mistreatment toward me.
At the time I was being blamed for everything but she can play the ‘I love you, I love you not’ game all by herself because I am done. That rollercoaster game is over. I forgive and forgive but enough is enough.
I don’t want to minimize her pain but nobody stopped them busters from raping me at will. I have been date raped before and told my mother and my husband what was done to me. I was vomiting and crying but they acted like I didn’t say anything. As usual, I didn’t matter.
                  
I submitted list of songs, copyright copies, and contracts request for assistance; however, I received my materials back from all the attorneys, groups, and agency, along with letters expressing no interest in representing me.
On May 20, 1996, I filed a lawsuit against BMI, Zomba and Jive because of their lack of response to my request as to how BMG, MCA, EMI, WEA, Polygram and Jive have released songs which blatantly infringe upon my copyrights. I sent these lyrics to Zomba and discussed these works in detail. Clearly, I have been denied my rights and this definitely confirms a Monopoly situation.
I was very emotional at this time and lacked the skill of a licensed attorney but I provided copies of copyrights. I provided proof of certified mailings and other documents to support that I required courts assistance.
                                        
On July 22, 1996 the courts dismissed my case as frivolous. Judge Bernard A. Friedman cited that my show cause order was bizarre, irrational and indeed delusional.
Judge Friedman continued to state that the complaint is fanciful and delusional. I didn’t know that copyrights and certified mail receipts were miscellaneous papers.
Imagine being hurt, confused and having misleading people – all chanting for your demise like you were responsible. All of them, hoping to witness your pain and sorrow. They probably were selling front row seats to the event. Illegally wiretapping and watching your every move. Then you find out that your children are under siege as well.
YOU WOULD BE ANGRY TOO!!
There are too many coincidences and convenient tragedies to be ignored.
I never gave permission for any violation of my privacy. I was never asked and no one communicated with me regarding any of these continued violations of my rights;
Yet, the many violations continues in 2014!
So, let me get this right…I imagined my house getting shot up, double homicide, children assaulted and sister getting raped. The judge could have assigned counsel or made another decision. Talk about getting assaulted, I felt violated all over again.
 
Now the ‘system’ is implying that I am a poster for those who do not complete college and other lies to justify.
 
I AM NOT, NOR HAVE I EVER BEEN STRUNG OUT ON DRUGS. I DO NOT HAVE ANY EMOTIONAL OR MENTAL ISSUES BUT I AM IGNORED AND FORCED TO LIVE AS A HOMELESS OUTCAST. MY EFFORTS TO CONDUCT BUSINESS THAT INCLUDES SHEDDING LIGHT ON ATROCITIES….I AM IMPEDED BY MAJOR INSTANCES OF FAIR TRADE ACT VIOLATIONS AND UNFAIR COMPETITION! PROOF AVAILABLE ON TAB – ABOVE:
 
 
SO…WHY DO YOU THINK THAT 
THE TRUTH IS BEING LIMITED? 

NO MATTER HOW MUCH POWER THEY HAVE..
 THEY CANNOT MAGICALLY  CHANGE THE FACTS?
 

                              THIS IS HOW IS IS ALLOWED TO CONTINUE FOR DECADES…

                                                IGNORING HEINOUS ACTS AND PROOF!

She has lived in many cities, moving from town to town looking for a home and a support base but the people in positions have ensured that too many people have been negatively affected across various groups.
These continued incidents are instigated in the hopes that this will ensure that no one will support her in fighting for justice.
Those in positions and/or associated with the music industry have engaged in, encouraged and have allowed violent acts to incur solely due to their pride, greed and hate.  While behind the scenes, the hurting of others continue so that they will hate you too…this is not a game!

The Onlookers do not even care about ‘the why’ but they join in with more abuse; similarly to those angry mobs mentioned in history books. 

There are those who really understand or at least they seemingly recognize my humanity in this injustice but out of sheer self-preservation they steer clear.

It has been implied that if anyone helps me in any way on my quest to free myself from this man-made oppression would end up in a wheelchair or worse. 

It must be true because it has been decades and I am still struggling by myself to obtain some kind of rights to privacy and justice.

Even with the threats of homelessness, imprisonment and being alone in this nightmare, I refuse to just ‘fade to black’ for people who don’t even see me as a human being.

Lovelace states, ‘I am not, nor have I ever been a strung out, drug using prostitute. I am not a hardened criminal.’ 

‘It seems like the only rights that people in power want me to have is the right to remain silent. Every step I take to move
forward, I am delayed in some way.’

Even if she were, it would not justify denying me the same civil rights others are privy to.
Our individual freedom should not be left up to a system that allows those with power and positions to profit from the dehumanization of others.
Again, she never had a chance even from childhood. Lovelace adds that her journals mentioned in previous works were partial entries and do not come close to all that has transpired in their efforts to shame and harm.
If you haven’t had an opportunity to read my previous memoir, ‘Music Business: It’s a Dirty Game’ also called, ‘Curse of the Dragon Lady – The Perfect Victim, and Music, Murder and Mayhem – A True Story! 
 
I strongly encourage you to purchase a copy. Reading each will explain why it was necessary to write this book and what events led up to this decision to bare my pain.
It is her intention to address all those who whisper for her to sue, fight back, and even those who would suggest for me to, ‘just die’. 

‘After working very hard for many years, honing my skills, obtaining information, I am mentally prepared to find my way to freedom in an effort to correct this injustice.’

In earlier attempts to resolve ‘her situation’ with the music industry, she contacted numerous agencies, attorneys and organizations for assistance but she was refused. 

Included in this list below are the tracking numbers for each letter that she sent so they can’t deny receiving request.

Lovelace added, ‘While on my quest in seeking the way to my figurative ‘underground railroad,’ I was able to establish that ‘my entire situation cannot solely be contributed to my dealings with any one individual or any singular specific group but of a combine collaboration of multiple parties.’ 

Each should be held accountable for their actions and their inaction.

My ordeal is not completely due to any single, specific actions or due to my inactivity; however, this was definitely a part of a well-orchestrated plan that was set in motion long before I arrived or was awakened.
I have not been just twiddling my fingers, living in fantasy world over here. It has been one extremely long journey learning about life, love and the pursuit of happiness.
It was very hard accepting that the ones closest to you would be the ones used to do the most willful damage; especially, when you are too busy watching everyone else that you perceive to be the villains.
SUMMARY OF EVENTS:
Although I have compounded legal issues, I have tried to provide brief numbered details of some of what has occurred below.

