Sample: Music, Murder and Mayhem – A True Story!

E.O.A.A. Weekly News Article: May 1, 2015 Updated and Re-Posted March 13, 2016 Written By Tiwanda ‘Ne Ne’ Lovelace

Bio | Email Website | Twitter YouTube | Online Store 

Music, Murder and Mayhem – A True Story is an un-cut non-fiction description of how the music entertainment business murders its artist and writers quietly behind the scenes. People assume that artist just sign bad deals that allow producers/managers to take everything but this is not always the case. Learn how the ‘system’ encourages and allows it to operate with impunity. It is important that people understand the ‘game’ and how it ultimately affects others.
See sample below:

CHAPTER 2: ARE YOU PROPERLY ALIGNED?

Well the first thing that you should consider is that corporations make billions of dollars on products and services. They also spend millions of dollars protecting their businesses interest and they are constantly competing for more. I am sure that you are familiar with the term corporate espionage?
From the banking industry, tobacco industry to the weapons industry, these are powerful big businesses that generate billions of dollars in profits. In each industry, they do not hesitate to ensure that their dollars will continue. Each one of these fields have their leading competitors of which are always utilizing the latest in technologies and programs.
They hire other individuals to represent their company and they usually pick people who think like themselves or they select those who will do what they are told. They lobby behind the scenes to ensure that they maintain their controlling lead with the competition. You rarely see the owners of these major corporations in the public’s eye but you know that they are there behind the scenes making decisions and moving people at their discretion just like pawns.
Some corporations provide employment and contribute to the improvement of the economy. I am not attacking big business; I simply do not want you to lose focus on the fact that it is just that – Business.
It is important for you to view the music industry as a business and not just see the people who are in front of you or those who have been presented to you. The music industry is no different from any other billion-dollar business, they are constantly striving to make and keep as much profits as possible. People can and have been known to rationalize the music business in many different ways.
Regardless, it is and has always been about controlling the money and the power. There is nothing inconceivable that some of them are not willing to do in order to maintain the system that has kept them in power for so many decades.
Obviously, the music business has a history of being known for not paying some of its Artist.  You have heard of some Artist accused the companies of taking away their creative control. Many involved with the entertainment industry has stated that the business has cheated many different individuals involved in the music business out of their royalties. It is also not uncommon to hear people make reference to the music industry as enslaving the Artist. I am sure that this is not the first time that you have heard the word ‘slave’ used by an artist to describe their experiences.
Throughout the years and even with the so-called changes in society, one thing seems to be clear is that those individuals who are the real power behind the music business do not consider all people equal. If someone works for something but the system allows for and encourages that no payment is provided, then that is slavery.
To subject, hinder, oppress, intimidate and manipulate in order to avoid paying any individuals for their work is unconstitutional but it has been happening for years and is still happening in America, even today.
One of the ways that some are able to overcome this form of slavery is to become ‘properly aligned.’ There are many different groups that can actually provide some kind of shelter but it depends on how far down the figurative ‘rabbit hole’ that you have gone or how much damage has ensued while you were tending to your ‘wounds.’ Remember, this business has eyes and ears everywhere and they saw you coming before you arrived on the scene.
Being properly aligned doesn’t necessarily ensure that all your dreams will come true instantly. Depending on how much damage has been done in an effort to dissuade any assistance from others, you will most likely be lead to believe that you will have to just accept your loss while they encourage you to start over with them.
This may be acceptable to you, depending on how much of your heart and soul has been destroyed with the tactics and methods used. Most likely in this scenario, this group or choice is actually a part of the system and simply wants to force you to ‘let go’ of your fight. This would only allow the abuser to continue to dehumanize and destroy lives.
If there has been little of no damage and you can live with the loss, then by all means you can take it upon yourself to ‘charge it to the game.’ Basically, that’s when you just accept your loss and use your knowledge to begin again or you can just walk away.
There is always an exception to the rule but believe me when I say that this game gets dirty, I mean filthy nasty dirty. In most cases, you will find it difficult to just walk away because they may not be finished with you.
The entertainment industry is a predominately male run business; it is needless to state that it is extremely more difficult for a female to enter the business unscathed than for a man. Don’t get it confused, it is not easy for men either but it is increasing more difficult for the female because of some of society’s views towards women. Let’s face it, men have had a long history of controlling women for centuries.
Although women have been positioning themselves in the world of big business, there are still many who refuse to recognize the many talents and benefits that women in leadership positions have to offer. In my opinion, a smart man knows how to harness the power of a woman by letting her flourish and not by figuratively dulling her shine out of fear and foolish pride.
In addition, male artist has had to endure similar attempts of other men trying to control them as well. For men, it is more likely that the use physical harm or the threat of being imprisoned or actual imprisonment that is or will be used to subdue or to maintain control.
Being a woman, I would like to address the female artist first so I would like to focus on what is considered the ‘norm.’
The position that you play will strongly depend on how you present yourself and who it is that you come into contact with. If you associating yourself with someone who is known for womanizing or as someone from the streets that doesn’t respect women combined with a desperate ‘I’ll do anything’ type of persona – you will be treated like a whore.
If you place no value on yourself, they will not either. If you have talent and you present yourself as a professional, someone will still attempt to place you in that same category mentioned above regardless of how you present yourself solely due to their views.
There is also a good chance that if the right person has faith in your talents, then some type of arrangement can possibly be made but you will most likely give up something in the end. In previous decades, it is common for the spouses of artist to have their husbands assume management of their careers and finances. Don’t be fooled, these men are chosen and cannot be just any Tom, Dick or Harry because they must be in a certain class or group to ensure that they are properly aligned.
A female Artist career can definitely be affected by her choice of relationship material/manager and/or by their association. Some will attempt to separate the two but they will soon come to realize that even if you manage to bend this rule temporarily, behind the scenes the plotting of your career’s demise has already begun. Even some of the strongest willed women have found themselves caught up in this trap disguised as ‘love’ set-up by the ‘system.’
There are those that have been able to maintain control or the appearance of control without allowing one after the other assuming her power. This type of situation may not always be considered unpleasant but unfortunately some have found themselves with violently abusive men who resent their successful counterparts and who only wish to dominate her mind and body.
(If they cannot possess you, then they will ensure events that will thwart any interest. Unfortunately, other women will play a role in assisting in creating hardship based on male influence so be careful who you trust.)
The latter is usually the norm in the music business combined with mind games and excessive spending until a majority of the finances is depleted. There is always the possibility that some may position themselves in your life with the intentions of causing mental and emotional distress. Having negative associates in your immediate company can also have a damaging effect on your good name or your career if their behavior is criminal, immoral or unethical.
Whether you choose to make the decision to begin a working relationship with someone or not, there are consequences. Some of these men or women may even belong to different groups who may be or may have already been negatively impacted by your decisions. Your attempts to survive the business may conflict with others plans and they may only intend to cause you harm as some form of revenge. You must ask yourself, are you properly aligned?
As with any business, there is competition and the struggle for power and money. I will address the many different ways that can be used to establish control over you in the next few chapters. First let’s look at the question that everyone asks when they realized that their world is no longer the same…Why me?

Author BIO Highlights Tiwanda ‘Ne Ne’ Lovelace is an Author, Writer of controversial publications regarding privacy violations, rape, bullying, violation of rights against citizens located in the United States of America. Expressing and discussing the ‘system’ which operates with impunity at depriving rights. These titles discuss and expose how the public is used to cement oppression and induce suicidal reactions to direct harassment and the dehumanization of individuals while hundreds of millions of dollars change hands at the expense of others.

These recording addresses corruption and highlights the information which can be found at http://requestforlegalhelp.comhttp://sevenwestproductions.com, http://7westpublishing.com,

Due to ‘obstruction of justice’ and civil rights violations, Lovelace I am still seeking legal assistance. Proof of allegations can be found at requestforlegalhelp(dot)com. There has never been any option for obtaining legal representation due to major entities involved and multiple events that officials disregard!

These publications allow the only opportunity to stand up and be heard in a world where greed, racism and sexism rules.

Everyone has a story but the atrocities that have been allowed to continue blatantly will shock even the most weathered individual…If you are interested learning more about some of these challenges and obstacles, please visit: https://requestforlegalhelp.com/

There are no other books that will provide extensive knowledge regarding their process. These publications are not easily accessible through mainstream publishers solely due to the information provided within and due to conflicting with the goals of a billion-dollar industry.

Get Your Digital Copy!

(Purchase – Click Image)

An un-cut non-fiction description of how the music entertainment business murders its artist and writers quietly behind the scenes. People usually assume that artist just sign bad deals that allow producers/managers to take everything but this is not always the case. It is important that people understand the ‘game,’ the ‘system’ and how it ultimately affects others.
or
(Purchase – Click Image)
This book uses major music label contracts, public records and experiences to demonstrate firsthand what traps await our young aspiring artist by providing detailed information regarding methods and tactics used. There are no other books that will provide extensive knowledge regarding their process. These publications are not easily accessible through mainstream publishers solely due to the information provided within and due to conflicting with the goals of a billion-dollar industry.
or
(Purchase – Click Image)
   
In this two-part title, the court system has been placed under the microscope from the view of the everyday citizen to reveal how it really works for the less fortunate. This book demonstrates how some individuals are deliberately oppressed and denied rights by those that are in positions to manipulate the courts to ensure injustice continues.
BONUS! Part II – INVISIBLE: Judicial Misconduct Exposed! This title discusses judicial misconduct and ‘obstruction of justice’ and demonstrates how some have been made invisible by a corrupt legal system. Review actual proof of these allegations and more!
or
Tiwanda ‘Ne Ne’ Lovelace – Author, writer of controversial publications regarding privacy violations, rape, bullying, violation of rights against citizens located in the United States of America. Expressing and discussing how the public is used to cement oppression and induce suicidal reactions to direct harassment
and the dehumanization of individuals while hundreds of millions of dollars change hands at the expense of others. This recording addresses corruption and highlights the information which can be found at:
THESE ARE PUBLISHER
APPROVED SITES FOR DIGITAL DOWNLOADS!
Bonuses, Updated, Full Versions…ONLY Available Direct from Publisher, SWP @ Approved Outlets
shown below:
https://www.etsy.com/shop/7WestPublishing,
https://sellfy.com/sevenwestproductions,
P.O. BOX 400001, LAS VEGAS, NV 89140 (877) 885- 2944

Official Websites – http://7westpublishing.com  & http://www.sevenwestproductions.com/

Advertisements

Bullies: The Problem with Justice…

Bullies: The Problem with Justice…

Created & Written By Tiwanda ‘Ne Ne’ Lovelace

Bio | Email Website | Twitter | YouTube | Online Store and Bookstore

E.O.A.A. Weekly News Article: Updated and Re-Posted March 13, 2016

 Help support my Booster Campaign to obtain legal representation @ http://www.booster.com/undercoloroflaw2

 
Most behave as if there is nothing that we can do to stop this Roller-Coaster filled with strife called, Life. There are those who believe that we allow whatever nightmares to continue as if some actually deserve to be bullied.
Some insinuate that the answer is to sue, fight, go to this person or this group….but the fact is because of obstruction, mail tampering, officials ignoring violations and the courts refusing to acknowledge actual supportive evidence, etc…most are stuck in a twisted, ‘free-for-all’. (See proof of how courts ignore its own rules and disregard actual evidence at Misconduct). 

Like many others, I have filed lawsuits, complaints. Upon learning that in addition to having to address both civil and criminal abuse, I also had to deal with ‘obstruction of justice’ from the courts and its clerks. I was forced to file complaints of judicial misconduct that contained clear and blatant proof where the clerks edited, withheld filings, ignored courts own rules, demonstrated blatant bias and much more. For your review, please visit: https://requestforlegalhelp.com/complaint-of-judicial-misconduct-ga/

Sometimes I am truly in disbelief that some of the things are really happening but of course someone will always remind me just how cruel a place the world can be (as if it is a normal part of life).

INSERT FROM MUSIC BUSINESS: IT’S A DIRTY GAME! NONFICTION – This title calls attention to the events that lead to major entities being exposed, corruption, greed, lies, hypocrisy and even murder.

“According to Michigan Department of Corrections, my father – Robert Heard, was convicted of murdering a Detroit Police Officer, Stanley Rapaski and the bar owner, Cass Czerwinski. I was told that my father was with someone else who was attempting to rob a local bar while Rapaski was there off duty on January 10, 1969. There are many different versions available online.
 
The officer and the bar owner, Cass Czerwinski, was shot and killed in the process. I wonder if Cass Czerwinski, the bar owner’s family were influential, powerful people that could keep their names out of the press. 
I am still researching both parties; however, with the level
of disregard for civil and human rights, judicial misconduct, violence…I can’t help but wonder if Czerwinski is related to Democratic Representative Joseph C. Czerwinski because there are entities utilizing great and powerful influence; going to extremes and great lengths to prevent resolution and to
deter any real assistance.”
In this book you will learn about actual individuals who are
connected to the major music publishing companies that profit and who yields power; such as, Paul Katz. Katz alleges to have interest in civil and human rights; however, it was under his reign at Zomba, that all kinds of allegations of copyrights infringement were happening to their writers, IN HOUSE….
It was Zomba’s own contracted writer(s) who was being
subjected to alleged copyrights infringement (after musical works were submitted and discussed with their reps.). These infringements were followed by intimidation tactics, violence, and much more…. what hypocrisy!
Everyone at Zomba was in on it, supposedly trying to show
support for the other major players that were manipulating for their own benefit and for their own financial goals.
Learn about how every resource and outlet is used in an
effort to initiate hardship on those who insist on exercising their rights while discouraging their desire to seek resolution as if to say, ‘Let it go!’ ‘We do this to everyone so there is no hope…’ ‘We buy your friends and family support…’
Learn the entire process which demonstrates egregious intent
to influence a sense of hopelessness.

When the smell of violence was fresh and ‘street justice’ was being used inflict further damage, the initial response from professionals (both, legal and official) was, “(We) can’t help
you…” or the return of packages requesting assistance with a brief response declining any interest.
After decades of deprivation, harassment, intimidation,
obstruction and threats of violence… suddenly it becomes the time for the so-called ‘statutes of limitations’ justification to be used to deter proper resolution. Any legal professional is clearly aware that there are no ‘statutes of limitations’ on civil rights violations.
It has become customary for the Artist/Writers to be disregarded when it is time to share in the profits…Doesn’t that sounds like
slavery!
Everyone has a story but the atrocities that have been allowed to continue blatantly will shock even the most weathered Individual…
This book is not just for the aspiring artists and songwriters but is also beneficial for those who are interested in learning how
the world that we live in actually operates.
I stumbled upon a website while researching Katz and I found an article who mentions a Katz:

“…In addition to building on its success, BMG will “continue to fight for our writers’ rights,” Katz says. “[Writers] are not fully acknowledged for [their] contribution in the streaming market.”


When I read comments like this one, I know from personal experience that this is bull-crap. Keep in mind that I clearly understand that all people are familiar and have publicly witnessed many artist suffer similar tragedies without intervening. 

It’s almost as if the individuals or entities who claim and/or which are positioned to support civil and human rights are not only least likely to assist but they are actually directly associated with or most likely guilty of being the violators themselves. 

It’s like when you search online for Civil Rights Lawyer’s…the first one that displays in the results are the least likely to assist. It’s almost like a ‘deliberate, defeatist’ attitude that is meant to dissuade.

Unfortunately due to my situation, I find that it is best to video or record most interactions because of previous encounters where I experienced ‘abuse of power or position.’ In most cases, I do not resort to using these recordings UNLESS the interaction is deemed extremely and unnecessarily offensive or demonstrates egregious intent to influence a sense of hopelessness.

See March 3, 2016 video of response from a Civil Rights Organizations representative’s ‘defeatist’ attitude and who clearly has no interest in actually providing assistance. Visit: https://youtu.be/CJ4LUmCg7tc?t=2m30s

When the smell of violence was fresh and ‘street justice’ was being used, the initial response was “‘we’ can’t help you…” or the return of packages requesting assistance with a brief response declining any interest. 

After decades of deprivation, harassment, intimidation, obstruction and threats of violence…NOW – suddenly it becomes the time for the so-called ‘statutes of limitations’ justification to be used to deter proper resolution. Any legal professional is clearly aware that there are no ‘statutes of limitations’ on civil rights violations.

I have been running around the entire U.S., requesting assistance with my civil and human rights violations that are associated with my major co-publishing agreement, copyright infringements, breach of contract, obstruction of justice and much more but NO ONE will even address these matters. Officials have disregarded multiple civil and criminal activity. 

See mail receipts of List of Governmental, Local Agencies and Groups contacted Requesting Assistance: 

Page 1: https://exercisingmyright.files.wordpress.com/2015/10/governmental-local-and-groups-contacted.png

Page 2: https://exercisingmyright.files.wordpress.com/2015/10/governmental-local-and-groups-contacted-page-2.png

Page 3: https://exercisingmyright.files.wordpress.com/2015/10/governmental-local-and-groups-contacted-page-3.png

 

Everyone who is in a position of addressing the many atrocities that have been forced on individuals, seek to present themselves as upstanding, decent, law-abiding citizens who actually care about civil rights and human rights; yet, they turn a blind eye and continue to profit from the violence like it’s a sport. 

While the Artists/Songwriter’s name is sullied and drug through the figurative ‘mud,’ those who profit hide and pretend to separate themselves from the inhumane treatment and dehumanization of many writers and artist who fall a victim to a ‘system’ that vilifies ANY who would call attention to the truth. 

Although I have compiled numerous supporting documentation, I have found it difficult to obtain a lawyer that will acknowledge any aspect of these legal issues. I have had a few attorneys who have (in an effort to dissuade) quoted some outrageous amount that they know that I do not have. 

In preparation for an attorney, I have compiled a list of questions but I have not even had long enough contact to even ask…

Which aspect of the case would you be interested in?

Is it best to divide these legal issues under multiple legal representation?

Are you in a position to get entities to the table?

What strategy would be taken to address civil and/or criminal violations? 

How to address governmental inaction and obstruction?

With C.O.M/JUDICIAL COMPLAINT, which Jurisdiction or would you implement a change of venue?

Have you ever sued or been involved with similar cases (on either defense or prosecutor)? If so, what was the outcome?

How long does a case like this usually take before resolution is obtained?

Do you prefer litigation or settlement?

Which strategy would be best to decrease time frame? 

Would continuing to publish aid or cause harm to process?

Is Criminal and/or Civil litigation necessary with these blatant violations?

How would you began?

I guess that the first step would be to find someone without ties to the music industry or politicians, who actually believes in individuals having civil and human rights!

Who would you choose after 20-30 years of unnatural, deliberate abuse without no real intervention from anyone? Not unlike most people who are in bad situations or stuck between multiple major opponents, I picked what any normal, logical person would – my side.
Seriously, the real problem really starts when some believe that they are all powerful and that they can pick and choose who it is
that are allowed to have rights and those who can be victimized or not. 
 
I heard a comment today regarding Justice and how it is Perceived by those in positions and I was surprised.
There was reference to Justice being awarded only or solely based on how many other individuals deem that a matter is important enough to address. Immediately I’m thinking, ‘Here we are
again, back on the ‘power in number’ scenario….
Let me say that there has been decades of those uniting for many plights but there have been few real, lasting victories. 
 
I certainly hope that this is not an excuse for inaction because if this is the case then I would have to disagree. 

Of course, the logic behind the whole ‘power in numbers’ idea is commendable; however, as usual and in most case the idea is perverted, manipulated and misused by those in positions and for personal gains.

Again, it seems like an excuse and it does not justify ignoring (any) atrocities. 
 
To say that an individual or small group would have no recourse  unless supported by many, would be openly accepting a form of slavery or enslavement. 
 
This would mean that as long as ANY group, individual or party could initiate intimidation, violence, etc… in an effort to defer or dissuade interest in the support of resolution. That is all that would be needed to deny justice.
There is a huge problem with Justice, if it solely relies on the support of the many instead of what is right and wrong. Are we that far gone to simply except words and reasons that justify evil? It is the same when referring to ‘statute of limitations’…as long as individuals/entities/officials refuse to even acknowledge that civil rights violations have no statutes of limitations. 

The whole purpose of not having ‘statutes of limitations’ on civil rights violations is because of the ‘system’ which abuses its powers, positions, connection, etc…in order to run the standard ‘time frame’ for criminal activity and in an effort to evade being held accountable. So it’s business as usual while all assistance is blocked, hindered and rendered useless because of simple phrases; such as, ‘no good deed goes unpunished.’ 

Under this interpretation or this philosophy, this creates and substantiates the need for gang memberships and other groups. It is human nature for some to misuse power and clearly there will always be some who seek power out for misuse. There are those decent, moral people but they steer clear of the responsibility of leadership usually because they know that ‘power corrupts’ and that ‘absolute power corrupts absolutely.’
 
Yet; those in position will be the first to vilify but the individual does not matter unless they can be the first to sway major interest form large numbers. 
 
What happens to those who do not belong (whether by choice or not)? Do they not merit Justice or do they not matter?

Again, this book is not just for the aspiring artists and
songwriters but is also beneficial for those who are interested in learning how the world that you live in actually operates.
In addition to downloading your copy, you should have a
printed copy for your bookshelf!
 
 

 

 

 

This letter shows that they were 
considering my civil rights!

 

 

Help support my Booster Campaign to obtain legal representation@ http://www.booster.com/undercoloroflaw2
 
 As you can tell by the time frame, I didn’t just run and write these tell-all books.
 
I waited, hoped, tried and begged for help prior to making this decision. I still hope that this book will reach the right person that is in a position to assist in resolving this matter. I am still going to look these officials in the eyes and find out why it is that people can bully others out of their rights using civil rights violations, intimidation, mail tampering, violence and more?

Questions: 

I have a list of groups, agencies, and attorneys that I contacted via mail or emails but either, no one could find a way for me or my attempts were hindered. In the past I had a co-worker reference me saying, ‘she is waiting for someone to save
her’ but what he didn’t know is that I have always been able to save myself. I didn’t want to do this alone but I have no choice.
Many are definitely cooperating with my civil rights violations, probably under the guise of protection or due to the Patriot Act. 
 
I am not a terrorist nor do I wish anything bad on America. 
 
I live in America and I have no rights! 

I have to admit that there are a lot of lawsuits filed that are based on real civil rights violations that actually happened but without legal representation combined with hard, physical evidence…some of these lawsuits are only filled with accusations, pain and despair. 


See the blatant disregard by the courts and officials @ 

Complaint of Judicial Misconduct

 
It has
been quite an experience and hopefully this will be the beginning of my
healing. There is no real justification for the things we experience sometimes
but to get past the pain we have to really examine our situations to ensure
that it doesn’t continue. I waited twenty years for some kind of decency but
decency was refused. I grew tired of the roller-coaster ride, the games and
lies so I bear it all openly in these titles.


These publications, websites and comic book are derived from the
following titles:
ALSO AVAILABLE @:
and

 

 

 
‘I think I see why they keep justifying why I am left
to die, subjected to continued inhumane treatment, thrown to the wolves so to
speak.’
‘Every time I focus on fighting for my freedom and due
to my life being so public; there is always some sick twisted jerk that goes
out and commits some heinous act or crime that would inflict pain on an
unsuspected party.’
Then, instead of blame being placed on whomever great
idea this was, I have to face the backlash. I am deeply saddened by the use of
violence and for the families of those affected. I do not intend to be bullied
out of my civil rights, privacy and peace of mind.
I didn’t ask
for this nor was I asked or told anything regarding the reason for public
display or deliberate mistreatment.
 
And YES, ALL LIVES MATTER!


Help support my Booster Campaign to obtain legal representation @ http://www.booster.com/undercoloroflaw2

 
Of the many legal battles to be fought, I launched this  campaign to shine the light on one of the major entities who are in a position to inform, assist and uphold justice but have ignored atrocities and request for intervention.  

What if you were posted up, displayed and misrepresented without your knowledge or consent? No one has ever said anything to me regarding why I have to be subjected to having no rights to Life, Liberty and Justice!


REQUESTFORLEGALHELP.COM

Blogger.com @ http://musicbizadirtygame.blogspot.com/

 
 

 IF YOU HAVE TROUBLE ORDERING, PLEASE CALL – (702) 750-7214

 

 

 

  
Help support my Booster Campaign to obtain legal representation 
 
 
Copyright © 1993
SEVEN WEST PRODUCTIONS, LLC
P.O. BOX 400001, Las Vegas, NV 89140

 

 
 

Copyright Infringements and Breach of Contract

Bio | Email Website | Twitter YouTube | Online Store
Copyrights was NOT the Issue!

 

I thought Copyright Laws were supposed to protect writers! I have been copyrighting my lyrics and melodies since 1991.

Although I had obtained and secured my ownership of Copyrights , I was denied representation.

Although my Lawsuit was filed in accordance with Federal Rules on Civil procedures, I was not given an opportunity to address my claims in court!

Note: I filed a lawsuit which provided these companies names (to the courts and other entertainment attorney’s) for using my works; which, included lyrics and melodies. All the while they were one in the same, working together.

 

 

PAGE TAKEN FROM CONTRACT

These songs were listed in the publishing contract, listed in notice of copyright infringements, court docs, and were played on the radio by major artist signed to BMG, EMI; throughout the years starting after Zomba music publishing contract.

 

Obviously, musical works were passed around and definitely used! 

Can you guess why a Major Music Publisher wouldn’t want their 50% -Fifty percent? 

That does not sound like teamwork to me…more like Tag Team!

 

Copyrighted Registration Information

I have always secured my copyrights even while I was under a publishing agreement with Zomba and it was their responsibility.
Copyrights Listed below: Lovelace, Tiwanda, 1967-
PAu001607112/ 1991-07-22 – Forever.
PAu001529149 / 1991-07-22 – It’s sinful.
PAu001529148 / 1991-07-22 – Once again.
PAu001720136 / 1993-01-07 Collection I–Tiwanda.
PAu001721382 / 1993-03-04 Collection II–Tiwanda. PAu002025249 / 1995-04-14 Seven West Productions Collection IV–better safe than sorry.
PA0000789883 / 1996-01-16 What can I say to you (to justify my love)? Hi-Five greatest hits. Jive 01241-41544-2, c1994. Compact disc
Now my dangling carrot is the promise of my rights to privacy, justice and financial freedom. These are the things that I value and long for to help soften my heart again. The hope of having a real life without public ridicule, judgment and the threat of being set up for some horrific murder or the fear of being set up for some crime that would take away my freedom. These are tactics that are normally used to hide the truth. I wonder who or what stopped them from performing the usual tactics and tricks. Oh, that’s right they tried.
While signed to Zomba, I always obtained copyrights on my materials, signed split sheets and even required contractual agreements with writers that worked with me. They never filed my copyrights as they were contracted to.

 

 

 

 

Split sheet - casual love paul allen Split sheet - cI need you here Darrell Campbell Split sheet - Soon Reality Fades Ethan Pitts and Maurie McToy Split sheet - Just a Little Bit More Ethan Pitts and Maurie McToy split sheet hy cant I

 

 

 

 

Warner Chapel Deal Letter sent to Zomba/Jive re: Infringements 
 
Less than a month later, on March 23, 1995
 Handwritten Letter sent to Zomba – Re-typed:
 

Zomba 137-139 W. 25th Street

New York, NY 10001

Attn: R. B – Zomba, rep,

It has been brought to my attention that an artist by the name of  Desire (real name Monique), with the help of Michael Powell, Art & Rhythm’s – Larry Roc Campbell, Paul D. Allen, and Larry Hatcher has received a 6 album deal with Warner Chapel label releasing single in May 1995.

{Now how would I have a clue if someone didn’t tell me and give me specific’s. This is the same public that runs around breaking their necks to hurt. I was definitely out of the loop but the source seemed reliable and I did supply a lot of material to all parties included.}

I bring this to your attention because I heard personally and have others confirm blatant similarities to my work and have been derived in full and/or in part from my copies submitted to Paul D. Allen of M. Powell’s – Vanguard Studio, Larry Hatcher of Hatcher Hits, Larry Roc Campbell of Art & Rhythm and David Renzer – Zomba, rep .I worked consistent with all parties listed for a period of time. I have split sheet for “Baby Stay With Me” and I heard this finished by her.

I would like for this situation to be taken seriously. In addition, I would like a copy of detailed Royalty

statement for Hi Five’s song, “What can I say to you to justify my love” and a copy of (signed) split sheet for my records.

As a whole, they have collected 30 or more songs from me and they are all on this same project.

Larry Roc Campbell laughed and told me that he received money when I signed with Zomba. How is this possible?

I certainly hope that you will handle my administration of copies of materials that were sent to David Renzer – Zomba, rep; Cherry,

Drew D – Zomba, rep, and Kymberlee Thornton – Zomba, rep. Paul D. Allen received a copy and signed split sheets with me.

I also have copyrights for the materials:

1. Why can’t I?

2. Baby stay with me

3. Is the sex still good

4. Casual Love

5. With your love

 (Copies of split sheets shown below…)

Larry Hatcher received more than 14 songs. Larry Roc Campbell received more than 20 songs. Zomba was sent a mailed copy of 5 contracts of writers under my company, all signed split sheets and copies of all works from Lovelace.

In addition to Zomba reps constantly reminding me that Larry Roc Campbell of Art & Rhythm was No. 2, Zomba reps. attempted to have me sign under one of their writer’s or producer’s but I declined. My name was supposed to be on this list but it wasn’t.

Zomba/Jive’s Denies having Songs involved in copyright infringements…
July 20, 1995 Letter from Zomba regarding investigation of my allegations:

 

 


Zomba’s Answer to Allegations:
This was their response to my allegations and complaints regarding stolen works. 
Of course, I didn’t sign this mess…$1000.00???


 

 

Note: I filed a lawsuit which provided these companies names (to the courts and other entertainment attorney’s) for using my works; which, included lyrics and melodies.

All the while they were one in the same, working together. 

 








 

 

 

 

 

The Fix Was In-
 Case dismissed prior to Zomba Response dated August 7, 1996 On July 22, 1996, Courts dismissed my case I never had an opportunity to go before the judge and be heard. I never had my day in court.
Retyped for easy translation – A Copy of 1st page is shown below:

MI’s Order of Dismissal Ignoring Violence Page 1 – Retyped

UNITED STATES DISTRICT COURT
EASTERN DISTRICT OF MICHIGAN SOUTHERN DIVISION

TIWANDA LOVELACE, Plaintiff,

vs.

BMI-ZOMBA-JIVE, Defendant.

Civil Action No. 96-CV-12270-DT
KON. BERNARD A. FRIEDMAN

OPINION AND ORDER OF DISMISSAL

This matter is presently before the court on Plaintiff’s response to the court’s show cause order of June 21, 1996.

Plaintiff’s original complaint consists of (1) a 2-page, handwritten document, (2) an 18- page typewritten document, and (1) a hefty stack of miscellaneous papers, ranging from assorted correspondence, to grievances with the postal service, to contracts.

The gist of the complaint appears to be that defendant allegedly has deprived Plaintiff of royalties due her for various musical compositions.

The court’s show cause order noted that the complaint does not comply with Federal Rules of Civil Procedure 3(a) (1), 8(a)(2). 3(a) (3), and 10(b), and required Plaintiff to show cause why the complaint should not be dismissed for its failure to comply with these pleading requirements.

– (end of page 1 of Courts Order).

 
NOTE: My revised complaint complied completely with Fed. Rules of Civil
Procedure but the courts ignored..
Zomba Response dated August 7, 1996
 
The revised complaint complied completely with Fed. Rules of Civil Procedure but the
 courts ignored…
 

MI’s Order of Dismissal – Ignoring Violence Page 2 – Retyped

Plaintiff has responded to the court’s order by filing the following documents: a cover sheet, an amended complaint. a “retaliation report” and a personal letter.

Although it is now in paragraph form, the amended complaint continues to be unorganized and incomprehensible.

It is not a short and plain statement of the basis for plaintiff’s claims and for the court’s jurisdiction as Fed. R. civ. P. sia) (1) and 8(.3) (2) require.

Because Plaintiff’s complaint still does not abide by the Federal Rules of Civil Procedure for pleading, it must be dismissed.

Plaintiff’s complaint must also be dismissed pursuant to 28 U.S.C. S. 1915(d). The Sixth Circuit has held that an in Forma Pauperis complaint may be dismissed as frivolous if the Plaintiff cannot make out any claim that is rational in law or in fact.

Lawler V. Marshall, 898 F.2d 1196 (6th Cir. 1950).

The Lawler court noted that “the facts must be delusional to be frivolous.” Id, at 1199.

Applying this standard to the present case, Plaintiff’s response to the court’s show cause order is bizarre, irrational and, indeed, delusional.

In paragraph 6 of her amended complaint, Plaintiff states that “Zomba was notified by phone and mail, repeatedly, of

infringements, threats, and other coincidental acts of violence . . .”

In her personal letter Plaintiff asserts: while on my way to file this with the Federal Courts, was sent on a wild goose chase . . . and I had people related to the music industry accept responsibility for my… (End of page 2 of Order of Dismissal)

This is what I refer to as the Jedi-mind-trick…just wave your hands and say the words and it never happened.

I didn’t imagine bullet holes, family friend shot up, family member assaulted, etc..

On July 22, 1996 the courts dismissed my case as frivolous. Judge Bernard A. Friedman cited that my show cause order was bizarre, irrational and indeed delusional. Judge Friedman continues to state  that the complaint is fanciful and delusional. I didn’t know that copyrights and certified mail receipts were miscellaneous papers.

So, let me get this right…I imagined my house getting shot up, double homicide and Family members assaulted.
The judge could have assigned counsel or made another decision. Talk about getting 
assaulted, felt violated all over again.

I agree my initial letter to the court was emotional but it didn’t negate my request in accordance Federal  Rules of Civil procedure, Rule 16 (a)(b)(c); Also under U.S.C., Title 15 28,19,49; Under 28 U.S.C, 1915(d) – Plaintiff request counsel be assigned…preventing protraction due to lack of management.

I know that this was a bold move but considering the  situation there was no other recourse.

Follow this link to URL which provides a copy of Search Warrant for a Double Homicide that the courts deemed delusional and frivolous!