I am continuing to seek legal assistance and because there are compounded situations but to provide a summary:
1.     My father is incarcerated for allegedly killing a Detroit Police Officer, Stanley Rapaski and Cass Czerwinski. I
can’t help but wonder if Czerwinski is related to Democratic Representative Joseph C. Czerwinski. 
First, anyone who kills a police officer – their family is definitely persecuted and is unable to obtain assistance from the system; especially, if that person is a prominent member of society.  
Everyone knows that police stick together and as a matter of fact, the other accomplice conveniently died while being apprehended in that case. Human nature…
2.     I wrote the lyrics and melody that were used for a television sitcom many years ago. These lyrics were given to now
prominent music producers, Lee Marcus and Jake Salazar. Of course, I didn’t find out about the use of the song until years later.
3.     Since the individuals who placed the first songs didn’t offer contract or monetary compensation, I kept writing with other
local producers until I was offered a 50/50 co-publishing agreement with Zomba after a disagreement with Larry Hatcher and Art & Rhythm’s Larry Campbell.
4.     Zomba’s pub agreement made reference to taking co-ownership of all songs written by me; including material prior to
signing. (Remember I was not aware that the previous songs were used yet).
5.     I spoke with two entertainment attorneys; the fact that previous attorney’s would encourage signing a contract for little dollars when they know that all entertainment lawyers would most likely require a large retainer in the end demonstrates that there is a problem.
6.     Zomba representatives then attempted to pressure me to sign management contracts with producers that were on their
roster whom I had never met.
7.     While contracted with Zomba, I submitted over 40 song lyrics and melodies that were discussed in detail with their
representatives and some listed directly in the contract.
8.     After submitting these songs, someone associated with the business brought it to my attention that an artist by
the name of Desire (real name Monique), with the help of Michael Powell, Art & Rhythm’s – Larry Roc Campbell, Paul D. Allen, and Larry Hatcher has received a 6 album deal with Warner Chapel label releasing single.
9.     I heard personally and have others confirm blatant similarities to my work and have been derived in full and/or in part
from my copies submitted to Paul D. Allen of M. Powell’s – Vanguard Studio, Larry Hatcher of Hatcher Hits, Larry Roc Campbell of Art & Rhythm and David R – Zomba, rep. I worked consistent with all parties listed for a period of
time. I have split sheet for “Baby Stay with me” and I heard this finished by her.
10.   After notifying Zomba of this deal, I became subjected to a multitude of tragedies, threats and intimidation. 
11.  Almost every song lyric and melodies were used in part and in full. These songs were being played on the radio for years. I will provide you with attachments to show copyrights.
12.  Zomba used publishing contract to steal lyrics and melodies, then denied possession of works (even though material was mentioned in publishing contract, the use of intimidation methods to coerce, and now everyone is asking for an extreme amount of money for a retainer.

I understand that litigation cost but this should not be allowed to be used as a scapegoat to avoid being held accountable. 
This is the ‘game’ that prevents resolution and allows these tyrants to continue their actions. 
13. I then attempted to file suit and although the amended complaint that complied with F.C.R. and was filed within courts
guidelines. 
14.  The judge dismissed before reviewing factual evidence and ignored actual acts of violence and request for counsel to be assigned. Basically, I have documentation that clearly shows misconduct.
15.   During this ordeal, I maintained my copyrights and always required signed documentation with any co-writers. Within two months of completion of my Registration of Copyrights for all of the songs provided, suddenly the Dekalb County Probation submits a violation of probation report to the Courts and they issue a warrant although I was under the supervision of Michigan Probation and reporting as directed.
16. The timing of the execution of this warrant was in sync with everything that was going on around my trials with seeking assistance from attorneys and all of the many groups. 
I had filed the copyrights listed below and they were processed just months prior to the illegally obtained warrant being issued.
1. PAU001720136 / January 7, 1993 “Collection I – Tiwanda.”

i. 
Lovelace, Tiwanda, 1967 – 18 SONG LYRICS AND
MELODIES, 1 RAP, 2 POEMS
2. PAU001721382 / March 4, 1993 “Collection II – Tiwanda.”

ii. 
Lovelace, Ne Ne – 6 SONG LYRICS AND MELODIES,
17. Although per Inter-State Case Reports, Lovelace was reporting to Michigan Probation AS DIRECTED by Courts, there were no efforts were made to contact and/or provide Notice of Hearing.  Again, there was no notice of hearing, revocation hearing, or opportunity to be heard.
 
18. Dekalb County police then used this warrant to modify my 1st Offenders Act, changing status to conviction. Records reflect multiple arrests, repeated offenses and provide misleading transmittal when 4 of 5 items are in reference to the same (original) First Offenders Act offense. 

Dates and charges are inaccurate and/or inaccurately presented.
19.  This warrant was signed May 19, 1993 – expired July 31, 1997.
20.  In a letter used to take housing from the Lovelace family, a police agency stated that the warrant was valid in 2005 and
that they were unable to execute due to budgetary constraints. 

However, when I lived in Georgia 2003/2004 there were no efforts to arrest? 
21.  I believe the warrant was serving its purpose, which was to inflict damage, hinder and harm. Prior to filing this case, I
submitted a notice and a request for correction to all parties involved since it was preventing employment and shelter.
22. I have proof of misconduct which shows the courts switched Judges after plaintiff filed for Summary Defendants ignored service of Summons.
I believe that this system intended to hold me accountable for others actions and all under ‘color of law.’

I am requesting legal assistance and/or representation, resolution and closure because these entities are still using their power and positions to continue to oppress. 

I have documented proof of civil rights violations, mail tampering, court tampering, violent acts, etc…
I have had multiple major companies assist with hindering and circumvent justice…
Since this has snowballed, police were using illegally obtained warrant to modify records, take public housing and take employment. Georgia unjustly threw my case out but shortly after a public defender was able to quash warrant. 

I am stuck in this free for all, caught up between multiple major entities and trying to obtain my freedom from this chaos.

Even now my record has not been updated or corrected properly because this case was once again used to have me detained in handcuffs and refused entry into Canada in 2013. Cleary, each entry is questionable.                      

I have other legal issues that have occurred of which I have been compiling; such as, screen shot, documents, etc…that prove that I am being deliberately deprived of my rights to liberty and life. I refuse to let them murder me quietly behind the scenes. 

I have provided some of the documentation to support my claims inside the titles and I hope that you will be able to assist or refer this to someone who can.