Case Summary of Events

This is my 1st letter sent with Complaint which summarized events:

[pdf-embedder url=”https://exercisingmyright.files.wordpress.com/2015/12/letter-of-explanation-and-list-of-exhibits-submitted-to-courts-pdf.pdf”%5D

https://exercisingmyright.files.wordpress.com/2015/12/letter-of-explanation-and-list-of-exhibits-submitted-to-courts-pdf.pdf

Retyped for easy translation- A Copy is Shown Below:

 
Explanation of Exhibits 
Enclosed documents will substantiate claims that Zomba and Associates set out to defraud my company, Seven West Productions, LLC and I, Tiwanda “Ne Ne” Lovelace, out of millions of dollars in royalties. In the process, Zomba/Jive has allowed and are
responsible for my loss.

The materials in question have been discussed in detail with  Zomba’s representatives- (refer to exhibits 4-A, 4-B, 5-A and 5-B.

Zomba not only listed songs on page 23 of co-publishing contract dated 10/16/93, but they introduced me to other  writers in their publishing house to obtain my lyrics and melodies, in order to rework materials without giving proper  credit (refer to Exhibit 2).

In one instance, works submitted to Zomba and Zomba’s writers was one of the first songs mentioned that was reworked and in addition to this, another part of a completely  different song was used.

Song number 10, Lies/ It U Loved Me performed by MJJ’s Brownstone (Exhibit’s 1-A, 5-A, 5-B, 7-A and 7-B) was on MTV, during their live show, singer closed song with more recent materials submitted to Zomba and their (other) writer.

While under contract with Zomba, I submitted over forty (40) songs, of which I have retained receipts for and telephone bills to sustain the fact that I held up my end of contract.

These songs we discussed each time I submitted materials (refer to Exhibit 4-A and 4-B). This conflicts with Zomba’s letter in response to notices sent from me to them on March 14, 1995, wherein, Zomba denies having songs on file (refer to Exhibit 12.

If there are no songs on file, then how could they copyright the songs I submitted with proper splits and writers credits, this in addition to other facts prove Zomba never intended to follow agreement to administrate my publishing as agreed.

The only explanation for the initial song placement could have been was to have me enter into agreement or contract with Zomba, giving them administration over royalties derived from the placement thru their record company, Jive Records.

Once I signed agreement I was immediately introduced to  other Zomba representatives in order to place my works on  more artist, only to be given run around, I was assigned to three different people since October, 1993.

Meanwhile, I was submitting works and waiting patiently for  my royalties from first placement, all the time I was informed that they liked my materials.

They even supplied music tracks for me to write lyrics to, only to rework songs, stall and lie to me. Zomba official introduced me to an associate of Zomba, who offered and attempted to have me sign under his management contract,  therefore, giving them full legal power over me and my works.

Of course, I refused to sign with anyone in affiliation with a company that had already neglected to handle business properly (refer to Exhibit 2).

Zomba did not include me as a writer on the list of Zomba writers, showing real intent. Refer to Exhibit 5-A & 5-B, page  23, Eleven (11) songs are listed in (the actual) contract dated October 18, 1993, between Lovelace and Zomba.

One by one they have been used in pieces- some used compilation of more than one song.

Zomba has not attempted to handle this matter efficiently or professionally, you would think that a company that is supposed to collect all royalties for its writers in order to get paid or receive their share would be pleased to step in and administer publishing…

However, Zomba was notified in March of 1995 but responded approximately four (4) months after being notified of infringements.

Notice was also sent in regards to my standing with company  and other concerns on March 4, 1995, this notice went completely unanswered (refer to Exhibit 7-A and 7-B).

Zomba representatives have gone so far as to commit mail-tampering offenses- (refer to Exhibits 7-A d 7-B), Returned signature cards were signed by same agent at Zomba 137-139 west 25th St. New York NY 10001 and at Grubman, Indursky, Schindler, and Goldstein, P.C., 152 West  57th St., 30th fl. New York, NY 10019.

I mailed two sets, one to Grubman, Indursky, etc., and one each to Zomba representatives involved, in each instance, Zomba received their packages first.

One set of packages were sent on the 4th day of March, Zomba’s agent signed and received package within two (2) days, when Grubman, indursky’s agent signed within three days or one day after Zomba.

One set of packages was sent on the 14 day of March, the previous Zomba agent signed this time for Grubman, Indursky at 10019, when Zomba’s Zip code is 10001- (Note copies in Exhibit 7-A & 7-B).

Packages were sent on the 14th day of march, Zomba’s agent signed 03/17/95 – three days later, however, Grubman, Indursky’s agent signature-(signed by same signature as 03/4/95’s-Zomba)- was signed and dated six (6) days from original date sent.

The first time I called the New York Barr. Assoc., I was informed, after obtaining my information, that I could not be referred to any attorneys, without explanation.

Zomba/Jive shared my works with other major companies. Therefore, creating a situation; whereas, most attorneys in the music industry would be in conflict of interest, due to the fact that my works were scattered and used by more than one  major label.

Keeping in mind that the major’s contract with each other and has a ‘monopoly’ situation (refer to Exhibits 2, 8-A, & 8-B – shows accessibility and Zomba’s contacts, thus; proving that the major’s work together to control and dominate the music industry.

It turns out that one of the attorneys I dealt with was very familiar with this company and its tactics but neglected to inform me, due to the fact that he has/had or still has dealings with a major music person here in Detroit who has participated in copyright infringements and has benefited by Zomba’s actions (refer to exhibit’s 7-A, 7-8, 11-A,  11-B, 8-A, and 8-B).

I have filed complaints with Attorney Grievance Commission regarding the attorneys listed in Exhibit’s 1-B, C, & D.

In accordance with contract Zomba, my administrative publisher, neglected to file copyrights for works submitted (refer to Exhibit 11-A and 11-B). I was copyrighting all my works prior to signing with Zomba.

The song entitled “What Can I Say To You To (Justify My Love?) performed by Hi Five and Nuttin NYCE, placed on Jive’s Label, was released on four (4) projects; Hi Five’s Album, Hi Five’s Greatest Hits album, released as a single, and on Nuttin NYCE’s album. I never received ownership papers or proper documentation for a song that I was given writers credit for – (refer to Exhibit 3-A & 3-B.

It has also been brought to my attention that works in question has been released overseas with my vocals used without my consent. Zomba, as of March 15, 1996, made an offer of $1,000.00 and a release agreement, which, of course, releases them from any lawsuits that I may file in the future.

I refused this offer simply because I know it was an attempt to minimize my situation and make light of damages incurred. Since dealing with Zomba and associates, I have had to have surgery in order to remove a (4) four inch cyst that the doctor says more likely derived from stress.

I have been threatened and told that I have been blackballed from the music industry. I have had my family members assaulted and I have had an associate who assist me with this business) shot.

Most incidents occurred during the waiting period after notices were sent to Zomba, those four months were the longest months of the year, especially since I hadn’t figured out why they were denying my rights and why they didn’t respond to materials that their representatives had stated were acceptable and then turned around and contradicted what was discussed.

Zomba has neglected to honor any of their few responsibility to me after receiving my signature on contracts.

Zomba failed to correct dispute caused by Zomba between Hatcher and myself, then deliberately caused conflict between myself and Art & Rhythm, let’s not forget the conflict started between writers on their staff of writers.

Anyone can glance at songs listed in contract on page 23 and copyright copy in exhibit’s 5-A, 5-B, 11-A,11-B, 11-C, in addition to this, compare them to songs done by artist mentioned in casting list and songs on the charts.

The copyright copies of songs listed in collection I and the songs from Collection’ II and Collection IV have repeated similarities in titles and lyrics, one after the other.

As you compare song titles and lines, it will be easy to identify the Who? What? and When?, even the Why?, Sure people have the same ideas at some point and time; however, contract dated 10/18/93 list songs and from this list, anyone  can conclude that these songs, recognized in contract, has been used one by one, compare to works released over summer of 94,95, and 96.

The coincidence of this happening by mistake or simply by chance is impossible considering how many songs were used and who had access.

I signed with Zomba due to the fact that I had worked with other local production companies and the contract referred to all works before and after, this was to protect me from having my works stolen or misrepresented.

It turns out that they were responsible for infringements or aware of copyright infringements prior to presenting contracts to me (refer to casting list in exhibit’s 8-A & B, shows names of contacts I made earlier in my career).

As I back trace my steps with the music industry, I have found out that people that I had previously worked with were always in connection to one label or another.

I learned that demos and works that were done in order to advance my career were reworked and placed on major artist, proving this is easy with copyrights and other documentation in my possession.

For years I have been a victim of this music industry, while I struggled to fit in, it was never either parties’ intent to assist but to retrieve fresh ideas in order to rework and not have to share monies or credit.

They can have their industry; however, I must insist on a proper settlement to make amends for the damages I’ve encountered while pursuing my goals.

I am too multi-talented to waste my skills on unappreciative, greedy companies who do not recognize me as a vary-intelligent  human being.

When a persons Civil Rights are violated, should the culprits be allowed to walk away because they were able to use money, positions and power to avoid responsibility? 

Currently, these are the tactics that I must continue to endure in 2014…

This is obviously not me but this is what is displayed on a current search for my name with my identifiers under multiple false charges!

Defamation of character and current tactics used to discredit…Why does the police search shows misleading and false information? Find out why?

It wasn’t enough to rob me of all my music royalties but they  had to take housing for decades and every meaningful employment with illegally obtained warrants and misleading background records!

 

CHECK OUT WHAT YOU’VE MISSED!
Review some of the documentation and background documents here!

 Share this:

 For more detailed information regarding the many groups and what it means to be properly aligned, I encourage you to read Music Business: It’s a Dirty Game!

 This title is also in an eBook form available at:  http://shop7westpublishing.com/.

 

You can’t make this stuff up, Proof – It really happened….
Envelopes received from Zomba after initial allegations of copyright infringements!

 

 

Zomba’s Initial Response to allegations
Zomba’s contract included songs that were used, yet,
they denied having. They should have copyrighted them when they executed contract…I DID!
 

Normal
0

false
false
false

EN-US
X-NONE
X-NONE

MicrosoftInternetExplorer4

/* Style Definitions */
table.MsoNormalTable
{mso-style-name:”Table Normal”;
mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
mso-style-noshow:yes;
mso-style-priority:99;
mso-style-qformat:yes;
mso-style-parent:””;
mso-padding-alt:0in 5.4pt 0in 5.4pt;
mso-para-margin:0in;
mso-para-margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:11.0pt;
font-family:”Calibri”,”sans-serif”;
mso-ascii-font-family:Calibri;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:”Times New Roman”;
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Calibri;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:”Times New Roman”;
mso-bidi-theme-font:minor-bidi;}

Note: Brownstone is listed as looking for work on Zomba’s casting sheet. Their song, “If You Love Me” was the first song using my lyrics and melodies mentioned in Lawsuit.

Normal
0

false
false
false

EN-US
X-NONE
X-NONE

MicrosoftInternetExplorer4

/* Style Definitions */
table.MsoNormalTable
{mso-style-name:”Table Normal”;
mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
mso-style-noshow:yes;
mso-style-priority:99;
mso-style-qformat:yes;
mso-style-parent:””;
mso-padding-alt:0in 5.4pt 0in 5.4pt;
mso-para-margin:0in;
mso-para-margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:11.0pt;
font-family:”Calibri”,”sans-serif”;
mso-ascii-font-family:Calibri;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:”Times New Roman”;
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Calibri;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:”Times New Roman”;
mso-bidi-theme-font:minor-bidi;}
Zomba’s contract included songs that were used; yet,they denied having.

Envelopes received from Zomba before initial allegations of copyright infringements!  

 

Read more…

Certificates of Copyrights and Signed Split Sheets

September 19, 2016 – Written By Tiwanda ‘Ne Ne’ Lovelace of SWP,LLC

Copyrights was NOT the Issue!

I thought Copyright Laws were supposed to protect writers! I have been copyrighting my lyrics and melodies since 1991. Although I had obtained and secured my ownership of Copyrights , I was denied representation.

Although my Lawsuit was filed in accordance with Federal Rules on Civil procedures, I was not given an opportunity to address my claims in court!

Note: I filed a lawsuit which provided these companies names (to the courts and other entertainment attorney’s) for using my works; which, included lyrics and melodies. All the while they were one in the same, working together.

 

 

 split sheet why cant I Paul Allen split sheet You should be mine with Valencia Shipmon Split sheet - casual love paul allen Split sheet - Is the sex still good paul allen Split sheet - With Your Love paul allen Split sheet - cI need you here Darrell Campbell Split sheet - I need love - thirsty Darrell Campbell Split sheet - Soon Reality Fades Ethan Pitts and Maurie McToy Split sheet - Just a Little Bit More Ethan Pitts and Maurie McToy
These songs were listed in the publishing contract, listed in notice of copyright infringements, court docs, and were played on the radio by major artist signed to BMG, EMI; throughout the years starting after Zomba music publishing contract.

 

Obviously, musical works were passed around and definitely used! 


Can you guess why a Major Music Publisher wouldn’t want their 50% -Fifty percent? 


That does not sound like teamwork to me…more like Tag Team!

Warner Chapel Deal Letter sent to Zomba/Jive re: Infringements Less than a month later, on March 23, 1995, Handwritten Letter sent to Zomba – Re-typed:
 
Zomba
137-139 W. 25th
Street
New York, NY
10001
 
Attn: R. B –
Zomba, rep,
 
It has been brought to my attention that an artist by the name of Desire (real name Monique), with the help
of Michael Powell, Art 
& Rhythm’s – Larry Roc Campbell, Paul D. Allen, and Larry Hatcher has received a 6 album deal with Warner Chapel label releasing single in May 1995.
 
{Now how would I have a clue if someone didn’t tell me and give me specific’s. This is the same public that
runs around breaking their necks to hurt. I was definitely out of the loop but the 
source seemed reliable and I did supply a lot of material to all parties included.}
I bring this to your attention because I heard personally and have others confirm blatant similarities to my work and have been derived in full and/or in part from my copies submitted to Paul D. Allen of M. Powell’s – Vanguard Studio, Larry Hatcher of 
Hatcher Hits, Larry Roc Campbell of Art & Rhythm and David Renzer – Zomba, rep .I worked consistent with all parties
listed 
for a period of time. I have split sheet for “Baby Stay With Me” and I heard this finished by her.
 
I would like for this situation to be taken seriously. In addition, I would like a copy of a detailed Royalty statement for Hi Five’s song, “What can I say to you to justify my love” and a copy of (signed) split sheet for my records. 
 
As a whole, they have collected 30 or more songs from me and they are all on this same project. 
 
Larry Roc Campbell laughed and told me that he received money when I signed with Zomba. How is this possible?
 
I certainly hope that you will handle my administration of copies of materials that were sent to David Renzer – Zomba, rep; Cherry, 
Drew D – Zomba, rep, and Kymberlee Thornton – Zomba, rep. Paul D. Allen received a copy and signed split sheets with me. 
 
also have copyrights for the materials:
 
1. Why can’t I?
2. Baby stay with me
3. Is the sex still good
4. Casual Love
5. With your love
 
Larry Hatcher received more than 14 songs. Larry Roc Campbell received more than 20 songs.



 Zomba/Jive’s Denies having Songs involved in copyright infringements…

July 20, 1995 Letter from Zomba regarding investigation of my allegations:

 


Zomba’s Answer to Allegations:
 
This was their response to my allegations and complaints regarding stolen works. 
 
Of course, I didn’t sign this mess…$1000.00???


 

 


Note: I filed a lawsuit which provided these companies names (to the courts and other entertainment attorney’s) for using my works; which, included lyrics and melodies. 

All the while they were one in the same, working together. 
 








 

 

 

 

 


The Fix Was In-
 
Case dismissed prior to Zomba Response dated August 7, 1996
 
On July 22, 1996, Courts dismissed my case I never had an opportunity to go before the judge and be heard. I
never had
my day in court.
Retyped for easy translation – A Copy of 1st page is shown below:
 
MI’s Order of Dismissal Ignoring Violence Page 1 – Retyped
 
UNITED STATES DISTRICT COURT
EASTERN DISTRICT OF MICHIGAN 
SOUTHERN DIVISION
 
TIWANDA LOVELACE, Plaintiff,
vs.
 
BMI-ZOMBA-JIVE, Defendant.
Civil Action No. 96-CV-12270-DT
KON. BERNARD A. FRIEDMAN


OPINION AND ORDER OF DISMISSAL
 
This matter is presently before the court on Plaintiff’s response to the court’s show cause order of June 21, 1996.
 
Plaintiff’s original complaint consists of (1) a 2-page, handwritten document, (2) an 18- page typewritten document, and (1)
a hefty 
stack of miscellaneous papers, ranging from assorted correspondence, to grievances with the postal service, to contracts.
 
The gist of the complaint appears to be that defendant allegedly has deprived Plaintiff of royalties due her for various
musical compositions.
 
The court’s show cause order noted that the complaint does not comply with Federal Rules of Civil Procedure 3(a) (1),
8(a)(2). 3(a) 
(3), and 10(b), and required Plaintiff to show cause why the complaint should not be dismissed for its failure to comply with these pleading requirements.
 