Thank you,
Seven West Productions
Tiwanda Lovelace, Founder
P.O. Box 400001

Las Vegas, NV 89140

(877) 885-2944 
(702) 900-4087
tiwanda@sevenwestproductions.com 
sevenwestproductions@gmail.com 

Official Website: 
http://7westpublishing.com/

Tiwanda ‘Ne Ne’ Lovelace, founder of Seven West Productions, LLC has compiled a set of publications which demonstrate firsthand what traps await them by providing detailed information regarding methods and tactics used.

· There are no other books that will provide extensive knowledge regarding their process.
· These publications are not easily accessible through mainstream publishers solely due to the information provided within and due to conflicting with the goals of a billion dollar industry.
 
I have developed a program that offers extreme discounts so that these publications can be distributed and used to generate funds for other organizations while also providing a more uncut direct approach to educating our young adults before they fall victim to the music industry.

Lovelace has created the following publications:

 


Music Business: It’s a Dirty Game!

ISBN 978-0-989622530 Printed (Perfect Bound)

ISBN 978-0-989622592 eBook

 

ISBN 978-0578119465 eBook



An autobiography of an unknown artist that
that was subjected to continued acts of violence and oppression. This title is
presented through this artist/writer’s eyes while experiencing multiple
tragedies and events. Emotionally charged, this title clearly expresses the
pain and anger of being betrayed, sacrificed and scorned. Inside, are the
actual documentation and files used to demonstrate some of the tactics used to
steal artist lives, deny rights and enslave the artist. This title is compiled
using personal journals, public records, contracts, copyrights and other
documentation which demonstrates how it is allowed to continue.





Music
Murder and Mayhem-A True Story!



ISBN 978-0-9896225-4-7 Printed

ISBN
978-0-98962254
7
eBook



An un-cut non-fiction description of how the
music entertainment business murders its artist and writers quietly behind the
scenes. People always assume that artist just sign bad deals that allow
producers/managers to take everything but this is not always the case.



It is important that people understand the
‘game’ and how it ultimately affects others. The documentation provided along
with my personal experiences shared in this book should demonstrate the lengths
that those who have abused their positions to strip individuals of their life
publicly by using illegal tactics, mass deception and intimidation.


This book describes how those
with money, power, and position use mass manipulation to discredit, its use of
technology to spy, use of threats and intimidation to isolate.
Like animals circling its prey, victims
are surrounded, stalked, studied and set-up. Like lambs led to slaughter, you
won’t realize the severity of your situation until you are knee deep in a
‘storm’ of backstabbing friends, oppressing family members, snaking strangers.

Tags: bullying, court tampering, injustice,
mass manipulation, music business, persecution, politicians, prism



COMING SOON!


INVISIBLE:
Living without Rights in America – 2013! 


ISBN 978-0-9896225-5-4 eBook

 

ISBN 978-0-9896225-8-5 Printed



The court system has been placed under the
microscope from the view of the everyday citizen to reveal how it really works
for the less fortunate. This book will demonstrate how some individuals are
deliberately oppressed by those that are in positions to manipulate the courts
to ensure injustice continues. Therefore, by limiting assistance and preventing
Due Process they enslave individuals by using their money, power and positions
to deny rights that should be guaranteed by the Constitution of the United
States of America.



The documentation provided along with my
personal experiences shared in this book should demonstrate the lengths that
those who have abused their positions to strip me of my life publicly by using
illegal tactics, mass deception and intimidation.



For
questions and more information, please contact us at:



http://7westpublishing.com

http://shop.7westpublishing.com

I refused to believe this could be possible and so I began to reach out to some of the attorneys, groups, organizations and agencies. See list below:

Lovelace vs. Zomba 

List of Attorneys, Organizations, and Agencies Contacted

DHL airway                Recipient Info. / Delivery date
and signature of agent Bill no.
772707017012            Karen Bragg/ Ticket Master /c/o
Goldstein,
                                    3701
Wilshire, 7th Fl., Los Angeles CA 90010
                                    Delivered –
03/06/1996, at 11:37 am, signed by Decker
77277017001              Attorney General, Dept. of Law,
Consumer Fraud
                                    120
Broadway, 3rd Fl., New York, NY 10271
                                    Delivered –
03/08/1996, at 10:55 am, signed by Williams
7930401651                Volunteer Lawyers of the Arts/
Robert Libcke,
                                    1212
Griswold, Detroit MI 48226
                                    Delivery –
03/11/1996, 11:23 am, signed by Matthews
77277017701              Freeman Hawkins / Roger Goode,
4000 Sun Trust Plaza,
                                    303
Peachtree St., Atlanta GA 30308
                                    Delivered –
03/13/1996, at 10:59 am, signed by Johnson
8142801144                The Honorable Judge Linda
Warren-Hunter,
565 N. McDonna St., Decatur, GA. 30032
Delivery- 03/18/1996, at 12:57pm, signed by
Vortice
8184537104                Attorney Grievance Commission /
Philip Thomas / A. Kuhne
                                    Suite 256, Marquette Bldg., 243 West Congress Detroit MI
48226-3259
                                    Delivery-03/26/1996,
at 10:57am, signed by Buchanan
8184537093                Attorney Grievance Commission /
W. Neeley / J. Barney
                                    Suite 256,
Marquette Bldg., 243 West Congress Detroit MI 48226-3259
                                    Delivered-03/26/1996,
at 10:57am, signed by Buchanan
8184969726                Attorney Grievance Commission /
W. Neeley / J. Barney
                                    Suite 256,
Marquette Bldg., 243 West Congress Detroit MI 48226-3259
                                    Delivered-03/29/1996,
at 10:22am, signed by Buchanan
8184969962                Business Volunteers of the Arts,
Robert Libcke
                                    1212
Griswold, Detroit MI 48226
                                    Delivered –
03/29/1996, at 9:47am, signed by Matthews
Lovelace vs. Zomba
List of Attorneys,
Organizations, and Agencies (cont.)
DHL airway                Recipient Info. / Delivery date
and signature of agent
Bill no.
8184969951                Better Business Bureau, 257 Park
Ave., South New York NY 10010
Delivered-04/02/1996, at 10:15am, signed by
Ojeda
8184969741                Attorney Grievance Commission /
Howard Hertz
                                    Suite 256,
Marquette Bldg., 243 West Congress Detroit MI 48226
                                    Delivered-04/04/1996,
at 10:47am, signed by Buchanan
9271866590                Ken Burrows, 425 Park Ave., 26
Floor New York NY 10022
                                    Delivered-02/19/1996,
at 8:56am, signed by E. Addy
9271866586                Don Wilson, 4929 Wilshire Blvd.,
#1010 Los Angeles, CA 90010
                                    Delivery-02/20/1996,
at 9:26am, signed by S. Girad
                        5219002596 – Don Wilson
returned package 03/11/1996
8865881905                Karen Bragg c/o Goldstein, 3701
Wilshire Blvd., 7th Fl.
Los Angeles, CA 90010
Delivered – 02/22/1996, at 10:09am, signed by
K. Eubanks
8865881883                Zomba / Deborah Keegan, 137-139
West 25th St. New York NY 10001
                                    Delivered-
02/22/1996, at 11:08am, signed by W. Corian
8865881894                Attorney Grievance Commission,
Suite 256, Marquette Bldg.,
243 West Congress, Detroit MI 48226
Delivery-02/26/1996, at 9:56, signed by D.
Smith
8681158172                Federal Trade Commission,
Division of Marketing,
Rm. 238
                                    6th
St & Pennsylvania Ave., NW. Washington D.C. 20580
                                    Delivery-03/04/1996,
at 2:39pm, signed by I. Hudgins
9736039725 – Federal Trade Commission /
Delores Johnson,
Package returned 03/13/1996
9649642623                The Honorable Janet Reno,
Department of Justice,
                                    Tenth &
Constitution Ave., N.W., Rm. 4400 Washington D.C. 20530
                                    Delivered-03/13/1996,
at 12:46pm, signed by B. Breitspr
9291390780                Prosecutors Office, 1441 St. Antoine
Ste. 1200, Detroit MI 48228
                                    Delivery-03/26/1996,
at 11:46am, signed by S. Johnson
8142801181                Attorney
Grievance Commission / J. Barney,
Suite 256, Marquette Bldg., 243 West
Congress, Detroit MI 48226
                                    Delivered-04/09/1996,
at 10:19am, signed by Buchanan
8142801166                Department of Justice,
Anti-Trust Division, Jacob K. Javitts
Federal Bldg.,
                                    26 Federal
Plaza, Rm. 3630, New York NY 10278
                                    Delivered-04/09/1996,
at 10:03am, signed by Odonnell
8142801155                Better Business Bureau-New York
/ Mediation Division,
                                    257 Park
Ave., S., New York NY 10010
                                    Delivered-04/09/1996,
at 9:01am, signed by Ojeda
8184537082                Freeman, Hawkins / Roger Goode,
4000 Sun Trust Plaza
                                    303
Peachtree St., Atlanta GA. 30308
                                    Delivered-04/15/1996,
at 10:36am, signed by Johnson
8184969796                Butzel Long / Michael Poterala,
150 West Jefferson, Suite
900, Detroit MI 48226
Delivered-04/23/1996, at
10:46am, signed by Burks
**This is one long list that consist of very
prominent attorney’s, groups and organizations**
Now, I can
understand why it is so important for this information to remain hidden. If
this was to be released, it would reflect poorly on each entity. It is probably
because these are the same entities that are supposed to uphold and protect the
rights of the people.
What kind of message
would this send to the people? It would appear that the life of one individual
in comparison to the prominent, upscale, influential people is most important.