– (end of page 1 of Courts Order).
 
NOTE: My revised complaint complied completely with Fed. Rules of Civil
Procedure but the courts ignored..
Zomba Response dated August 7, 1996
 
The revised complaint complied completely with Fed. Rules of Civil Procedure but the
 courts ignored…
 

MI’s Order of Dismissal – Ignoring Violence Page 2 – Retyped

Plaintiff has responded to the court’s order by filing the following documents: a cover sheet, an amended complaint. a “retaliation report” and a personal letter.

Although it is now in paragraph form, the amended complaint continues to be unorganized and incomprehensible.

It is not a short and plain statement of the basis for plaintiff’s claims and for the court’s jurisdiction as Fed. R. civ. P. sia) (1) and 8(.3) (2) require.

Because Plaintiff’s complaint still does not abide by the Federal Rules of Civil Procedure for pleading, it must be dismissed. 

Plaintiff’s complaint must also be dismissed pursuant to 28 U.S.C. S 1915(d). The Sixth Circuit has held that an in Forma Pauperis complaint may be dismissed as frivolous if the Plaintiff cannot make out any claim that is rational in law or in fact.

Lawler V.Marshall, 898 F.2d 1196 (6th Cir. 1950).

The Lawler court noted that “the facts must be delusional to be frivolous.” Id, at 1199. 

Applying this standard to the present case, Plaintiff’s response to the court’s show cause order is bizarre, irrational and indeed, delusional.  

In paragraph 6 of her amended complaint, Plaintiff states that “Zomba was notified by phone and mail, repeatedly, of 

infringements, threats, and other coincidental acts of violence . . .”

 

In her personal letter Plaintiff asserts: while on my way to file this with the Federal Courts, / was sent on a wild goose chase . . . and I had people related to the music industry accept responsibility for my… (End of page 2 of Order of Dismissal)

This is what I refer to as the Jedi-mind-trick…just wave your hands and say the words and it never happened. 
 
I didn’t imagine bullet holes, family friend shot up, family member assaulted, etc..
 

On July 22, 1996 the courts dismissed my case as frivolous. Judge Bernard A. Friedman cited that my show cause order was bizarre,

irrational and indeed delusional. Judge Friedman continues to state  that the complaint is fanciful and delusional. I didn’t know that copyrights and certified mail receipts were miscellaneous papers.

So, let me get this right…I imagined my house getting shot up, double homicide and Family members assaulted. 
The judge could have assigned counsel or made another decision. Talk about getting 
 assaulted, felt violated all over again. 

I agree my initial letter to the court was emotional but it didn’t negate my request in accordance Federal Rules of Civil procedure, Rule 16 (a)(b)(c); Also under U.S.C., Title 15 28,19,49; Under 28 U.S.C, 1915(d) – Plaintiff request counsel be assigned…preventing protraction due to lack of management.

I know that this was a bold move but considering the  situation there was no other recourse.

 Follow this link to URL which provides a copy of Search Warrant for a Double Homicide that the courts deemed delusional and frivolous!

 
Case Summary of Events
 
This is my 1st letter sent with Complaint which summarized events:
Retyped for easy translation- A Copy is Shown Below:
 
Explanation of Exhibits
 
Enclosed documents will substantiate claims that Zomba and Associates set out to defraud my company, Seven West Productions, LLC and I, Tiwanda “Ne Ne” Lovelace, out of  millions of dollars in royalties. In the process, Zomba/Jive has allowed and are responsible for my loss.
The materials in question have been discussed in detail with  Zomba’s representatives- (refer to exhibits 4-A, 4-B, 5-A and 5-B.
 
Zomba not only listed songs on page 23 of co-publishing contract dated 10/16/93, but they introduced me to other  writers in their publishing house to obtain my lyrics and melodies, in order to rework materials without giving proper  credit (refer to Exhibit 2).
In one instance, works submitted to Zomba and Zomba’s writers was one of the first songs mentioned that was 
reworked and in addition to this, another part of a completely  different song was used.
Song number 10, Lies/ It U Loved Me performed by MJJ’s Brownstone (Exhibit’s 1-A, 5-A, 5-B, 7-A and 7-B) was on MTV, during their live show, singer closed song with more recent materials submitted to Zomba and their (other) writer.
 
While under contract with Zomba, I submitted over forty (40) songs, of which I have retained receipts for and 
telephone bills to sustain the fact that I held up my end of contract.
These songs we discussed each time I submitted materials (refer to Exhibit 4-A and 4-B). This conflicts with Zomba’s  letter in response to notices sent from me to them on March 14, 1995; whereas, Zomba denies having songs on file (refer to Exhibit 12).
 
If there are no songs on file, then how could they copyright the songs I submitted with proper splits and writers
credits, 
this in addition to other facts prove Zomba never intended to follow agreement to administrate my publishing as agreed.
 
The only explanation for the initial song placement could have been was to have me enter into agreement or contract with Zomba, giving them administration over royalties derived from the placement thru their record company, Jive Records.
Once I signed agreement I was immediately introduced to other Zomba representatives in order to place my
works on 
 more artist, only to be given run around, I was assigned to three different people since October, 1993.
Meanwhile, I was submitting works and waiting patiently for  my royalties from first placement, all the time I was informed that they liked my materials.
They even supplied music tracks for me to write lyrics to, only to rework songs, stall and lie to me. Zomba
official 
introduced me to an associate of Zomba, who offered and attempted to have me sign under his management contract,  therefore, giving them full legal power over me and my works.
Of course, I refused to sign with anyone in affiliation with a company that had already neglected to handle business  properly (refer to Exhibit 2).
Zomba did not include me as a writer on the list of Zomba writers, showing real intent. Refer to Exhibit 5-A &
5-B, page 
23, Eleven (11) songs are listed in (the actual) contract dated October 18, 1993, between Lovelace and Zomba.
 
One by one they have been used in pieces- some used compilation of more than one song.
 
Zomba has not attempted to hand this matter efficiently or professionally, you would think that a company that
is 
supposed to collect all royalties for its writers in order to get paid or receive their share would be pleased to step in and administer publishing…
 
However, Zomba was notified in March of 1995 but responded approximately four (4) months after being 
notified of infringements.
 
Notice was also sent in regards to my standing with company  and other concerns on March 4, 1995, this notice went completely unanswered (refer to Exhibit 7-A and 7-B).
Zomba representatives have gone so far as to commit mail-tampering offenses- (refer to Exhibits 7-A d 7-B),
Returned signature cards were signed by same agent at Zomba 137-139 west 25th St. New York NY 10001 and at 
Grubman, Indursky, Schindler, and Goldstein, P.C., 152 West  57th St., 30th fl. New York, NY 10019.
I mailed two sets, one to Grubman, Indursky, etc., and one each to Zomba representatives involved, in each
instance, 
Zomba received their packages first.
One set of packages were sent on the 4th day of March, Zomba’s agent signed and received package within two (2) days, when Grubman, indursky’s agent signed within three days or one day after Zomba.
 
One set of packages was sent on the 14 day of March, the previous Zomba agent signed this time for Grubman, 
Indursky at 10019, when Zomba’s Zip code is 10001- (Note copies in Exhibit 7-A & 7-B).
Packages were sent on the 14th day of march, Zomba’s agent signed 03/17/95 – three days later, however, Grubman, Indursky’s agent signature-(signed by same signature as 03/4/95’s-Zomba)- was signed and dated six (6) days from original date sent.
The first time I called the New York Barr. Assoc., I was informed, after obtaining my information, that I could not be referred to any attorneys, without explanation.
Zomba/Jive shared my works with other major companies. Therefore, creating a situation; whereas, most attorneys in the music industry would be in conflict of interest, due to the fact that my works were scattered and used by more than one  major label.
Keeping in mind that the major’s contract with each other and has a ‘monopoly’ situation (refer to Exhibits 2,
8-A, & 8-
B – shows accessibility and Zomba’s contacts, thus; proving that the major’s work together to control and dominate the music industry.
 
It turns out that one of the attorneys I dealt with was very familiar with this company and its tactics but
neglected to 
inform me, due to the fact that he has/had or still has dealings with a major music person here in Detroit who has participated in copyright infringements and has benefited by Zomba’s actions (refer
to exhibit’s 7-A, 7-8, 11-A, 
11-B, 8-A, and 8-B).
I have filed complaints with Attorney Grievance Commission regarding the attorneys listed in Exhibit’s 1-B, C, &
D. 
In accordance with contract Zomba, my administrative publisher, neglected to file copyrights for works submitted  (refer to Exhibit 11-A and 11-B). I was copyrighting all my works prior to signing with Zomba.
The song entitled “What Can I Say To You To (Justify My Love?) performed by Hi Five and Nuttin NYCE, placed
on
Jive’s Label, was released on four (4) projects; Hi Five’s Album, Hi Five’s Greatest Hits album, released as a single, and on Nuttin NYCE’s album. I never received ownership papers or proper documentation for a song that I was given writers credit for – (refer to Exhibit 3-A & 3-B.
 
It has also been brought to my attention that works in question has been released overseas with my vocals used 
without my consent. Zomba, as of March 15, 1996, made an offer of $1,000.00 and a release agreement, which, of course, releases them from any lawsuits that I may file in the future.
I refused this offer simply because I know it was an attempt to minimize my situation and make light of damages incurred. Since dealing with Zomba and associates, I have had to have surgery in order to remove a (4) four inch cyst that the doctor says more likely derived from stress.
I have been threatened and told that I have been blackballed from the music industry. I have had my family members assaulted and I have had an associate who assist me with this business) shot.
Most incidents occurred during the waiting period after notices were sent to Zomba, those four months were the longest months of the year, especially since I hadn’t figured out why they were denying my rights and why they didn’t respond to materials that their representatives had stated  were acceptable and then turned around and contradicted what was discussed.
 
Zomba has neglected to honor any of their few responsibility to me after receiving my signature on contracts.
Zomba failed to correct dispute caused by Zomba between Hatcher and myself, then deliberately caused conflict 
between myself and Art & Rhythm, let’s not forget the conflict started between writers on their staff of writers.
Anyone can glance at songs listed in contract on page 23 and copyright copy in exhibit’s 5-A, 5-B, 11-A,11-B, 11-C,
in 
addition to this, compare them to songs done by artist mentioned in casting list and songs on the charts.
The copyright copies of songs listed in collection I and the songs from Collection’ II and Collection IV have
repeated 
similarities in titles and lyrics, one after the other.
 
As you compare song titles and lines, it will be easy to identify  the Who? What? and When?, even the Why?, Sure people have the same ideas at some point and time; however, contract dated 10/18/93 list songs and from this list, anyone can conclude that these songs, recognized in contract, has been used one by one, compare to works released over summer of 94, 95, and 96.
The coincidence of this happening by mistake or simply by chance is impossible considering how many songs were used and who had access.
 
I signed with Zomba due to the fact that I had worked with other local production companies and the contract referred to all works before and after, this was to protect me from having my works stolen or misrepresented.
It turns out that they were responsible for infringements or aware of copyright infringements prior to presenting contracts to me (refer to casting list in exhibit’s 8-A & B, shows names of contacts I made earlier in my career).
As I back trace my steps with the music industry, I have found out that people that I had previously worked with were always in connection to one label or another.
I learned that demos and works that were done in order to advance my career were reworked and placed on major artist,  proving this is easy with copyrights and other documentation in my possession.
For years I have been a victim of this music industry, while I struggled to fit in, it was never either parties’ intent to assist but to retrieve fresh ideas in order to rework and not have to share monies or credit.
They can have their industry; however, I must insist on a proper settlement to make amends for the damages
I’ve encountered while pursuing my goals. 
 
I am too multi-talented to waste my skills on unappreciative, greedy companies who do not recognize me as a
vary-intelligent 
 human being.
 
For more,
see: 
VISIT OUR WEBSITE!


SHOP ONLINE – DOWNLOAD NOW!

When a persons Civil Rights are violated, should the culprits be allowed to walk away because they were able to use money, positions and power to avoid responsibility? 


Currently, these are the tactics that I must continue to endure in 2014…



This is obviously not me but this is what is displayed on a current search for my name with my identifiers under multiple false charges!

 

Defamation of character and current tactics used to discredit…Why does the police search shows misleading and false

information? Find out why?

It wasn’t enough to rob me of all my music royalties but they had to take housing for decades and every

meaningful employment with illegally obtained warrants and misleading background records!

http://musicbizadirtygame.blogspot.com/p/antitrust-brief-business-of-music-made.html

 

 

CHECK OUT WHAT YOU’VE MISSED!
 
Share this:
 
 
For more detailed information regarding the many groups and what it means to be properly aligned, I encourage you to read Music Business: It’s a Dirty Game!
 
This title is also in an eBook form available at:  http://shop7westpublishing.com/.
 
For More info:
Interested in Investing?
Here’s your chance to get involved! For your promotional   copies for review and a copy of SWP, LLC’s Business Plan.
Contact us!

 

 

Icons by DryIcons

 

LET’S CONNECT!!!

Social links:

 

 

 

 

 

 

 

 

You can’t make this stuff up…Proof – It really happened….
Envelopes received from Zomba after initial allegations of copyright infringements!

 

 

Zomba’s Initial Response to allegations
Zomba’s contract included songs that were used; yet, they denied having.
As Co-Publisher, they should have copyrighted them when they executed contract…I DID!
 

These songs were listed in the publishing contract, listed in notice of copyright infringements, court docs, and were played on the radio by major artist signed to BMG, EMI; throughout the years starting after Zomba music publishing contract.

Normal
0

false
false
false

EN-US
X-NONE
X-NONE

MicrosoftInternetExplorer4

/* Style Definitions */
table.MsoNormalTable
{mso-style-name:”Table Normal”;
mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
mso-style-noshow:yes;
mso-style-priority:99;
mso-style-qformat:yes;
mso-style-parent:””;
mso-padding-alt:0in 5.4pt 0in 5.4pt;
mso-para-margin:0in;
mso-para-margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:11.0pt;
font-family:”Calibri”,”sans-serif”;
mso-ascii-font-family:Calibri;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:”Times New Roman”;
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Calibri;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:”Times New Roman”;
mso-bidi-theme-font:minor-bidi;}
Zomba’s contract included songs that were used, yet, they denied having…

Envelopes received from Zomba before initial allegations of copyright infringements!  

 

Below are sample documents used to establish patterns of abuse of power and civil right violations.

Clearly, the Warrant has an expiration date of July 31, 1997 but this was used to take multiple jobs and even housing for almost (2) two decades.  Although Lovelace was reporting to Michigan Probation, no efforts were made to contact and/or provide notice.

That warrant says that ‘thorough, diligent search was made to find probationer and whereabouts unknown’ but this is a complete farce because Lovelace was reporting as directed.

 
Illegally obtained warrant was used to repeatedly take 
employment & housing in Las Vegas, Nevada

 

Although songs listed in the Co-Publishing Agreement…

 

 

 

 

Below are sample documents used to establish patterns of abuse of power and civil right violations.

Clearly, the Warrant has an expiration date of July 31, 1997 but this was used to take multiple jobs and even housing for almost (2) two decades.  Although Lovelace was reporting to Michigan Probation, no efforts were made to contact and/or provide notice.

That warrant says that ‘thorough, diligent search was made to find probationer and whereabouts unknown’ but this is a complete farce because Lovelace was reporting as directed.

 
Illegally obtained warrant was used to repeatedly take employment & housing in 
Las Vegas, Nevada

Officials Misconduct ‘Under Color of Law’

“For over two decades…Officials – while acting ‘under color of law,’ circumvented justice, hindered and enslaved daughter of man accused of murdering a Police Officer!’

Officials under collaboration with a billion dollar industry has used courts, judges, power, positions and connections with Music Business to exact revenge and for the purposes of making a profit from enslaved individuals.

Police acting ‘under color of law’ used illegally obtained warrant to negatively modify background record. Police used expired warrant to take public housing, cause loss of employment and to hinder any and all assistance with the use of threats and intimidation.

While being victimized, ostracized, isolated and placed under continued pressure to end her own life, she was advised that profits, proceeds and royalties were confiscated and given to the slain officer’s family. If it was not this message, it was other repeated negative comments used to instill some kind of sense ‘hopelessness.’

This local author has released titles which sheds light on corruption and plot for revenge and abuse of power which has been allowed to continue for over two decades!

These titles demonstrate how a corrupt system has deliberately used money, power and positions to create a form of enslavement in order to use positions to circumvent justice and to exact revenge for the death of a slain police officer and/or others negatively impacted.

Each title written provides documentation to substantiate all claims and provides detailed information.

Caught in crossfire between major entities; the system and those who have been negatively impacted – she has been forced to live as an outcast.