 

Although songs listed in the Co-Publishing Agreement…

 

 

 

 

 

 

 

 

 

 

 

 

Below are sample documents used to establish patterns of abuse of power and civil right violations. 
 
Clearly, the Warrant has an expiration date of July 31, 1997 but this was used to take multiple jobs and even housing for almost (2) two decades.  Although Lovelace was reporting to Michigan Probation, no efforts were made to contact and/or provide notice.
 
That warrant says that ‘thorough, diligent search was made to find probationer and whereabouts unknown’ but this is a complete farce because Lovelace was reporting as directed.



 
 
Illegally obtained warrant was used to repeatedly take employment & housing in 
Las Vegas, Nevada

 

Police/Probation states Warrant issued for Failure to report and pay court ordered monies 
 
Although Lovelace was reporting to Michigan Probation AS DIRECTED by
Courts, there were no efforts were made to contact and/or provide notice. See
Below…

 

In 2005, why did the police agency state that the warrants were valid but unable to execute due to budgetary constraints but when I lived in Georgia 2003/2004
there were no efforts to arrest? 
 
From my experience I believe the warrant was serving its purpose,
to inflict damage, hinder and harm.
 
Below: Clearly, Lovelace was reporting to Michigan Probation AS DIRECTED by
Courts from December 11, 1992 until August 2, 1993, there were no efforts were made to contact and/or provide notice. (Warrant was issued May 19, 1993.)
 
 
Michigan Inter-State Case Report dated 08-2-1993
 
That warrant says that ‘thorough, diligent
search was made to find probationer and whereabouts unknown’ but this is a
complete farce.
 
 
 

 

 
Although Lovelace was reporting to Michigan Probation, no efforts were
made to contact and/or provide notice. I was still reporting (3) three months, unaware
that the warrant was issued on May 19, 1993. I was just told that I no longer
was to report to Michigan Probation office. I obtained this letter well after. 
 
In all that time, I never mention the fact that my father was convicted
of murdering a police officer. I didn’t want to think that people would hold
that against me or be this sinister. I didn’t want to even go there besides I
still had to have hope that the system to work fairly. 
 
Decades of this vicious game has led to an examination of both the legal system and the Music Business!
 
During the time period when the illegally obtained warrant was being issued, I was working with music industry people mentioned in…
 
 
Music Business: It’s a Dirty Game! –
 

After the initial placements of works that I had given
Lee; I can only assume that word got out about lyrics being free game. Of
course, at this time I had no knowledge of other works being placed. So I
believe that when Zomba referred to having songs that I had written ‘before and
after‘ covered in contract, it was very likely that they had knowledge of these
works.
 
I, personally, looked at it as if I were paying my
dues and was willing to charge that to the game at that time. Meanwhile, I was
unaware that a Georgia warrant was issued on May 19, 1993 for probation
violation after I started working with other local music producers.
 
I think that my decisions definitely interfered with
someone’s plans. I can wholeheartedly say that their intentions were bad from
start. Then I received the blame for not signing or letting them lock me down
when it was apparent that I had no value in their eyes. Well after initial
Georgia warrant and case was resolved, I really started to work with other in
the music industry.
 

http://7westpublishing.com/

 

 

 

Misconduct, Violations and Deprivation of Rights Have NO STATUTE OF LIMITATIONS! 
 
Federal Law 42 USC 1983
The statute (law) under which most civil rights actions are brought is 42 U.S.C. § 1983. 

 

Read the Law: 42 U.S.C. § 1983
This law applies to situations where a person, who has been given authority by the law, deprives another person in the United States of rights or privileges that the second person has been given by the US Constitution or by federal or state law. 
 
The person who believes that s/he has been harmed in this way may sue in court. 
 