Courts ignored serious allegations, and ruled Complaint as Frivolous when clearly violence and intimidation was happening – See Search Warrant for Double Homicide: 


Search Warrant for Double Homicide –
February 01, 1995 – 
Retyped for easy translation –a copy shown below:

 

STATE OF MICMIGAN

SEARCH WARRANT AND AFFIDAVIT

Donald Mchall

TO THE SHERIFF OR ANY PEACE OFFICER OF SAID COUNTY:

Affiant, having subscribed and swears to an affidavit for Search Warrant. And I having under oath examined am satisfied that probable cause exists:

THEREFORE, IN THE NAME OF THE PEOPLE OF THE STATE OF MICHIGAN,

I command that you search the following described place: 9260 Burt Md. Detroit Michigan A single family dwelling located on the east side of Burt Rd. Detroit Michigan between Dover and Cathedral. Described as a 1 1/2 story Bungalow with a covered front porch and a detached garage located to the rear of the location. The number 9080 are affixed near the front door and to seize, secure, tabulate and make return accordion to law the following property and things:

Any and all evidence related to the homicides which occurred on 1-21-95 at 15721 Telegraph including a 9mm Semi Auto pistol. Papers establishing occupancy, ownership, or control of the premise 9080 Burt
Rd.

The following facts are sworn to by the Affiant in support of the issuance of this Warrant: 1: Affiant is a Lieutenant with the Redford Police Department and has been employed there for 20 years. Affiant is currently assigned to the Criminal Investigations Bureau and involved In the Investigation of a double homicide shooting.

2: Affiant responded to a scene of a double homicide at 15721 Telegraph on 1/21/95. Left at the Scene was a white canvas bag containing one full metal jacketed 9mm round. This round watched 4 shell casings found by the bodies of the deceased.

Attached to the canvas bag was a TWA baggage tag for flight 355 Nov.11, 1994 and a Computer read out for passenger T. Lovelace. Affiant contacted Trans World Airlines and learned that a Tiwanda Lovelace and a Curtis Lovelace had departed Kennedy Airport in New York on flight 355 and arrived At Metro Airport Detroit on 11-11-94.

For the airline’s there were no report filed by passenger Tiwanda Lovelace that she had net received her canvas bag. The phone number provided to the airlines with the reservation was 313-493-1526. Per Ameritech this number belongs to Pierre Lovelace 9080 Burt Rd. Detroit MI. Tiwanda Gail Lovelace has a Michigan Personal Identification Card with the Address 9080 Burt Rd. Detroit Ml.

3: Surveillance of a female leaving the listed location found that Tiwanda Lovelace Ieft the described location and was stopped by a uniformed police officer and gave the address of 9080 Burt Rd as her place of residence. This was on 01-31-1995.

4: Wherefore Affiant has probable cause to believe the described items will be found at the above described location.

Judge attributed actual ‘Violence’ as  fanciful, delusional, etc...

 

 

 

 

 

 

 

 

Background 

My father, Robert Heard is currently serving a life sentence for allegedly killed a  Detroit Police Office, Stanley Rapaski and Cass Czerwinski. I can’t help but wonder if Czerwinski is related to Democratic Representative Joseph C. Czerwinski.

Although my in-laws were directly related to the chief of police of Detroit, I never put it together that maybe this was questionable being that my estranged father was serving a life sentence.

I was raised as one of Jehovah’s Witnesses (Kingdom Hall out of Brooklyn, NY) so I was already raised isolated and separate from others. I wrote to music track initially provide by Jake Salazar and Lee Marcus. Lee Marcus brother was a MI police officer. My in-laws relocated for a period in GA.

The police departments spanning from GA were acting under color of law when they willfully executed a false report to secure a warrant. This illegally obtained warrant has been used to take housing and was used as means to hinder employment and take jobs.

MI – Judge Bernard Friedman, ignored severity of obstruction of justice, murders, rapes, corruption. This judge literally blamed actual violent events as if it was just a side effect from a cystectomy and as if it was not even happening. The search warrant says different.

GA – Judge William Duffey, (judges switched after Request for summary judgement entered by plaintiff. Judge ignored clerks misconduct.

F.B.I. Local Offices contacted but ignored severity of obstruction of justice, murders, rapes, intimidation, civil rights violated, corruption that has been allowed to continue for decades.

D.O.J. contacted multiple times throughout the entire 2-3 decades of major violations but ignored.

Officials across state lines are supporting this modern day enslavement by willfully and deliberately ignoring multiple severe criminal acts and have committed acts themselves.

Richard Blackstone, director of Business affairs at Zomba was well aware of my interactions with their reps and of the multiple works provided. He also sent correspondence regarding my contract to a Paul Katz.

Howard Hertz, Michigan attorney encouraged signing a contract that was unethical

Jerome Barney, Michigan attorney encouraged signing a contract that was unethical. He also sent Cease and Desist letters to both parties without my knowledge so I worked with individuals unaware of the backlash that was going on within Zomba.

Lee Marcus never offered contract but on more than one occasion spoke of a female who committed suicide after writing music lyrics for a major writing team but received no credit. After initial songs were given to Lee and Jake, I never saw Jake again. I found out later that one of these songs made it to a television sitcom. Of course, I was never given credit or royalties even with copyrights.

Alexander Kuhne, Michigan attorney was referred by Hertz after infringements.

Dave Renzer, at Zomba was front person for Zomba

Kymberlee Thornton, at Zomba was liaison who accepted most works submitted under Zomba Co-Publishing Contract.

Michael Powell, was major in Michigan (possibly in Nevada) It was members associated with him who lined up to obtain works under false pretenses.

Paul D. Allen of Michael’s Vanguard Studies provided musical tracks, studio time and who signed split sheets regarding working together

David McPhearson, was ANR at Zomba (Replaced by Larry ‘Roc’ Campbell). I had no contact or knowledge of his association until after I began to contact zomba regarding copyright infringements.

Larry Hatcher of Hatcher Hits was provided lyrics and melodies of which Zomba Reps were aware.
Zomba’s Rep. Art & Rhythm’s Larry Campbell was provided lyrics and melodies of which Zomba Reps were aware and these songs were listed in the contract.

Ken Williams, Zomba writer or producer who Zomba wanted me to sign as my manager, I declined

Kenny Hairston, Zomba writer or producer who Zomba wanted me to write lyrics for.

After submitting multiple songs, someone associated with the business brought it to my attention that an artist by the name of Desire (real name Monique), with the help of Michael Powell, Art & Rhythm’s – Larry ‘Roc’ Campbell, Paul D. Allen, and Larry Hatcher has received a 6 album deal with Warner Chapel label releasing single.

Michael Powell, Lee Marcus (ties to police) and Jake Salazar; both major in music.

Multiple groups are still continuing to ignore the severity of obstruction of justice, murders, rapes, corruption, civil rights violations. This is because behind the scenes violence is allowed to spread while the blame is placed on selected individuals to ensure that you are isolated and alienated so that their modern day enslavement can continue without question.

Everything that was done to others was in turn exacted on me and mine by and with the masses full support.

These rights guaranteed under the constitution are simply non-existence for those whom the system deems as being disposable.

Your copyrights can be ignored. You can be violated in every way imaginable as long as people can be persuaded into believing that you are responsible.

Your rights to Life, Liberty and the Pursuit can be and are denied when officials hide under ‘color of law’ to deprive you of what should be guaranteed. I refuse to allow this to continue without bringing these injustices to light!

 

Created & Written By Tiwanda ‘Ne Ne’ Lovelace 

E.O.A.A. Weekly News Article: Friday, April 11, 2015

 

DON’T BELIEVE THOSE WHO WANT TO HIDE THE TRUTH?

 
MY ALLEGATIONS ARE TRUE AND CAN BE SUBSTANTIATED BY THE FULLY COMPLETED, WHOLE DOCUMENTS, PUBLICATIONS, PHOTOS, RECORDINGS, VIDEOS, ETC…EACH, THAT I SUBMIT 
 
BUT IF THESE ITEMS CAN BE DELAYED OR HINDERED THIS CLEARLY WOULD DEMONSTRATE HOW INDIVIDUALS WITH POWER CAN CONTINUE TO ENSLAVE OTHER HUMAN BEINGS FOR DECADES. 
 
I EXPERIENCED SIMILAR TACTICS WHEN ATTEMPTING TO UTILIZE OTHER OUTLETS FOR MY PUBLICATIONS…MY PRODUCT WAS REPEATEDLY MISREPRESENTED. 
 

Further supporting documentation is available in the tabs above this blog!




I am well aware of the usual procedures implemented to address these kinds of wrongdoing involving these major entities. However, it has also been my personal experience that those who attempt to pretend to address these concerns usually don’t put the victims best interest first due to monetary gains and social impact on society.  It has been my experience that relying on secret remedies are truly for the benefit of the violators so that they may remain unaffected. My twenty plus years has clearly demonstrated that those in positions of power are he’ll bent on preserving this evil and my public has no interest in allowing proper recourse  (again, due to social impact on society).

All while some misrepresent this situation or those who imply interest in resolution…there are many who are undermining these efforts with indirect actions which encourage further victimization and dehumanization.

To those that would attempt to mislead, judge, rejoice and misdirect….

Why don’t you redirect yourselves to some decency, a conscience and to your humanity!

So while some are using every justification known to mankind…

I am the one that has to listen to the laughter and mocking of my public saying, 10 minutes, $10. So because of this and after decades of being unable to combat lies and manipulations…I can assure you that I am no prostitute and your methods and hesitation only ensures continued unwarranted violations of the worse kind.

So I will not be letting go, nor will I remain silent while empowered and misinformed animals continue to run rampant.

SWP, LLC has compiled a set of books which shed light on the darkest side of the business of music. Copyright © 2013 Created and Written by Tiwanda ‘Ne Ne’ Lovelace All rights reserved. No part of this blog or books may be reproduced in any form or by electronic or mechanical means, including information storage or retrieval system, without permission in writing from the publisher, except by a reviewer who may quote brief passages.
Those in positions would prefer to have to believe lies but this is not what it appears to be.
Throughout the decades, it has been said that I have been subjected to public humiliation and dehumanization as a result of not graduating college.
As mentioned above, the message provided is that my public display is due to a lack of a college degree. Meanwhile, the crooked lawyer’s, politicians, etc…continue to profit off of your hard work and struggles.
I don’t care about how people try to put all of the blame on me. I will never follow rules that do not recognize me as a person. If these haters snatched you up in a world wind of treachery, you would not remain silent either; especially, after decades of carrying the blame.
All while everyone is perpetrating a fraud, no one from either entity has ever communicated with me in any way directly regarding any of the events of which I have been accused.
Only an idiot would victimize and vilify someone for decades while keeping them down and expect it to never end; least of all, expect loyalty.
Obviously, I have never been a part of that world…your rules don’t apply. Besides, what idiot would abide by laws and rules that require the acceptance of enslavement and poverty? You can call me whatever you want but it won’t be, ‘Slave.’
For those who require proof instead of just blindly following others, I have provided actual documentation that confirms the serious atrocities that have been committed, ignored and mentioned in my Complaint against Zomba for Antitrust, Copyright Infringements, etc…
I have provided a copy of the search warrant for a double homicide which was mentioned in my Complaint along with other violence but…On July 22, 1996 the courts dismissed my case as frivolous. Judge Bernard A. Friedman cited that my show cause order was ‘bizarre, irrational and indeed delusional.’ Judge Friedman continues to state that the complaint is ‘fanciful and delusional.’
This double homicide occurred two months after traveling to NY to address Co-Publishing Agreement, advance and submitted songs…During my visit, Richard Blackstone, Senior Director of Business Affairs and who 6 mos. later became Sr. Vice President of Business Affairs did not make himself available after being made aware of my visit. 

 Search Warrant for Double Homicide – February 01, 1995

Retyped for easy translation –a copy shown below:
STATE OF MICMIGAN                                                                                    SEARCH WARRANT AND AFFIDAVIT
Donald Mchall
TO THE SHERIFF OR ANY PEACE OFFICER OF SAID COUNTY:
Affiant, having subscribed and swears to an affidavit for Search Warrant. And I having under oath examined am satisfied that probable cause exists:
THEREFORE, IN THE NAME OF THE PEOPLE OF THE STATE OF MICHIGAN, I command that you search the following described place: 9260 Burt Md. Detroit Michigan A single family dwelling located on the east side of Burt Rd. Detroit Michigan between Dover and Cathedral. Described as a 1 1/2 story Bungalow with a covered front porch and a detached garage located to the rear of the location. The number 9080 are affixed near the front door and to seize, secure, tabulate and make return accordion to law the following property and things:
Any and all evidence related to the homicides which occurred on 1-21-95 at 15721 Telegraph including a 9mm Semi Auto pistol. Papers establishing occupancy, ownership, or control of the premise 9080 Burt Rd.
The following facts are sworn to by the Affiant in support of the issuance of this Warrant: 1: Affiant is a Lieutenant with the Redford Police Department and has been employed there for 20 years. Affiant is currently assigned to the Criminal Investigations Bureau and involved In the Investigation of a double homicide shooting.
2: Affiant responded to a scene of a double homicide at 15721 Telegraph on 1/21/95. Left at the Scene was a white canvas bag containing one full metal jacketed 9mm round. This round watched 4 shell casings found by the bodies of the deceased. Attached to the canvas bag was a TWA baggage tag for flight 355 Nov.11, 1994 and a Computer read out for passenger T. Lovelace. Affiant contacted Trans World Airlines and learned that a Tiwanda Lovelace and a Curtis Lovelace had departed Kennedy Airport in New York on flight 355 and arrived At Metro Airport Detroit on 11-11-94. For the airline’s there were no report filed by passenger Tiwanda Lovelace that she had net received her canvas bag. The phone number provided to the airlines with the reservation was 313-493-1526. Per Ameritech this number belongs to Pierre Lovelace 9080 Burt Rd. Detroit MI. Tiwanda Gail Lovelace has a Michigan Personal Identification Card with the Address 9080 Burt Rd. Detroit Ml.
3: Surveillance of a female leaving the listed location found that Tiwanda Lovelace Ieft the described location and was stopped by a uniformed police officer and gave the address of 9080 Burt Rd as her place of residence. This was on 01-31-1995.
4: Wherefore Affiant has probable cause to believe the described items will be found at the above described location.

COPY OF SEARCH WARRANT

This double homicide occurred two months after traveling to NY to address Co-Publishing Agreement, advance and submitted songs…During my visit, Richard Blackstone, Senior Director of Business Affairs and who 6 mos. later became Sr. Vice President of Business Affairs did not make himself available after being made aware of my visit. 
                                                                                      
I had no idea of what was going on but this definitely was very serious – Murder was the Case that they tried to give me, literally!

Nobody wants to talk about where the millions from the song that was originally placed and used on a major television sitcom.Nobody wants to acknowledge the 40+ lyrics and melodies of mine that was used to shop this alleged Warner deal and also used to hurt me by flooding the radio and charts in that poor attempt to drive me to suicide.

Murder, I had no freaking idea what they were talking about and didn’t want to know. I didn’t even watch the news because it was too much. I was in my own world so to speak, completely in the dark and sleepwalking. I have never been the same since. Imagine my mind racing with fear and anxiety. My body was shaking profusely.
Some fool took my luggage tag from my trip to NY and left it at the crime scene. I have never been able to find out whom and I don’t want to know. I never judged people or at least I tried not to. I dealt with people from all walks of life. I had faith in people then and I made excuses for those who disappointed me or behaved in hurtful manners. Being raised separate and isolated, this never gave me an opportunity to know the true evil that exist in some.
So, you see part of my dilemma? There is no such thing as common sense. What is common for one may not be common for others.
Especially, when everyone around knows exactly what is going on but won’t say as they continue to stir up drama as if it is a game. It is easy to sit up and call someone stupid but unless it is you being deliberately left in the dark surrounded by people who blame or who are constantly taking it out on you.
Amidst all the drama, on August 15, 1996 my oldest child was outside playing outside in front of the house when one of my hate-filled neighbor’s children chased him into the street.
Conveniently, he was struck by a vehicle and thrown into the air to land on the concrete. What made this different from any accidental automobile collision was the drivers’ response. Sharon Deasfernandez, the driver got out of her car with this cold, angry expression on her face.
Clearly, she was not sorry, there was no sign of remorse. The police ruled in favor of the driver and said that my son ran into the vehicle in front of his own house. I can only imagine that something happened to someone’s family and they were coming for mine.
Of course, I immediately ran to my child’s aid but all the while watching her facial expressions. It was strange that within a few minutes her family came to support her and try to justify why she was remorseless. I wanted to fight her but my child required my assistance and at this time I was still in disbelief.
I thought it was odd that she was of Hispanic decent being that I never really knew that I had crossed paths with anyone except Jake Salazar. It is possible that one of the persons that I knew was and looked African American. I don’t know but regardless I started to watch everyone closely. I slept with a twenty gauge after that incident.
From my viewpoint, we were truly under siege.
My sister was raped around the same time my nightmare began and for a while I thought it had something to do with me; especially with the family’s mistreatment toward me.
At the time I was being blamed for everything but she can play the ‘I love you, I love you not’ game all by herself because I am done. That rollercoaster game is over. I forgive and forgive but enough is enough.
I don’t want to minimize her pain but nobody stopped them busters from raping me at will. I have been date raped before and told my mother and my husband what was done to me. I was vomiting and crying but they acted like I didn’t say anything. As usual, I didn’t matter.
                  
I submitted list of songs, copyright copies, and contracts request for assistance; however, I received my materials back from all the attorneys, groups, and agency, along with letters expressing no interest in representing me.
On May 20, 1996, I filed a lawsuit against BMI, Zomba and Jive because of their lack of response to my request as to how BMG, MCA, EMI, WEA, Polygram and Jive have released songs which blatantly infringe upon my copyrights. I sent these lyrics to Zomba and discussed these works in detail. Clearly, I have been denied my rights and this definitely confirms a Monopoly situation.
I was very emotional at this time and lacked the skill of a licensed attorney but I provided copies of copyrights. I provided proof of certified mailings and other documents to support that I required courts assistance.
                                        
On July 22, 1996 the courts dismissed my case as frivolous. Judge Bernard A. Friedman cited that my show cause order was bizarre, irrational and indeed delusional.
Judge Friedman continued to state that the complaint is fanciful and delusional. I didn’t know that copyrights and certified mail receipts were miscellaneous papers.
Imagine being hurt, confused and having misleading people – all chanting for your demise like you were responsible. All of them, hoping to witness your pain and sorrow. They probably were selling front row seats to the event. Illegally wiretapping and watching your every move. Then you find out that your children are under siege as well.
YOU WOULD BE ANGRY TOO!!
There are too many coincidences and convenient tragedies to be ignored.
I never gave permission for any violation of my privacy. I was never asked and no one communicated with me regarding any of these continued violations of my rights;
Yet, the many violations continues in 2014!
So, let me get this right…I imagined my house getting shot up, double homicide, children assaulted and sister getting raped. The judge could have assigned counsel or made another decision. Talk about getting assaulted, I felt violated all over again.
 
Now the ‘system’ is implying that I am a poster for those who do not complete college and other lies to justify.
 
I AM NOT, NOR HAVE I EVER BEEN STRUNG OUT ON DRUGS. I DO NOT HAVE ANY EMOTIONAL OR MENTAL ISSUES BUT I AM IGNORED AND FORCED TO LIVE AS A HOMELESS OUTCAST. MY EFFORTS TO CONDUCT BUSINESS THAT INCLUDES SHEDDING LIGHT ON ATROCITIES….I AM IMPEDED BY MAJOR INSTANCES OF FAIR TRADE ACT VIOLATIONS AND UNFAIR COMPETITION! PROOF AVAILABLE ON TAB – ABOVE:
 
 
SO…WHY DO YOU THINK THAT 
THE TRUTH IS BEING LIMITED? 

NO MATTER HOW MUCH POWER THEY HAVE..
 THEY CANNOT MAGICALLY  CHANGE THE FACTS?
 

                              THIS IS HOW IS IS ALLOWED TO CONTINUE FOR DECADES…

                                                IGNORING HEINOUS ACTS AND PROOF!

She has lived in many cities, moving from town to town looking for a home and a support base but the people in positions have ensured that too many people have been negatively affected across various groups.
These continued incidents are instigated in the hopes that this will ensure that no one will support her in fighting for justice.
Those in positions and/or associated with the music industry have engaged in, encouraged and have allowed violent acts to incur solely due to their pride, greed and hate.  While behind the scenes, the hurting of others continue so that they will hate you too…this is not a game!

The Onlookers do not even care about ‘the why’ but they join in with more abuse; similarly to those angry mobs mentioned in history books. 

There are those who really understand or at least they seemingly recognize my humanity in this injustice but out of sheer self-preservation they steer clear.

It has been implied that if anyone helps me in any way on my quest to free myself from this man-made oppression would end up in a wheelchair or worse. 

It must be true because it has been decades and I am still struggling by myself to obtain some kind of rights to privacy and justice.

Even with the threats of homelessness, imprisonment and being alone in this nightmare, I refuse to just ‘fade to black’ for people who don’t even see me as a human being.

Lovelace states, ‘I am not, nor have I ever been a strung out, drug using prostitute. I am not a hardened criminal.’ 

‘It seems like the only rights that people in power want me to have is the right to remain silent. Every step I take to move
forward, I am delayed in some way.’

Even if she were, it would not justify denying me the same civil rights others are privy to.
Our individual freedom should not be left up to a system that allows those with power and positions to profit from the dehumanization of others.
Again, she never had a chance even from childhood. Lovelace adds that her journals mentioned in previous works were partial entries and do not come close to all that has transpired in their efforts to shame and harm.
If you haven’t had an opportunity to read my previous memoir, ‘Music Business: It’s a Dirty Game’ also called, ‘Curse of the Dragon Lady – The Perfect Victim, and Music, Murder and Mayhem – A True Story! 
 
I strongly encourage you to purchase a copy. Reading each will explain why it was necessary to write this book and what events led up to this decision to bare my pain.
It is her intention to address all those who whisper for her to sue, fight back, and even those who would suggest for me to, ‘just die’. 

‘After working very hard for many years, honing my skills, obtaining information, I am mentally prepared to find my way to freedom in an effort to correct this injustice.’

In earlier attempts to resolve ‘her situation’ with the music industry, she contacted numerous agencies, attorneys and organizations for assistance but she was refused. 

Included in this list below are the tracking numbers for each letter that she sent so they can’t deny receiving request.

Lovelace added, ‘While on my quest in seeking the way to my figurative ‘underground railroad,’ I was able to establish that ‘my entire situation cannot solely be contributed to my dealings with any one individual or any singular specific group but of a combine collaboration of multiple parties.’ 

Each should be held accountable for their actions and their inaction.

My ordeal is not completely due to any single, specific actions or due to my inactivity; however, this was definitely a part of a well-orchestrated plan that was set in motion long before I arrived or was awakened.
I have not been just twiddling my fingers, living in fantasy world over here. It has been one extremely long journey learning about life, love and the pursuit of happiness.
It was very hard accepting that the ones closest to you would be the ones used to do the most willful damage; especially, when you are too busy watching everyone else that you perceive to be the villains.
SUMMARY OF EVENTS:
Although I have compounded legal issues, I have tried to provide brief numbered details of some of what has occurred below.

I am continuing to seek legal assistance and because there are compounded situations but to provide a summary:
1.     My father is incarcerated for allegedly killing a Detroit Police Officer, Stanley Rapaski and Cass Czerwinski. I
can’t help but wonder if Czerwinski is related to Democratic Representative Joseph C. Czerwinski. 
First, anyone who kills a police officer – their family is definitely persecuted and is unable to obtain assistance from the system; especially, if that person is a prominent member of society.  
Everyone knows that police stick together and as a matter of fact, the other accomplice conveniently died while being apprehended in that case. Human nature…
2.     I wrote the lyrics and melody that were used for a television sitcom many years ago. These lyrics were given to now
prominent music producers, Lee Marcus and Jake Salazar. Of course, I didn’t find out about the use of the song until years later.
3.     Since the individuals who placed the first songs didn’t offer contract or monetary compensation, I kept writing with other
local producers until I was offered a 50/50 co-publishing agreement with Zomba after a disagreement with Larry Hatcher and Art & Rhythm’s Larry Campbell.
4.     Zomba’s pub agreement made reference to taking co-ownership of all songs written by me; including material prior to
signing. (Remember I was not aware that the previous songs were used yet).
5.     I spoke with two entertainment attorneys; the fact that previous attorney’s would encourage signing a contract for little dollars when they know that all entertainment lawyers would most likely require a large retainer in the end demonstrates that there is a problem.
6.     Zomba representatives then attempted to pressure me to sign management contracts with producers that were on their
roster whom I had never met.
7.     While contracted with Zomba, I submitted over 40 song lyrics and melodies that were discussed in detail with their
representatives and some listed directly in the contract.
8.     After submitting these songs, someone associated with the business brought it to my attention that an artist by
the name of Desire (real name Monique), with the help of Michael Powell, Art & Rhythm’s – Larry Roc Campbell, Paul D. Allen, and Larry Hatcher has received a 6 album deal with Warner Chapel label releasing single.
9.     I heard personally and have others confirm blatant similarities to my work and have been derived in full and/or in part
from my copies submitted to Paul D. Allen of M. Powell’s – Vanguard Studio, Larry Hatcher of Hatcher Hits, Larry Roc Campbell of Art & Rhythm and David R – Zomba, rep. I worked consistent with all parties listed for a period of
time. I have split sheet for “Baby Stay with me” and I heard this finished by her.
10.   After notifying Zomba of this deal, I became subjected to a multitude of tragedies, threats and intimidation. 
11.  Almost every song lyric and melodies were used in part and in full. These songs were being played on the radio for years. I will provide you with attachments to show copyrights.
12.  Zomba used publishing contract to steal lyrics and melodies, then denied possession of works (even though material was mentioned in publishing contract, the use of intimidation methods to coerce, and now everyone is asking for an extreme amount of money for a retainer.

I understand that litigation cost but this should not be allowed to be used as a scapegoat to avoid being held accountable. 
This is the ‘game’ that prevents resolution and allows these tyrants to continue their actions. 
13. I then attempted to file suit and although the amended complaint that complied with F.C.R. and was filed within courts
guidelines. 
14.  The judge dismissed before reviewing factual evidence and ignored actual acts of violence and request for counsel to be assigned. Basically, I have documentation that clearly shows misconduct.
15.   During this ordeal, I maintained my copyrights and always required signed documentation with any co-writers. Within two months of completion of my Registration of Copyrights for all of the songs provided, suddenly the Dekalb County Probation submits a violation of probation report to the Courts and they issue a warrant although I was under the supervision of Michigan Probation and reporting as directed.
16. The timing of the execution of this warrant was in sync with everything that was going on around my trials with seeking assistance from attorneys and all of the many groups. 
I had filed the copyrights listed below and they were processed just months prior to the illegally obtained warrant being issued.
1. PAU001720136 / January 7, 1993 “Collection I – Tiwanda.”

i. 
Lovelace, Tiwanda, 1967 – 18 SONG LYRICS AND
MELODIES, 1 RAP, 2 POEMS
2. PAU001721382 / March 4, 1993 “Collection II – Tiwanda.”

ii. 
Lovelace, Ne Ne – 6 SONG LYRICS AND MELODIES,
17. Although per Inter-State Case Reports, Lovelace was reporting to Michigan Probation AS DIRECTED by Courts, there were no efforts were made to contact and/or provide Notice of Hearing.  Again, there was no notice of hearing, revocation hearing, or opportunity to be heard.
 
18. Dekalb County police then used this warrant to modify my 1st Offenders Act, changing status to conviction. Records reflect multiple arrests, repeated offenses and provide misleading transmittal when 4 of 5 items are in reference to the same (original) First Offenders Act offense. 

Dates and charges are inaccurate and/or inaccurately presented.
19.  This warrant was signed May 19, 1993 – expired July 31, 1997.
20.  In a letter used to take housing from the Lovelace family, a police agency stated that the warrant was valid in 2005 and
that they were unable to execute due to budgetary constraints. 

However, when I lived in Georgia 2003/2004 there were no efforts to arrest? 
21.  I believe the warrant was serving its purpose, which was to inflict damage, hinder and harm. Prior to filing this case, I
submitted a notice and a request for correction to all parties involved since it was preventing employment and shelter.
22. I have proof of misconduct which shows the courts switched Judges after plaintiff filed for Summary Defendants ignored service of Summons.
I believe that this system intended to hold me accountable for others actions and all under ‘color of law.’

I am requesting legal assistance and/or representation, resolution and closure because these entities are still using their power and positions to continue to oppress. 

I have documented proof of civil rights violations, mail tampering, court tampering, violent acts, etc…
I have had multiple major companies assist with hindering and circumvent justice…
Since this has snowballed, police were using illegally obtained warrant to modify records, take public housing and take employment. Georgia unjustly threw my case out but shortly after a public defender was able to quash warrant. 

I am stuck in this free for all, caught up between multiple major entities and trying to obtain my freedom from this chaos.

Even now my record has not been updated or corrected properly because this case was once again used to have me detained in handcuffs and refused entry into Canada in 2013. Cleary, each entry is questionable.                      

I have other legal issues that have occurred of which I have been compiling; such as, screen shot, documents, etc…that prove that I am being deliberately deprived of my rights to liberty and life. I refuse to let them murder me quietly behind the scenes. 

I have provided some of the documentation to support my claims inside the titles and I hope that you will be able to assist or refer this to someone who can.

Thank you,
Seven West Productions
Tiwanda Lovelace, Founder
P.O. Box 400001

Las Vegas, NV 89140

(877) 885-2944 
(702) 900-4087
tiwanda@sevenwestproductions.com 
sevenwestproductions@gmail.com 

Official Website: 
http://7westpublishing.com/

Tiwanda ‘Ne Ne’ Lovelace, founder of Seven West Productions, LLC has compiled a set of publications which demonstrate firsthand what traps await them by providing detailed information regarding methods and tactics used.

· There are no other books that will provide extensive knowledge regarding their process.
· These publications are not easily accessible through mainstream publishers solely due to the information provided within and due to conflicting with the goals of a billion dollar industry.
 
I have developed a program that offers extreme discounts so that these publications can be distributed and used to generate funds for other organizations while also providing a more uncut direct approach to educating our young adults before they fall victim to the music industry.

Lovelace has created the following publications:

 


Music Business: It’s a Dirty Game!

ISBN 978-0-989622530 Printed (Perfect Bound)

ISBN 978-0-989622592 eBook

 

ISBN 978-0578119465 eBook



An autobiography of an unknown artist that
that was subjected to continued acts of violence and oppression. This title is
presented through this artist/writer’s eyes while experiencing multiple
tragedies and events. Emotionally charged, this title clearly expresses the
pain and anger of being betrayed, sacrificed and scorned. Inside, are the
actual documentation and files used to demonstrate some of the tactics used to
steal artist lives, deny rights and enslave the artist. This title is compiled
using personal journals, public records, contracts, copyrights and other
documentation which demonstrates how it is allowed to continue.





Music
Murder and Mayhem-A True Story!



ISBN 978-0-9896225-4-7 Printed

ISBN
978-0-98962254
7
eBook



An un-cut non-fiction description of how the
music entertainment business murders its artist and writers quietly behind the
scenes. People always assume that artist just sign bad deals that allow
producers/managers to take everything but this is not always the case.



It is important that people understand the
‘game’ and how it ultimately affects others. The documentation provided along
with my personal experiences shared in this book should demonstrate the lengths
that those who have abused their positions to strip individuals of their life
publicly by using illegal tactics, mass deception and intimidation.


This book describes how those
with money, power, and position use mass manipulation to discredit, its use of
technology to spy, use of threats and intimidation to isolate.
Like animals circling its prey, victims
are surrounded, stalked, studied and set-up. Like lambs led to slaughter, you
won’t realize the severity of your situation until you are knee deep in a
‘storm’ of backstabbing friends, oppressing family members, snaking strangers.

Tags: bullying, court tampering, injustice,
mass manipulation, music business, persecution, politicians, prism



COMING SOON!


INVISIBLE:
Living without Rights in America – 2013! 


ISBN 978-0-9896225-5-4 eBook

 

ISBN 978-0-9896225-8-5 Printed



The court system has been placed under the
microscope from the view of the everyday citizen to reveal how it really works
for the less fortunate. This book will demonstrate how some individuals are
deliberately oppressed by those that are in positions to manipulate the courts
to ensure injustice continues. Therefore, by limiting assistance and preventing
Due Process they enslave individuals by using their money, power and positions
to deny rights that should be guaranteed by the Constitution of the United
States of America.



The documentation provided along with my
personal experiences shared in this book should demonstrate the lengths that
those who have abused their positions to strip me of my life publicly by using
illegal tactics, mass deception and intimidation.