This law limits the way in which a person (who believes that s/he has been harmed) can sue a judge who has been acting in his or her official capacity.
Section 1983 can only be used to sue:

 

  • for intentional violations;
  • regarding federally protected rights; and
  • someone acting as a state or local official.

Pacer Court Case Tracker for Lovelace v. 

Dekalb Central Probation AND Dekalb County Police Dept.

 

 

EVERYTHING was processed and the Defendants – Dekalb County
Police did not respond in the time allotted by procedure as directed by courts.
Suddenly and without cause the case was reassigned to a
different Judge after Plaintiff (Lovelace) filed for Motion to Request Entry of
Default – Months later.
Per Pacer (court records): January 30, 2003 – Judge ordered
the Clerk’s Office to do their job…
On 01-30-2004, Pacer Court records No. 7 – Order instructs
Clerk’s Office to list Dekalb county Police to complaint and to forward
Plaintiff USM285 forms for completion. This was in response to Plaintiff’s
Motion for Correction and Notice of Error regarding Clerk’s Office excluding
defendants, Dekalb County Police Department from the Complaint.
On 02-17-2004, Pacer Court records No. 8 – Plaintiff’s USM285
forms and Summons were completed and returned. Lovelace returned ALL completed
forms as directed.
On 03-16-2004, Pacer Court records No. 9 – Summons was
issued for Defendants Dekalb County Police. Clear as day, pacer showed that the
Clerk’s Office processed Summons for Defendants.
On 03-18-2004, Pacer Court records No. 10 – Request for
Waiver of Summons. Request for Waiver of Service due by 04-16-2004
Clearly, they were served.
On 04-23-2004, In accordance with Civil Procedure and due to
no Answer by Defendants (Dekalb County Police dept.); Plaintiff (Lovelace) filed
Motion for Default and Summary Judgment.
Suddenly, without cause or explanation – I received notice
that the Judge was changed from Judge Jack T Camp to Judge William S Duffey.
Clearly, they were served but they were allowed to state
that I never served them, defendants blamed one of their staff members and
actually plead that ‘it would be unfair.’

 

 

 

Summons was process and Defendants simply ignored!
Original Complaint included Dekalb County – Courts own Time-stamp
BOTH – Defendants are listed but Clerk’s Office Removed Dekalb Police from Complaint

 

 

 
 
Pacer shows summons issued 03-16-2004  – 
Clerk entered name for  Amended Motion as miscellaneous  

 

I have had three websites but each time I am faced with unexplained changes to my websites
or purchase links being forwarded to other non-related sites.
Recently, I
have discovered that some of my copies sent as attachments in emails were never
received so if you have received a copy then it was through great lengths.
I have put
everything into fighting this injustice and I could use some support. It has
been a difficult journey but this form of slavery must stop because I am not
going to accept this without a fight. There is no valid reason, justification
or excuse to deny rights…
This is really a Dirty Game!

Due to that long list that consisted of very prominent music
labels, prominent music industry people, prominent  attorney’s, groups and organizations provided
in this book who were contacted for assistance,
I can understand why it is so important
for this information to remain hidden.
Even
decades later; once released, it would reflect poorly on each entity and those
who are supposed to uphold the law. It is probably because these are the same
entities that are supposed to uphold and protect the rights of the people; yet,
palms are greased and backs are turned.
Laws
and Rights mean nothing if they don’t apply to everyone. What kind of message
does this send to the people in 2013? It would appear that the life of one
individual in comparison to the prominent, upscale and influential people has
no value.  ANYONE can do anything to
anyone if they have more friends and wealth.


 

I
hope that this book reaches those who are unaware of the fact that even though
the world is changing; it doesn’t change for all. I hope that you will see
beyond my immediate anger and sadness reflected in my journals targeted toward
my oppressors. The documentation provided along with my personal experiences
shared in this book should demonstrate the lengths that those who have abused
their positions to strip me of my life publicly by using illegal tactics, mass
deception and intimidation. Even though there are incidents that actually
obtain media attention, there are numerous unjust events that do not receive
acknowledgment.
In my case, there seems to always be
something more pressing or someone more important. Let’s not allow others to
continue to divert our attention elsewhere when in most cases we can save
lives. If you don’t experience racism, then you would never know what it is
like or if it still exists for most.
I can’t help but recall a conversation
with a young lady who was of another nationality who casually stated that the
world is getting better with regards to racism. Of course, I had to acknowledge
that it seems like it but it still exists– they are just sneakier with it! It
still exists in the places that have the most impact on minorities – The Courts
and the workplaces. While this book demonstrated some of the tactics used in my
case with Zomba/BMG (now Universal Music Group. I have compiled some of my
personal experiences with the court system in other cases in my other book – Invisible: Living in America
Without Rights  – 2013
!
Although I have been treated horribly by
many, I still treat people with courtesy and decency. I believe that this is
where real change can start. Treat people like you want to be treated seems
corny but you never know if the person that you choose to mistreat has already
been through the ringer. That simple gesture can make your day or it could be
the difference between changing that persons view on life. I know that a few
kind words from strangers helped restore my faith in the possibility of
Justice. I am still and will continue to seek assistance in obtaining justice
from a world that does not recognize my humanity.
In addition to everything else and in spite of all my clear proof that everything is not what it seems, I have to fight complete strangers who truly believe that I am some lying, maniac, mastermind responsible for everything bad in their world.

Seven West Productions is currently accepting donations to assist
with product marketing and promotional cost to ensure we are
able to reach a wider audience so that others may also benefit from
the messages provided in our informational products. No donation is considered too
small.

While traveling, I found myself stranded in Ft. Worth, TX

“The more you stand up for yourself, the more opposition you have to endure. Even with proof of deliberate violations, even without having any personal mental or emotional issues, even though you do not have any substance abuse issues…the system will deliberately oppress and prevent you from maintaining employment and from conducting business when you speak out against the system designed to violate certain individuals that they use to profit and then discard.

They present you in the worst light in order to justify little or no compensation.”

Even with with work experience and many employable skills, I don’t even receive an interview call in over a year.

So I developed products and I have been traveling to promote my books and poetry but when no one supports your efforts this eventually causes homelessness.

I worked for many years in the music business and they used 40+ songs lyrics and melodies that made them hundreds of millions of dollars but because I am an unaligned African American Woman, this system feels that I am not entitled to having rights so they do not feel that they have to pay. Others don’t like my response to what has been allowed to continue and some do not care because of their own hardships.

I will never give up and I will continue to seek justice no matter what or where, until justice is in hand.

 

Posted: Feb 21, 2014 7:21 AM PST Updated: Feb 21, 2014 7:00 AM PST Re-posted: July 4, 2014 3:15 PM 
Written by Tiwanda Lovelace – Bio | Email | Website | Twitter @sevenwestprod | Youtuube | Online Store
Thank you for your Support!
Look for this button on the following websites:

http://musicbizadirtygame.blogspot.com/

Unfair Competition and Unfair Trade Practices

EXPLORING NEW LEGAL STRATEGIES

When individuals protect themselves legally, invest valuable time, money and works hard at achieving their dreams and endeavors… NO ONE should be able to circumvent justice and deprive them of their rights to adequate representation and the opportunity to pursue proper resolution.

Other than denial and refusal to acknowledge, NO ONE has ever directly addressed Lovelace regarding the many allegations of misconduct and violations of criminal acts, civil and human rights violations. Lovelace has never received any monetary compensation for any of the copyright infringements, breach of contract or unfair trade practices. Lovelace was never consulted, communicated with, considered, notified or addressed regarding resolution in any of the matters provided herein and on this website or others!

There has never been any option for obtaining legal representation due to major entities involved and multiple events that officials disregard!

When seeking legal representation with multiple ongoing legal issues involving certain powerful entities, it’s very difficult find representation. Unfortunately due to abuse of power or influential individuals who can manipulate events, the individual can easily be deprived of their rights by a society that relies on the ‘it’s who you know’ philosophy or the lack of empathy for others.

I am seeking assistance with unfair trade and unfair competition violations with regards to my company Seven West Productions, LLC and my products, programs, comics, books, etc…that conflict with a billion dollar industry and exposes official’s misconduct. It’s bad enough to have been deprived of personal civil and human rights but my company too….Small businesses should be able to sell products just like others without having to be harassed, intimidated and hindered at every turn.

Allegations of Unfair Competition and Unfair Trade Acts include:

1. Facebook ‘warning’ that is produced when my links to my other websites are clicked, ads being stopped at $2.11 and post photos switched to misrepresent, 2. Google and Google Play’s efforts to deter sales,

3. Amazon creating fake sellers with higher ratings with my company’s one of a kind products, to

4. Dunn & Bradstreet showing the public one profile while providing me with different view when signed in..

I have attached some background information and attachments on this website. If my products were not in conflict with a billion dollar industry and officials who refuse to uphold the law for the daughter of a man who allegedly killed a police officer, there would not be this much opposition.

These products, programs, comics, books, etc. which reference multiple legal situations; which involves, copyright infringements, breach of contract, civil rights violations, mail tampering, court tampering, and violent acts.

These events have occurred across multiple States and with proof of combined efforts. These incidents can easily be considered as operating as a monopoly, violating the Antitrust Laws AND my publications highlight many of the atrocities that I and others have been forced to endure. I would appreciate it if you would consider reviewing some of my documentation and evidence that I have collected.

I have compiled documented proof of how bullies are using their influence, positions and powers to stifle my business efforts and some examples of proof are posted on my websites.

There are too many coincidences of convenient acts which substantiate accusations of unfair competition and unfair trade practices acts. I have tried everything within my means to try obtain assistance but using the mail and emails have been thwarted because of those in position are able to impede. No one should be able to take your rights openly.

Thank you for your consideration,
Tiwanda Lovelace

Sunday, Updated October 13, 2015 – Written by Tiwanda ‘Ne Ne’ Lovelace

Bio Email Website | Twitter | YouTube | Online Store 

Unfair Competition & Trade Practices  

Extra Clippings and Inserts:

Createspace product page

pic of option on createspace with highlights - no sales

In addition, I have had this Seller Account for over 2 years

so why does it say just launched?

pic of other sellers listed on amazon

These sellers are not authorized and they do not have

the rights to sell or resell this title!

Each Seller listed has the same description as CreateSpace/Amazon AND LSI- Lightning Source Inc!

pic of createspace summary regarding no sales

LSI – Lightning Source has reported NO SALES in over (2) two years!

HOWEVER…

THIS IS RIDICULOUS - OTHER SELLERS LISTED ON AMAZON

AMAZON LISTED ANOTHER SELLER AS SELLING MY BOOK AS USED

This is my company website where I am using an Amazon Associates Widget…This widget link was forwarding to other seller for $0.78…

while my book is listed on my Amazon Seller Account for $14.99.

AMAZON WIDGET SHOW MBIADG AS 0.78 CENTS

This title was removed from both; LSI and Amazon/CreateSpace’s P.O.D. services that allows other sellers to flood the title without purchasing and is only available for purchase through Seven West Productions or 7 West Publishing. These titles are only available for purchase through Official website, Amazon Seller Account for SWP, Google Play/Book under SWP and Etsy.com/shop/7westpublishing.

AMAZON SHOWS OUT OF PRINT WITH NO OTHER OPTIONS CREATESPACE and amazon does not link with seller account listing all other seller channels removed

My title is not available for other sellers; however, other sellers are allowed to list (even after I Reported violations to Amazon)…

pic of email confirming book not available for P.O.D.

If my products were not in conflict with a billion dollar industry would their be this much opposition?

NOW AVAILABLE ON GOOGLE PLAY AND GOOGLE BOOKS

MUSIC, MURDER AND MAYHEM – A TRUE STORY!

MUSIC BUSINESS: IT’S A DIRTY GAME!

INVISIBLE: LIVING IN AMERICA WITHOUT RIGHTS!

While promoting and marketing the following titles, Seven West Productions, LLC has faced multiple acts that can easily be described as Unfair Trade Practices and Unfair Competition.

These Titles shown below, shed light on the darkest parts of the music business AND the ‘system’ that uses and/or allows this industry to operate with impunity!

Also Available @: MUSIC BUSINESS: IT’S A DIRTY GAME!

MBIADG BOX DESCRIPTION

Music, Murder and Mayhem – A True Story!

MMM BOX DESCRIPTION

ILIA BOX DESCRIPTION

When an entity interferes or when too many instances of convenient tampering or editing of websites and blogs sites, deliberately interfering with a competitors business interest by blocking content and/or impeding a competitors sales can at the least contribute to Unfair Trade Practices among the many other criminal and/or questionable activities.

SHOPIFY EXPERIENCE

Recently, I set up an additional shop for eBooks only using Shopify. For several months, I faithfully paid that $29.99 per month. Out of the blue, I received an email regarding tax or accounting issues as shown in the email below:

 

I received another email stating that the first email was sent in error but what it did not state was that by simply responding to that email – another account was activated.