For
questions and more information, please contact us at:



http://7westpublishing.com

http://shop.7westpublishing.com

I refused to believe this could be possible and so I began to reach out to some of the attorneys, groups, organizations and agencies. See list below:

Lovelace vs. Zomba 

List of Attorneys, Organizations, and Agencies Contacted

DHL airway                Recipient Info. / Delivery date
and signature of agent Bill no.
772707017012            Karen Bragg/ Ticket Master /c/o
Goldstein,
                                    3701
Wilshire, 7th Fl., Los Angeles CA 90010
                                    Delivered –
03/06/1996, at 11:37 am, signed by Decker
77277017001              Attorney General, Dept. of Law,
Consumer Fraud
                                    120
Broadway, 3rd Fl., New York, NY 10271
                                    Delivered –
03/08/1996, at 10:55 am, signed by Williams
7930401651                Volunteer Lawyers of the Arts/
Robert Libcke,
                                    1212
Griswold, Detroit MI 48226
                                    Delivery –
03/11/1996, 11:23 am, signed by Matthews
77277017701              Freeman Hawkins / Roger Goode,
4000 Sun Trust Plaza,
                                    303
Peachtree St., Atlanta GA 30308
                                    Delivered –
03/13/1996, at 10:59 am, signed by Johnson
8142801144                The Honorable Judge Linda
Warren-Hunter,
565 N. McDonna St., Decatur, GA. 30032
Delivery- 03/18/1996, at 12:57pm, signed by
Vortice
8184537104                Attorney Grievance Commission /
Philip Thomas / A. Kuhne
                                    Suite 256, Marquette Bldg., 243 West Congress Detroit MI
48226-3259
                                    Delivery-03/26/1996,
at 10:57am, signed by Buchanan
8184537093                Attorney Grievance Commission /
W. Neeley / J. Barney
                                    Suite 256,
Marquette Bldg., 243 West Congress Detroit MI 48226-3259
                                    Delivered-03/26/1996,
at 10:57am, signed by Buchanan
8184969726                Attorney Grievance Commission /
W. Neeley / J. Barney
                                    Suite 256,
Marquette Bldg., 243 West Congress Detroit MI 48226-3259
                                    Delivered-03/29/1996,
at 10:22am, signed by Buchanan
8184969962                Business Volunteers of the Arts,
Robert Libcke
                                    1212
Griswold, Detroit MI 48226
                                    Delivered –
03/29/1996, at 9:47am, signed by Matthews
Lovelace vs. Zomba
List of Attorneys,
Organizations, and Agencies (cont.)
DHL airway                Recipient Info. / Delivery date
and signature of agent
Bill no.
8184969951                Better Business Bureau, 257 Park
Ave., South New York NY 10010
Delivered-04/02/1996, at 10:15am, signed by
Ojeda
8184969741                Attorney Grievance Commission /
Howard Hertz
                                    Suite 256,
Marquette Bldg., 243 West Congress Detroit MI 48226
                                    Delivered-04/04/1996,
at 10:47am, signed by Buchanan
9271866590                Ken Burrows, 425 Park Ave., 26
Floor New York NY 10022
                                    Delivered-02/19/1996,
at 8:56am, signed by E. Addy
9271866586                Don Wilson, 4929 Wilshire Blvd.,
#1010 Los Angeles, CA 90010
                                    Delivery-02/20/1996,
at 9:26am, signed by S. Girad
                        5219002596 – Don Wilson
returned package 03/11/1996
8865881905                Karen Bragg c/o Goldstein, 3701
Wilshire Blvd., 7th Fl.
Los Angeles, CA 90010
Delivered – 02/22/1996, at 10:09am, signed by
K. Eubanks
8865881883                Zomba / Deborah Keegan, 137-139
West 25th St. New York NY 10001
                                    Delivered-
02/22/1996, at 11:08am, signed by W. Corian
8865881894                Attorney Grievance Commission,
Suite 256, Marquette Bldg.,
243 West Congress, Detroit MI 48226
Delivery-02/26/1996, at 9:56, signed by D.
Smith
8681158172                Federal Trade Commission,
Division of Marketing,
Rm. 238
                                    6th
St & Pennsylvania Ave., NW. Washington D.C. 20580
                                    Delivery-03/04/1996,
at 2:39pm, signed by I. Hudgins
9736039725 – Federal Trade Commission /
Delores Johnson,
Package returned 03/13/1996
9649642623                The Honorable Janet Reno,
Department of Justice,
                                    Tenth &
Constitution Ave., N.W., Rm. 4400 Washington D.C. 20530
                                    Delivered-03/13/1996,
at 12:46pm, signed by B. Breitspr
9291390780                Prosecutors Office, 1441 St. Antoine
Ste. 1200, Detroit MI 48228
                                    Delivery-03/26/1996,
at 11:46am, signed by S. Johnson
8142801181                Attorney
Grievance Commission / J. Barney,
Suite 256, Marquette Bldg., 243 West
Congress, Detroit MI 48226
                                    Delivered-04/09/1996,
at 10:19am, signed by Buchanan
8142801166                Department of Justice,
Anti-Trust Division, Jacob K. Javitts
Federal Bldg.,
                                    26 Federal
Plaza, Rm. 3630, New York NY 10278
                                    Delivered-04/09/1996,
at 10:03am, signed by Odonnell
8142801155                Better Business Bureau-New York
/ Mediation Division,
                                    257 Park
Ave., S., New York NY 10010
                                    Delivered-04/09/1996,
at 9:01am, signed by Ojeda
8184537082                Freeman, Hawkins / Roger Goode,
4000 Sun Trust Plaza
                                    303
Peachtree St., Atlanta GA. 30308
                                    Delivered-04/15/1996,
at 10:36am, signed by Johnson
8184969796                Butzel Long / Michael Poterala,
150 West Jefferson, Suite
900, Detroit MI 48226
Delivered-04/23/1996, at
10:46am, signed by Burks
**This is one long list that consist of very
prominent attorney’s, groups and organizations**
Now, I can
understand why it is so important for this information to remain hidden. If
this was to be released, it would reflect poorly on each entity. It is probably
because these are the same entities that are supposed to uphold and protect the
rights of the people.
What kind of message
would this send to the people? It would appear that the life of one individual
in comparison to the prominent, upscale, influential people is most important.

 

Although songs listed in the Co-Publishing Agreement…

 

 

 

 

 

 

 

 

 

 

 

 

Below are sample documents used to establish patterns of abuse of power and civil right violations. 
 
Clearly, the Warrant has an expiration date of July 31, 1997 but this was used to take multiple jobs and even housing for almost (2) two decades.  Although Lovelace was reporting to Michigan Probation, no efforts were made to contact and/or provide notice.
 
That warrant says that ‘thorough, diligent search was made to find probationer and whereabouts unknown’ but this is a complete farce because Lovelace was reporting as directed.



 
 
Illegally obtained warrant was used to repeatedly take employment & housing in 
Las Vegas, Nevada

 

Police/Probation states Warrant issued for Failure to report and pay court ordered monies 
 
Although Lovelace was reporting to Michigan Probation AS DIRECTED by
Courts, there were no efforts were made to contact and/or provide notice. See
Below…

 

In 2005, why did the police agency state that the warrants were valid but unable to execute due to budgetary constraints but when I lived in Georgia 2003/2004
there were no efforts to arrest? 
 
From my experience I believe the warrant was serving its purpose,
to inflict damage, hinder and harm.
 
Below: Clearly, Lovelace was reporting to Michigan Probation AS DIRECTED by
Courts from December 11, 1992 until August 2, 1993, there were no efforts were made to contact and/or provide notice. (Warrant was issued May 19, 1993.)
 
 
Michigan Inter-State Case Report dated 08-2-1993
 
That warrant says that ‘thorough, diligent
search was made to find probationer and whereabouts unknown’ but this is a
complete farce.
 
 
 

 

 
Although Lovelace was reporting to Michigan Probation, no efforts were
made to contact and/or provide notice. I was still reporting (3) three months, unaware
that the warrant was issued on May 19, 1993. I was just told that I no longer
was to report to Michigan Probation office. I obtained this letter well after. 
 
In all that time, I never mention the fact that my father was convicted
of murdering a police officer. I didn’t want to think that people would hold
that against me or be this sinister. I didn’t want to even go there besides I
still had to have hope that the system to work fairly. 
 
Decades of this vicious game has led to an examination of both the legal system and the Music Business!
 
During the time period when the illegally obtained warrant was being issued, I was working with music industry people mentioned in…
 
 
Music Business: It’s a Dirty Game! –
 

After the initial placements of works that I had given
Lee; I can only assume that word got out about lyrics being free game. Of
course, at this time I had no knowledge of other works being placed. So I
believe that when Zomba referred to having songs that I had written ‘before and
after‘ covered in contract, it was very likely that they had knowledge of these
works.
 
I, personally, looked at it as if I were paying my
dues and was willing to charge that to the game at that time. Meanwhile, I was
unaware that a Georgia warrant was issued on May 19, 1993 for probation
violation after I started working with other local music producers.
 
I think that my decisions definitely interfered with
someone’s plans. I can wholeheartedly say that their intentions were bad from
start. Then I received the blame for not signing or letting them lock me down
when it was apparent that I had no value in their eyes. Well after initial
Georgia warrant and case was resolved, I really started to work with other in
the music industry.
 

http://7westpublishing.com/

 

 

 

Misconduct, Violations and Deprivation of Rights Have NO STATUTE OF LIMITATIONS! 
 
Federal Law 42 USC 1983
The statute (law) under which most civil rights actions are brought is 42 U.S.C. § 1983. 

 

Read the Law: 42 U.S.C. § 1983
This law applies to situations where a person, who has been given authority by the law, deprives another person in the United States of rights or privileges that the second person has been given by the US Constitution or by federal or state law. 
 
The person who believes that s/he has been harmed in this way may sue in court. 
 
This law limits the way in which a person (who believes that s/he has been harmed) can sue a judge who has been acting in his or her official capacity.
Section 1983 can only be used to sue:

 

  • for intentional violations;
  • regarding federally protected rights; and
  • someone acting as a state or local official.

Pacer Court Case Tracker for Lovelace v. 

Dekalb Central Probation AND Dekalb County Police Dept.

 

 

EVERYTHING was processed and the Defendants – Dekalb County
Police did not respond in the time allotted by procedure as directed by courts.
Suddenly and without cause the case was reassigned to a
different Judge after Plaintiff (Lovelace) filed for Motion to Request Entry of
Default – Months later.
Per Pacer (court records): January 30, 2003 – Judge ordered
the Clerk’s Office to do their job…
On 01-30-2004, Pacer Court records No. 7 – Order instructs
Clerk’s Office to list Dekalb county Police to complaint and to forward
Plaintiff USM285 forms for completion. This was in response to Plaintiff’s
Motion for Correction and Notice of Error regarding Clerk’s Office excluding
defendants, Dekalb County Police Department from the Complaint.
On 02-17-2004, Pacer Court records No. 8 – Plaintiff’s USM285
forms and Summons were completed and returned. Lovelace returned ALL completed
forms as directed.
On 03-16-2004, Pacer Court records No. 9 – Summons was
issued for Defendants Dekalb County Police. Clear as day, pacer showed that the
Clerk’s Office processed Summons for Defendants.
On 03-18-2004, Pacer Court records No. 10 – Request for
Waiver of Summons. Request for Waiver of Service due by 04-16-2004
Clearly, they were served.
On 04-23-2004, In accordance with Civil Procedure and due to
no Answer by Defendants (Dekalb County Police dept.); Plaintiff (Lovelace) filed
Motion for Default and Summary Judgment.
Suddenly, without cause or explanation – I received notice
that the Judge was changed from Judge Jack T Camp to Judge William S Duffey.
Clearly, they were served but they were allowed to state
that I never served them, defendants blamed one of their staff members and
actually plead that ‘it would be unfair.’

 

 

 

Summons was process and Defendants simply ignored!
Original Complaint included Dekalb County – Courts own Time-stamp
BOTH – Defendants are listed but Clerk’s Office Removed Dekalb Police from Complaint

 

 

 
 
Pacer shows summons issued 03-16-2004  – 
Clerk entered name for  Amended Motion as miscellaneous  

 

I have had three websites but each time I am faced with unexplained changes to my websites
or purchase links being forwarded to other non-related sites.
Recently, I
have discovered that some of my copies sent as attachments in emails were never
received so if you have received a copy then it was through great lengths.
I have put
everything into fighting this injustice and I could use some support. It has
been a difficult journey but this form of slavery must stop because I am not
going to accept this without a fight. There is no valid reason, justification
or excuse to deny rights…
This is really a Dirty Game!

Due to that long list that consisted of very prominent music
labels, prominent music industry people, prominent  attorney’s, groups and organizations provided
in this book who were contacted for assistance,
I can understand why it is so important
for this information to remain hidden.
Even
decades later; once released, it would reflect poorly on each entity and those
who are supposed to uphold the law. It is probably because these are the same
entities that are supposed to uphold and protect the rights of the people; yet,
palms are greased and backs are turned.
Laws
and Rights mean nothing if they don’t apply to everyone. What kind of message
does this send to the people in 2013? It would appear that the life of one
individual in comparison to the prominent, upscale and influential people has
no value.  ANYONE can do anything to
anyone if they have more friends and wealth.


 

I
hope that this book reaches those who are unaware of the fact that even though
the world is changing; it doesn’t change for all. I hope that you will see
beyond my immediate anger and sadness reflected in my journals targeted toward
my oppressors. The documentation provided along with my personal experiences
shared in this book should demonstrate the lengths that those who have abused
their positions to strip me of my life publicly by using illegal tactics, mass
deception and intimidation. Even though there are incidents that actually
obtain media attention, there are numerous unjust events that do not receive
acknowledgment.
In my case, there seems to always be
something more pressing or someone more important. Let’s not allow others to
continue to divert our attention elsewhere when in most cases we can save
lives. If you don’t experience racism, then you would never know what it is
like or if it still exists for most.
I can’t help but recall a conversation
with a young lady who was of another nationality who casually stated that the
world is getting better with regards to racism. Of course, I had to acknowledge
that it seems like it but it still exists– they are just sneakier with it! It
still exists in the places that have the most impact on minorities – The Courts
and the workplaces. While this book demonstrated some of the tactics used in my
case with Zomba/BMG (now Universal Music Group. I have compiled some of my
personal experiences with the court system in other cases in my other book – Invisible: Living in America
Without Rights  – 2013
!
Although I have been treated horribly by
many, I still treat people with courtesy and decency. I believe that this is
where real change can start. Treat people like you want to be treated seems
corny but you never know if the person that you choose to mistreat has already
been through the ringer. That simple gesture can make your day or it could be
the difference between changing that persons view on life. I know that a few
kind words from strangers helped restore my faith in the possibility of
Justice. I am still and will continue to seek assistance in obtaining justice
from a world that does not recognize my humanity.
In addition to everything else and in spite of all my clear proof that everything is not what it seems, I have to fight complete strangers who truly believe that I am some lying, maniac, mastermind responsible for everything bad in their world.

Seven West Productions is currently accepting donations to assist
with product marketing and promotional cost to ensure we are
able to reach a wider audience so that others may also benefit from
the messages provided in our informational products. No donation is considered too
small.

While traveling, I found myself stranded in Ft. Worth, TX

“The more you stand up for yourself, the more opposition you have to endure. Even with proof of deliberate violations, even without having any personal mental or emotional issues, even though you do not have any substance abuse issues…the system will deliberately oppress and prevent you from maintaining employment and from conducting business when you speak out against the system designed to violate certain individuals that they use to profit and then discard.

They present you in the worst light in order to justify little or no compensation.”

Even with with work experience and many employable skills, I don’t even receive an interview call in over a year.

So I developed products and I have been traveling to promote my books and poetry but when no one supports your efforts this eventually causes homelessness.

I worked for many years in the music business and they used 40+ songs lyrics and melodies that made them hundreds of millions of dollars but because I am an unaligned African American Woman, this system feels that I am not entitled to having rights so they do not feel that they have to pay. Others don’t like my response to what has been allowed to continue and some do not care because of their own hardships.

I will never give up and I will continue to seek justice no matter what or where, until justice is in hand.

 

Posted: Feb 21, 2014 7:21 AM PST Updated: Feb 21, 2014 7:00 AM PST Re-posted: July 4, 2014 3:15 PM 
Written by Tiwanda Lovelace – Bio | Email | Website | Twitter @sevenwestprod | Youtuube | Online Store
Thank you for your Support!
Look for this button on the following websites:

http://musicbizadirtygame.blogspot.com/

Unfair Competition and Unfair Trade Practices

EXPLORING NEW LEGAL STRATEGIES

When individuals protect themselves legally, invest valuable time, money and works hard at achieving their dreams and endeavors… NO ONE should be able to circumvent justice and deprive them of their rights to adequate representation and the opportunity to pursue proper resolution.

Other than denial and refusal to acknowledge, NO ONE has ever directly addressed Lovelace regarding the many allegations of misconduct and violations of criminal acts, civil and human rights violations. Lovelace has never received any monetary compensation for any of the copyright infringements, breach of contract or unfair trade practices. Lovelace was never consulted, communicated with, considered, notified or addressed regarding resolution in any of the matters provided herein and on this website or others!

There has never been any option for obtaining legal representation due to major entities involved and multiple events that officials disregard!

When seeking legal representation with multiple ongoing legal issues involving certain powerful entities, it’s very difficult find representation. Unfortunately due to abuse of power or influential individuals who can manipulate events, the individual can easily be deprived of their rights by a society that relies on the ‘it’s who you know’ philosophy or the lack of empathy for others.

I am seeking assistance with unfair trade and unfair competition violations with regards to my company Seven West Productions, LLC and my products, programs, comics, books, etc…that conflict with a billion dollar industry and exposes official’s misconduct. It’s bad enough to have been deprived of personal civil and human rights but my company too….Small businesses should be able to sell products just like others without having to be harassed, intimidated and hindered at every turn.

Allegations of Unfair Competition and Unfair Trade Acts include:

1. Facebook ‘warning’ that is produced when my links to my other websites are clicked, ads being stopped at $2.11 and post photos switched to misrepresent, 2. Google and Google Play’s efforts to deter sales,

3. Amazon creating fake sellers with higher ratings with my company’s one of a kind products, to

4. Dunn & Bradstreet showing the public one profile while providing me with different view when signed in..

I have attached some background information and attachments on this website. If my products were not in conflict with a billion dollar industry and officials who refuse to uphold the law for the daughter of a man who allegedly killed a police officer, there would not be this much opposition.

These products, programs, comics, books, etc. which reference multiple legal situations; which involves, copyright infringements, breach of contract, civil rights violations, mail tampering, court tampering, and violent acts.

These events have occurred across multiple States and with proof of combined efforts. These incidents can easily be considered as operating as a monopoly, violating the Antitrust Laws AND my publications highlight many of the atrocities that I and others have been forced to endure. I would appreciate it if you would consider reviewing some of my documentation and evidence that I have collected.

I have compiled documented proof of how bullies are using their influence, positions and powers to stifle my business efforts and some examples of proof are posted on my websites.