 

INSTEAD OF SHOPIFY CHARGING MY  ACCOUNT THE SAME $29.99, THEY PROCESS (3) THREE CHARGES OF $29.99.

NOW MISTAKES CAN HAPPEN TO ANYONE…

Now this still does not justify the (3) THREE CHARGES OF $29.99

After countless hours of back and forth, allegedly all is taken care of and the second

website accounts are closed.

Check this out…

I receive another email that tells me that I have a customer from my Shopify store.

 
 

Good morning,

I have had no problems with making my payments and the money was in the account but your email initiated the problems that I am having with this account.
I don’t sell these products and this shop should have never been reopened. John Smith placed a new order with you today, Mar 10 01:11PM:
 
  •  1x Sledgehammer for $199.99 each
  •  1x Wire Cutter for $29.95 each

I had spent enough time on Shopify with phone calls, etc… I did not go online to bother with this website and no where on this email does it say test. 

I found this disturbing…A sledge-hammer,Really?

By the way the site never generated any sales, just over payments, wasted time on unnecessary emails and phone calls.

Another example:

I did not post this picture shown below but shortly after I made my Facebook account inactive and stopped checking it…somehow someone else was able to switch my picture with another. This is not what I posted nor intended but this is an example of how social media can misrepresent you or your company! Can you guess the purpose behind the switch that someone else initiated?

 
 

The REAL problem occurs when in spite of having documented evidence of these acts and much more or whether you receive an opportunity to seek justice as an individual or a small company, you can be denied the opportunity to seek justice or the ability to even obtain legal representation!

Enforcement of laws are based on who you are and depends on who is the opposing party or depriving entity!

 

“I just wanted to write and be paid for my work…Along the way, I was met with extreme opposition and I have faced many obstacles. I wanted to share some of them with those who would like to know the truth behind the lies and tactics.”  – Tiwanda Lovelace
Google Tactics: 

WHAT DON’T
THEY WANT YOU TO KNOW?

The other websites had the same upload but they had it posted correctly…

WHY THE GAMES? HIDING WHAT?

Google Tactics

 

Google Search shows my book for $0.99 but of course this is not correct. Amazon has the correct price $19.99 but Google displayed this search results. Yes, I have asked them to remove listing repeatedly.

 

Finally, I was able to have MusicBusiness: It’s a Dirty Game! – removed from their Google Books and Google Play websites.

I have decided to utilize Google Books and Google Play again please click here!

Google Images Search for:  Music Business: It’s a Dirty Game!

Google Image’s Search under ‘Music Business: It’s a Dirty Game’ shows images taken from my book and then immediately list this idiot on the commode, counting money…and…a penny listed a little ways down…’I wonder why that is?’

 

Google Books also displayed various pages from my book out of sequence and out of context for a preview.

If you see $ 0.99 and then once you select page the price shows $19.99 this could discourage interest. Book was not listed with correct title.

The updated version of MUSIC BUSINESS: IT’S A DIRTY GAME! has 350 pages so if you purchase and your copy does not…!

Google+ / Google Plus

This ‘Post’ page show perfectly when you click on tab…

 (Even after clearing formatting, I am unable to decrease font size.)

However, when I randomly checked the ‘About’ for Ne Ne Lovelace at:

https://plus.google.com/+NeNeLovelace/about did not list the information that was provided or is sporadically made available to readers as shown below:

 

There is no information shown on this page for no apparent reason, which clearly indicates an error on the technical side of my Google + While sending Feedback or Request for Fix…

 

Suddenly, now my ‘About’ page displays correctly (for now)!

The ‘About’ page provides background events and the Author’s and Seven West Productions, LLC’s BIO!

 

If my products were not in conflict with a billion dollar industry would their be this much opposition? 
 

Does this seem like just some disgruntled artist that’s mad about some songs….This so-called Blackballing from the music industry is preventing fair trade and interfering with fair trade practices…

FacebookTactics

I purchased a couple Ads’ from Facebook and this is a copy of the Ads tracking where they stopped all activity at $2.11.

My very first Ad went well; I reached over 44,000 hits per my page manager but someone interfered with 2nd Ad.
I wonder why…






I assure you this was never a game but this was a revenge plot from the start! Read Chapters 1-6 of Music Business: It’s a Dirty Game! provided below!


Amazon and eBay, My Rivals?

Why would eBay and Amazon have mysterious seller offer my listing for less than the authorized price? I understand competition but why is there no information on seller?

Notice: Top Rated Plus & Seller: buy (2589127 with shooting star) is listed first, and then my listing is below…

 



This is not my (Seven West Productions) Ad and it should be $19.99.
My (Seven West Productions) listing is second.
Note: My photo was used by Seller: buy (2589127 with shooting star).

These are not coincidences…but deliberate! Find out why by reading Chapters 1-6 below!
 

Amazon/CreatespaceIssue

Meanwhile, I am marketing and promoting this book and sending my customers to Amazon/Createspace but they offer it for less because Amazon was selling same book @ $17.01, not the agreed 19.99 through Createspace.


 

No Sales? I know people who purchased on Amazon!

This is not my listing above-5new $16.00 –

My previous Correct Seller information with eBay

100% Positive feedback
Amazon is clearly selling at different rate and $0.00 in sales have been reported even though I know that friends/associates have
purchased.

This is my listing below showing the agreed Createspace
/Amazon price of $19.99…which coincidentally is listed on page #144, page 12 under Music.


Does this seem like just some disgruntled artist that’s mad about some songs….This so-called Blackballing from the music industry is preventing fair trade and interfering with fair trade practices…The lies of industry personnel is affecting life outside of being in the music business!

Createspace/AmazonTitle Listings

MUSIC BUSINESS: IT’S A DIRTY GAME
Title
ID:
 4184590
ISBN-13: 978-0578119465   
ISBN
0578119463 SOFTCOVER, SEVEN WEST PRODUCTIONS  

ISBN
0578119463 BOOKNACKRH VIA  
AMAZON.COM US $22.04
ISBN
0578119463 AMAZON US
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ISBN
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ISBN
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ISBN
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I spent hours, days and weeks promoting my book; sending my customers to eBay &
Amazon links for my $19.99 Music Business: It’s a Dirty Game and find that my
efforts are undermined.
I hope that you have enjoyed reading the Chapters 1 – 6 that I have provided for preview.

I am fighting for my life and I shouldn’t have had to compete with Amazon and/or
eBay with my own product when using their online service!

I have had three websites but each time I am faced with unexplained changes to my websites or purchase links being forwarded to other non-related sites.
Recently, I have discovered that some of my copies sent as attachments in emails were never received so if you have received a copy then it was through great lengths.
I have put everything into fighting this injustice and I could use some support. It has
been a difficult journey but this form of slavery must stop because I am not
going to accept this without a fight. There is no valid reason, justification
or excuse to deny rights…
This is really a Dirty Game!