There are too many coincidences of convenient acts which substantiate accusations of unfair competition and unfair trade practices acts. I have tried everything within my means to try obtain assistance but using the mail and emails have been thwarted because of those in position are able to impede. No one should be able to take your rights openly.

Thank you for your consideration,
Tiwanda Lovelace

Sunday, Updated October 13, 2015 – Written by Tiwanda ‘Ne Ne’ Lovelace

Bio Email Website | Twitter | YouTube | Online Store 

Unfair Competition & Trade Practices  

Extra Clippings and Inserts:

Createspace product page

pic of option on createspace with highlights - no sales

In addition, I have had this Seller Account for over 2 years

so why does it say just launched?

pic of other sellers listed on amazon

These sellers are not authorized and they do not have

the rights to sell or resell this title!

Each Seller listed has the same description as CreateSpace/Amazon AND LSI- Lightning Source Inc!

pic of createspace summary regarding no sales

LSI – Lightning Source has reported NO SALES in over (2) two years!

HOWEVER…

THIS IS RIDICULOUS - OTHER SELLERS LISTED ON AMAZON

AMAZON LISTED ANOTHER SELLER AS SELLING MY BOOK AS USED

This is my company website where I am using an Amazon Associates Widget…This widget link was forwarding to other seller for $0.78…

while my book is listed on my Amazon Seller Account for $14.99.

AMAZON WIDGET SHOW MBIADG AS 0.78 CENTS

This title was removed from both; LSI and Amazon/CreateSpace’s P.O.D. services that allows other sellers to flood the title without purchasing and is only available for purchase through Seven West Productions or 7 West Publishing. These titles are only available for purchase through Official website, Amazon Seller Account for SWP, Google Play/Book under SWP and Etsy.com/shop/7westpublishing.

AMAZON SHOWS OUT OF PRINT WITH NO OTHER OPTIONS CREATESPACE and amazon does not link with seller account listing all other seller channels removed

My title is not available for other sellers; however, other sellers are allowed to list (even after I Reported violations to Amazon)…

pic of email confirming book not available for P.O.D.

If my products were not in conflict with a billion dollar industry would their be this much opposition?

NOW AVAILABLE ON GOOGLE PLAY AND GOOGLE BOOKS

MUSIC, MURDER AND MAYHEM – A TRUE STORY!

MUSIC BUSINESS: IT’S A DIRTY GAME!

INVISIBLE: LIVING IN AMERICA WITHOUT RIGHTS!

While promoting and marketing the following titles, Seven West Productions, LLC has faced multiple acts that can easily be described as Unfair Trade Practices and Unfair Competition.

These Titles shown below, shed light on the darkest parts of the music business AND the ‘system’ that uses and/or allows this industry to operate with impunity!

Also Available @: MUSIC BUSINESS: IT’S A DIRTY GAME!

MBIADG BOX DESCRIPTION

Music, Murder and Mayhem – A True Story!

MMM BOX DESCRIPTION

ILIA BOX DESCRIPTION

When an entity interferes or when too many instances of convenient tampering or editing of websites and blogs sites, deliberately interfering with a competitors business interest by blocking content and/or impeding a competitors sales can at the least contribute to Unfair Trade Practices among the many other criminal and/or questionable activities.

SHOPIFY EXPERIENCE

Recently, I set up an additional shop for eBooks only using Shopify. For several months, I faithfully paid that $29.99 per month. Out of the blue, I received an email regarding tax or accounting issues as shown in the email below:

 

I received another email stating that the first email was sent in error but what it did not state was that by simply responding to that email – another account was activated.

 

INSTEAD OF SHOPIFY CHARGING MY  ACCOUNT THE SAME $29.99, THEY PROCESS (3) THREE CHARGES OF $29.99.

NOW MISTAKES CAN HAPPEN TO ANYONE…

Now this still does not justify the (3) THREE CHARGES OF $29.99

After countless hours of back and forth, allegedly all is taken care of and the second

website accounts are closed.

Check this out…

I receive another email that tells me that I have a customer from my Shopify store.

 
 

Good morning,

I have had no problems with making my payments and the money was in the account but your email initiated the problems that I am having with this account.
I don’t sell these products and this shop should have never been reopened. John Smith placed a new order with you today, Mar 10 01:11PM:
 
  •  1x Sledgehammer for $199.99 each
  •  1x Wire Cutter for $29.95 each

I had spent enough time on Shopify with phone calls, etc… I did not go online to bother with this website and no where on this email does it say test. 

I found this disturbing…A sledge-hammer,Really?

By the way the site never generated any sales, just over payments, wasted time on unnecessary emails and phone calls.

Another example:

I did not post this picture shown below but shortly after I made my Facebook account inactive and stopped checking it…somehow someone else was able to switch my picture with another. This is not what I posted nor intended but this is an example of how social media can misrepresent you or your company! Can you guess the purpose behind the switch that someone else initiated?

 
 

The REAL problem occurs when in spite of having documented evidence of these acts and much more or whether you receive an opportunity to seek justice as an individual or a small company, you can be denied the opportunity to seek justice or the ability to even obtain legal representation!

Enforcement of laws are based on who you are and depends on who is the opposing party or depriving entity!

 

“I just wanted to write and be paid for my work…Along the way, I was met with extreme opposition and I have faced many obstacles. I wanted to share some of them with those who would like to know the truth behind the lies and tactics.”  – Tiwanda Lovelace
Google Tactics: 

WHAT DON’T
THEY WANT YOU TO KNOW?

The other websites had the same upload but they had it posted correctly…

WHY THE GAMES? HIDING WHAT?

Google Tactics

 

Google Search shows my book for $0.99 but of course this is not correct. Amazon has the correct price $19.99 but Google displayed this search results. Yes, I have asked them to remove listing repeatedly.

 

Finally, I was able to have MusicBusiness: It’s a Dirty Game! – removed from their Google Books and Google Play websites.

I have decided to utilize Google Books and Google Play again please click here!

Google Images Search for:  Music Business: It’s a Dirty Game!

Google Image’s Search under ‘Music Business: It’s a Dirty Game’ shows images taken from my book and then immediately list this idiot on the commode, counting money…and…a penny listed a little ways down…’I wonder why that is?’

 

Google Books also displayed various pages from my book out of sequence and out of context for a preview.

If you see $ 0.99 and then once you select page the price shows $19.99 this could discourage interest. Book was not listed with correct title.

The updated version of MUSIC BUSINESS: IT’S A DIRTY GAME! has 350 pages so if you purchase and your copy does not…!

Google+ / Google Plus

This ‘Post’ page show perfectly when you click on tab…

 (Even after clearing formatting, I am unable to decrease font size.)

However, when I randomly checked the ‘About’ for Ne Ne Lovelace at:

https://plus.google.com/+NeNeLovelace/about did not list the information that was provided or is sporadically made available to readers as shown below:

 

There is no information shown on this page for no apparent reason, which clearly indicates an error on the technical side of my Google + While sending Feedback or Request for Fix…

 

Suddenly, now my ‘About’ page displays correctly (for now)!

The ‘About’ page provides background events and the Author’s and Seven West Productions, LLC’s BIO!

 

If my products were not in conflict with a billion dollar industry would their be this much opposition? 
 

Does this seem like just some disgruntled artist that’s mad about some songs….This so-called Blackballing from the music industry is preventing fair trade and interfering with fair trade practices…

FacebookTactics

I purchased a couple Ads’ from Facebook and this is a copy of the Ads tracking where they stopped all activity at $2.11.

My very first Ad went well; I reached over 44,000 hits per my page manager but someone interfered with 2nd Ad.
I wonder why…






I assure you this was never a game but this was a revenge plot from the start! Read Chapters 1-6 of Music Business: It’s a Dirty Game! provided below!


Amazon and eBay, My Rivals?

Why would eBay and Amazon have mysterious seller offer my listing for less than the authorized price? I understand competition but why is there no information on seller?

Notice: Top Rated Plus & Seller: buy (2589127 with shooting star) is listed first, and then my listing is below…

 



This is not my (Seven West Productions) Ad and it should be $19.99.
My (Seven West Productions) listing is second.
Note: My photo was used by Seller: buy (2589127 with shooting star).

These are not coincidences…but deliberate! Find out why by reading Chapters 1-6 below!
 

Amazon/CreatespaceIssue

Meanwhile, I am marketing and promoting this book and sending my customers to Amazon/Createspace but they offer it for less because Amazon was selling same book @ $17.01, not the agreed 19.99 through Createspace.


 

No Sales? I know people who purchased on Amazon!

This is not my listing above-5new $16.00 –

My previous Correct Seller information with eBay

100% Positive feedback
Amazon is clearly selling at different rate and $0.00 in sales have been reported even though I know that friends/associates have
purchased.

This is my listing below showing the agreed Createspace
/Amazon price of $19.99…which coincidentally is listed on page #144, page 12 under Music.


Does this seem like just some disgruntled artist that’s mad about some songs….This so-called Blackballing from the music industry is preventing fair trade and interfering with fair trade practices…The lies of industry personnel is affecting life outside of being in the music business!

Createspace/AmazonTitle Listings

MUSIC BUSINESS: IT’S A DIRTY GAME
Title
ID:
 4184590
ISBN-13: 978-0578119465   
ISBN
0578119463 SOFTCOVER, SEVEN WEST PRODUCTIONS  

ISBN
0578119463 BOOKNACKRH VIA  
AMAZON.COM US $22.04
ISBN
0578119463 AMAZON US
(ships w/i 24hrs) $23.98
ISBN
0578119463  TextbooksRus US EDITION $25.14
ISBN
0578119463 THE BOOK DEPOSITORY Ltd VIA 
AMAZONCO.UK  $27.04
ISBN
0578119463  
AMAZONCO.UK $30.72
ISBN
0578119463 THE BOOK DEPOSITORY UK VIA 
AMAZON.FR FRANCE $32.85
ISBN
0578119463 
AMAZON.FR FRANC $34.13
ISBN
0578119463 THE BOOK DEPOSITORY UK VIA 
AMAZON.DE GERMANY $37.76
ISBN
0578119463  
AMAZON.DE GERMANY $39.18
ISBN 0578119463  SPINEYS
VIA 
AMAZONCO.UK $44.60
I spent hours, days and weeks promoting my book; sending my customers to eBay &
Amazon links for my $19.99 Music Business: It’s a Dirty Game and find that my
efforts are undermined.
I hope that you have enjoyed reading the Chapters 1 – 6 that I have provided for preview.

I am fighting for my life and I shouldn’t have had to compete with Amazon and/or
eBay with my own product when using their online service!

I have had three websites but each time I am faced with unexplained changes to my websites or purchase links being forwarded to other non-related sites.
Recently, I have discovered that some of my copies sent as attachments in emails were never received so if you have received a copy then it was through great lengths.
I have put everything into fighting this injustice and I could use some support. It has
been a difficult journey but this form of slavery must stop because I am not
going to accept this without a fight. There is no valid reason, justification
or excuse to deny rights…
This is really a Dirty Game!

For more supporting documentation, please visit:


Unfair and Unnecessary Opposition

 
NEW! Updated November 30, 2014
 
Amazon shows book for sell and active under 7westpublishing seller account but search shows not available or temporarily out of stock.
 
  

Amazon search for Music Business It’s a Dirty Game AND ISBN 978-0-98962253-0

but results say that this title is out of stock and/or unavailable…
 
This is unfair trade practices if my seller account says that it is for sell and active but not showing under search!

Amazon search shows book but says unavailable or out of stock but my seller account show active:

 
 

 



Dunn & Bradstreet 
If my products were not in conflict with a billion dollar industry would their be this much opposition? 

Does this seem like just some disgruntled artist that’s mad about some songs….This so-called Blackballing from the music industry is preventing fair trade and interfering with fair trade practices…
Dun & Bradstreet

 I appreciate the phone call but I can assure you that there is no exaggeration and that there is a serious problem with the way that this account and information is being handled. I only have one log-on and one password for this website but the wrong website is listed when not logged in. When I, as a small business owner…updates and verifies company information, it should remain and reflect the proper information; especially, when you are selling a portal or service that is supposed to maintain information to help build credit and business. Please review the numerous emails and screenshots before you make the decision to minimize my concerns. In addition to showing unverified when I spent numerous hours entering, updating and verifying all of my company’s information.

I entered URL’s, social media links, logos and videos; however, the urls are not forwarding correctly. My social media links are producing error messages, etc…(as shown on screenshots).

I have attached copies of print-screens and pdf’s to explain the situation that I have been attempting to resolve.The following png. file shows what I see when logged in  but this is not what is displayed.It is clear that there is some technological manipulations and major concerns on behalf of your I.T. departments.When displaying my company’s information, there is no question that there is a problem that is more than just verification issue and therefore I have not received the service that was paid for.  Any small business in this
position would require proper resolution and explanation.

I have put many hours and too much time into explaining and attempting to resolve this issue so I hope that you now understand my position.I hope that we can resolve this matter but again until it is resolved, I stand
by my request for a full refund of all payments made for this service. I ask that you consider taking the same measures that you would take when addressing any other business where your company is at fault.

Sincerely,Tiwanda Lovelace

 
 When logged in, the correct website is shown but when not logged on or public  view provides different website and other info…
 
 

On the same evening, I received the following messages:

 
 

First search results show:

 

NOTE: A few hours later and another search does not show the same information. Suddenly, your system shows that my company cannot be found.

Email confirms previously verified…

On September 20, 2014 this screenshot was sent with an email to notify Dun & Bradstreet Credibility Corp that the package that I purchased was not reflecting on my account.

Links for Social Media unavailable even verified and updated… 

I only have one log-on and one password for this website but the wrong website is listed when not logged in , company name doesn’t show LLC..

The same date as shown above but when not

logged in it shows the following…

Links for Social Media unavailable even verified and updated…
Twitter URL not forwarding

Worldpay

Worldpay – SWP, LLC requested a direct merchant/gateway set-up without using a third party. After 2) two months and (5) five attempts to set up a merchant/gateway account for Seven West Productions. Worldpay reps and manager states that in order to use Worldpay direct without using a third party, your company must sell a large dollar amount.
They incorrectly opened up (5) five merchant/gateway accounts and one rep told me that I had to take the set-up that she was giving me. Each time they opened an account incorrectly, I requested immediate closure.
Even after requesting that their reps. to stop sending me DocuSign docs, they continued as if intended to harass.
Their manager confirmed that all accounts were closed and that there would be no fees since they were not able to open SWP, LLC a direct merchant/gateway.
 
One of these incorrectly set-up accounts that was closed was then sent to a third party collection agency within 1-2 weeks from account closure. 
There was no justification for Worldpay to forward any bill to a (3) third-party collection agency against SWP, LLC and my company had not been established (30) days yet. 
So instead of being able to focus on other important details of
conducting business, I was forced to contact both – Worldpay manager and
the (3) third-party collection agency regarding a bill sent to collections
on my two week old established LLC.
 
INITIAL CONTACT WITH WORLDPAY
 

 

 

Even after being advised that SWP, LLC would not be charged for incorrectly set-up accounts and that fees would be waived…Bills that should have never been charged but were sent from Worldpay to (2) separate 3rd party collection agencies.
 

 

 

 

 

Recently, I received another bill:

If my products were not in conflict with a billion dollar industry, would their be this much opposition? 


Does this seem like just some disgruntled artist that’s mad about some songs….This so-called Blackballing from the music industry is preventing fair trade and interfering with fair trade practices…

 
eBooks – Available in English, Spanish and French at:

If my products were not in conflict with a billion dollar industry would their be this much opposition? 

Does this seem like just some disgruntled artist that’s mad about some songs….This so-called Blackballing from the music industry is preventing fair trade and interfering with fair trade practices…



I cannot even sell a simple ringtone although I have jumped through hoops and complied with SNIPSELL’s request:



Review emails yourself: Snipsell Emails confirming B.S.

1. Snipsell ringtone months later…still not published.

2. After I sent an email requesting information regarding why I never receiving the official message stating ringtone has been published… 7 days later Snipsell responds with  wrong ringtone title name ‘Get your Ass up’ instead of ‘SMACK, Get Your Life.’

 3. Standard promo link provided does not lead to buy page for ringtone, instead the direct link I received was linked to general iTunes store.

4. The title was Title: (SMACK) Get Yo Life! Artist: Tiwanda Lovelace not the one listing The Nay Nay….

5. It is clear by all of the game that you have no interest in conducting business in the usual manner!

What would be the reason why you would not want to provide the services that you offer? Why not provide proper link for ringtone so that I could try to make a little money?

 If you did not want to conduct business properly with me, then all you had to do was say so.

There was no specific reason for choosing Snipsell and I am sure that there are many other companies and ways to sell a simple ringtone that won’t waste your time so don’t.

Copyright © 2013 Seven West Productions

P.O. Box 400001, Las Vegas, NV 89139 Ph. (877) 885-2944

Created and Written by Tiwanda ‘Ne Ne’ Lovelace

All rights reserved. 
 
No part of this blog or books may be reproduced in any form or by electronic or mechanical means, including information storage or retrieval system, without permission in writing from the publisher, except by a reviewer who may quote brief passages.

Unfair Competition and Unfair Trade Practices