For more supporting documentation, please visit:


Unfair and Unnecessary Opposition

 
NEW! Updated November 30, 2014
 
Amazon shows book for sell and active under 7westpublishing seller account but search shows not available or temporarily out of stock.
 
  

Amazon search for Music Business It’s a Dirty Game AND ISBN 978-0-98962253-0

but results say that this title is out of stock and/or unavailable…
 
This is unfair trade practices if my seller account says that it is for sell and active but not showing under search!

Amazon search shows book but says unavailable or out of stock but my seller account show active:

 
 

 



Dunn & Bradstreet 
If my products were not in conflict with a billion dollar industry would their be this much opposition? 

Does this seem like just some disgruntled artist that’s mad about some songs….This so-called Blackballing from the music industry is preventing fair trade and interfering with fair trade practices…
Dun & Bradstreet

 I appreciate the phone call but I can assure you that there is no exaggeration and that there is a serious problem with the way that this account and information is being handled. I only have one log-on and one password for this website but the wrong website is listed when not logged in. When I, as a small business owner…updates and verifies company information, it should remain and reflect the proper information; especially, when you are selling a portal or service that is supposed to maintain information to help build credit and business. Please review the numerous emails and screenshots before you make the decision to minimize my concerns. In addition to showing unverified when I spent numerous hours entering, updating and verifying all of my company’s information.

I entered URL’s, social media links, logos and videos; however, the urls are not forwarding correctly. My social media links are producing error messages, etc…(as shown on screenshots).

I have attached copies of print-screens and pdf’s to explain the situation that I have been attempting to resolve.The following png. file shows what I see when logged in  but this is not what is displayed.It is clear that there is some technological manipulations and major concerns on behalf of your I.T. departments.When displaying my company’s information, there is no question that there is a problem that is more than just verification issue and therefore I have not received the service that was paid for.  Any small business in this
position would require proper resolution and explanation.

I have put many hours and too much time into explaining and attempting to resolve this issue so I hope that you now understand my position.I hope that we can resolve this matter but again until it is resolved, I stand
by my request for a full refund of all payments made for this service. I ask that you consider taking the same measures that you would take when addressing any other business where your company is at fault.

Sincerely,Tiwanda Lovelace

 
 When logged in, the correct website is shown but when not logged on or public  view provides different website and other info…
 
 

On the same evening, I received the following messages:

 
 

First search results show:

 

NOTE: A few hours later and another search does not show the same information. Suddenly, your system shows that my company cannot be found.

Email confirms previously verified…

On September 20, 2014 this screenshot was sent with an email to notify Dun & Bradstreet Credibility Corp that the package that I purchased was not reflecting on my account.

Links for Social Media unavailable even verified and updated… 

I only have one log-on and one password for this website but the wrong website is listed when not logged in , company name doesn’t show LLC..

The same date as shown above but when not

logged in it shows the following…

Links for Social Media unavailable even verified and updated…
Twitter URL not forwarding

Worldpay

Worldpay – SWP, LLC requested a direct merchant/gateway set-up without using a third party. After 2) two months and (5) five attempts to set up a merchant/gateway account for Seven West Productions. Worldpay reps and manager states that in order to use Worldpay direct without using a third party, your company must sell a large dollar amount.
They incorrectly opened up (5) five merchant/gateway accounts and one rep told me that I had to take the set-up that she was giving me. Each time they opened an account incorrectly, I requested immediate closure.
Even after requesting that their reps. to stop sending me DocuSign docs, they continued as if intended to harass.
Their manager confirmed that all accounts were closed and that there would be no fees since they were not able to open SWP, LLC a direct merchant/gateway.
 
One of these incorrectly set-up accounts that was closed was then sent to a third party collection agency within 1-2 weeks from account closure. 
There was no justification for Worldpay to forward any bill to a (3) third-party collection agency against SWP, LLC and my company had not been established (30) days yet. 
So instead of being able to focus on other important details of
conducting business, I was forced to contact both – Worldpay manager and
the (3) third-party collection agency regarding a bill sent to collections
on my two week old established LLC.
 
INITIAL CONTACT WITH WORLDPAY
 

 

 

Even after being advised that SWP, LLC would not be charged for incorrectly set-up accounts and that fees would be waived…Bills that should have never been charged but were sent from Worldpay to (2) separate 3rd party collection agencies.
 

 

 

 

 

Recently, I received another bill:

If my products were not in conflict with a billion dollar industry, would their be this much opposition? 


Does this seem like just some disgruntled artist that’s mad about some songs….This so-called Blackballing from the music industry is preventing fair trade and interfering with fair trade practices…

 
eBooks – Available in English, Spanish and French at:

If my products were not in conflict with a billion dollar industry would their be this much opposition? 

Does this seem like just some disgruntled artist that’s mad about some songs….This so-called Blackballing from the music industry is preventing fair trade and interfering with fair trade practices…



I cannot even sell a simple ringtone although I have jumped through hoops and complied with SNIPSELL’s request:



Review emails yourself: Snipsell Emails confirming B.S.

1. Snipsell ringtone months later…still not published.

2. After I sent an email requesting information regarding why I never receiving the official message stating ringtone has been published… 7 days later Snipsell responds with  wrong ringtone title name ‘Get your Ass up’ instead of ‘SMACK, Get Your Life.’

 3. Standard promo link provided does not lead to buy page for ringtone, instead the direct link I received was linked to general iTunes store.

4. The title was Title: (SMACK) Get Yo Life! Artist: Tiwanda Lovelace not the one listing The Nay Nay….

5. It is clear by all of the game that you have no interest in conducting business in the usual manner!

What would be the reason why you would not want to provide the services that you offer? Why not provide proper link for ringtone so that I could try to make a little money?

 If you did not want to conduct business properly with me, then all you had to do was say so.

There was no specific reason for choosing Snipsell and I am sure that there are many other companies and ways to sell a simple ringtone that won’t waste your time so don’t.

Copyright © 2013 Seven West Productions

P.O. Box 400001, Las Vegas, NV 89139 Ph. (877) 885-2944

Created and Written by Tiwanda ‘Ne Ne’ Lovelace

All rights reserved. 
 
No part of this blog or books may be reproduced in any form or by electronic or mechanical means, including information storage or retrieval system, without permission in writing from the publisher, except by a reviewer who may quote brief passages.

Unfair Competition and Unfair Trade Practices